Waterlover, Watercarrier

Pierr is a young gay dress maker who lives with his younger brother in a gay porn cinema. He works in a small textile factory in order to save up some money and move to another place. After being fired because of a series of rumors about his sexuality, Pierr turns to Omar, an older man that makes a living out of prostitution, who introduces him to a community that has isolated from Peruvian society willing to find protection from its prejudices.

Forty years later, Lluís Escribano and José Romero Ahumada, a former member and actor respectively, of Els 5 QKs, an anarcha-fag filmmaking collective, meet on a nudist beach and make love.

Set in the futuristic landscape of Los Angeles on July 4, 2008, as it stands on the brink of social, economic and environmental disaster. Boxer Santaros is an action star who's stricken with amnesia. His life intertwines with Krysta Now, an adult film star developing her own reality television project, and Ronald Taverner, a Hermosa Beach police officer who holds the key to a vast conspiracy.

After the insane General Jack D. Ripper initiates a nuclear strike on the Soviet Union, a war room full of politicians, generals and a Russian diplomat all frantically try to stop the nuclear strike.

The year 2050 the planet has become overpopulated, to help control population the government develops a race. The Death Race. Annually competitors race across the country scoring points for killing people with their vehicles.

Jérémie returns to his hometown for an old friend’s funeral. In this village where so much goes unsaid, he must contend with rumours and suspicion, until he commits an irreparable act and finds himself at the centre of a police investigation.

At the beginning of the 70s, Jean Genet is in Tangier, he is in his sixties and he no longer writes. He lives in the El Minza hotel, a palace, where he spends entire days reading, smoking and sleeping (he takes Nembutal, a barbiturate used as a sleeping pill). He only goes out at the beginning of the afternoon to have a coffee with milk in one of the bars of Petit Socco. He sometimes meets the young Moroccan writer Mohamed Choukri there. Their discussion is banal, friendly. Sometimes they talk about literature. Genet no longer writes, but is still inhabited by it.

Follows Andy, who needs to hook up with a hottie, pronto, because he hasn't had sex in... well, forever - and his luck isn't the only thing that's hard. His equally horny teenage roommates also need it superbad, and with the help of their nerdy pal, McAnalovin' and his fake I.D., they may tap more than just a keg.

Fleeing from the image of his boyfriend who recently committed suicide, Leo arrives in England in order to descend into anonymity. Yet even here his mind continually turns to the reality of his lover’s death and their experiences together.

A wife reveals to her younger husband that she is having an affair.

A queer ensemble comedy set over a weekend at the lake house of a group of lifelong friends

Two young men and two girls on a moonlit night confess to each other in their strange fantasies and loves that go beyond the usual standards.. The impetus to making the film was the book of the same name by the Russian religious philosopher Vasily Rozanov, who died 100 years ago. His treatise was devoted to the study of sexuality and its denial in Christianity. The film was made in the style of experimental films of the 1920s with a non-linear narration full of strange surrealistic images. He is black and white and devoid of dialogue. Filmed on film 16 mm of firm "Svema", released in the USSR. This added to his exoticism. The image was put to the music of Alexander Scriabin “The Poem of Ecstasy” (1907).

Sweethearts Brad and Janet, stuck with a flat tire during a storm, discover the eerie mansion of Dr. Frank-N-Furter, a transvestite scientist. As their innocence is lost, Brad and Janet meet a houseful of wild characters, including a rocking biker and a creepy butler. Through elaborate dances and rock songs, Frank-N-Furter unveils his latest creation: a muscular man named 'Rocky'.

Declan Flynn, a man struggling for self-acceptance, is preyed upon by a gang of self-described ‘Queer-bashers’ in Dublin, 1982. Based on the true story seen as a major catalyst for Ireland’s LGBTQ Pride movement.

Corrupt Colour follows childhood friends and self-proclaimed internet pop-stars, Emily and Gia as they set up their first live concert but their delusions of grandeur are compromised when the live show of their dreams becomes a nightmare. The show must go on and with the help of their closest friends, irreverent leads Emily and Gia are forced to reckon with their true place in the public eye. With poignant lyrics, loud personalities, and unique creative decisions, Emily and Gia take us on a hilarious and melancholy journey through identity in the digital age that leaves us all asking "who am I trying to be?"

Jude wants top surgery, Mom wants an “old lady pass” on the whole pronouns thing. As the two butt heads about gender, language, and body image at Monsieur le Butch’s al fresco salon, they both must navigate the hairiness of being seen.

It's July 4th at Dawson's Beach, and Jesse shows Hank an ominous note he received from someone who knows their romantic secret. The Southport Slasher Ben Willis sent a similar note to Julie James 25 years ago before wreaking havoc on the town, but that's just an old story. Is this some anniversary prank, or are they really in trouble? They and their girlfriends realize too late that they're in the wrong place at the wrong time... A queer horror fan film celebrating the 25th anniversary of the I Know What You Did Last Summer franchise, following the events of the original 1997 film (with a nod to the 1998 sequel).

Every morning, Pedro carefully prepares coffee for Tiago, but even with all his extraordinary efforts, he is unable to prevent the drink from getting cold.

The homoerotic poetry of Mutsuo Takahashi sets the stage for these associated images based on male desire.

Five thirty-something men in as many separate segments struggle to grapple with the relentless absurdity of their respective existences.