Jean-Marie Serreau, découvreur de théâtres

Jean Gabin, le dernier des géants

Summer of revolution

"It's very strange, on stage I always feel very good, but during the two hours before, there is fear, uneasiness, a great sadness" declared Yves Montand to the press in 1980. To commemorate the 100 years of his birth, this portrait rich in archives and songs unfolds the career of a music-hall artist with unforgettable charisma.

Tribute to the Druze Kamal Jumblatt, Minister of Economy and Agriculture (1946) and founder of the Progressive Socialist Party (PSP) in 1949. He was one of the architects of the departure of President Bechara el-Khoury (1952), before playing a major role in the events of 1958. From 1960 to 1964, Kamal Jumblatt assumed, under the presidency of Fouad Chehab, various ministerial functions . . After the conflict of June 1967, he gradually approached the Palestinian organizations. In 1969 he became Minister of the Interior; in August 1970, he supported the election of Soleiman Frangié as President of the Republic. Following the Lebanese-Palestinian clashes of May 1973, he took sides against the head of state, established himself as the leader of the National Movement in 1975 and engaged in a revolutionary armed struggle against the Lebanese Front. Hostile to Syria's intervention in Lebanon, he broke with it (March 1976). He was assassinated near a Syrian checkpoint in 1977.

Jean-François Stévenin - Simple Messieurs

From Quai des brumes to Goupi Mains Rouges through La Bandera or L'Assassinat du Père Noël, Robert Le Vigan was one of the mythical supporting characters of French cinema. Best friend of the writer Louis- Ferdinand Céline, he was involved in the collaboration during the Second World War. Sentenced to ten years in prison upon liberation, he ended his days in exile in Tandil, South America.

The crazy rise and fall of Jacques Tati, comedy genius, actor, director and athlete of laughter. Or how the inventor of the mythical Mr. Hulot made France laugh, then the world, flying from success to success, rising higher and higher, until he came a little too close to the sun.

Il était une fois... Vincent, François, Paul et les autres

The best kept secret of The Andes will be revealed… For some, he is the thinker that set in motion a spiritual and political movement that passed through borders and extended from Argentina to India. For other, he is the leader of a sect, a skillful manipulator and demagogue. For most, he is still a mystery. Through this feature length documentary film we try to tell the life and work of this extraordinary person, posing a disturbing question: Who is Silo?

Documentary that follows events after the fall of Slobodan Milosevic, while looking back on the previous fifteen years, tracing his rise to power. Personal testimony alternates with analysis of a disintegrating society.

Alain Delon, la solitude d'un fauve

A portrait of David Rouiller, a young Swiss man who joined the Kurdish freedom movement PKK five years ago. Rouiller, the son of a university Professor and a former President of the Swiss Federal Supreme Court, gave up a comfortable and safe existence in Switzerland, and the amenities of a western lifestyle, to commit his life and strength to the ideals of the Kurdish freedom fight. Is he an adventurer, a dreamer, an idealist, a hero? Is his commitment visionary or illusory?

A moving and very funny portrait of the personal and professional life of the magnificent French comedian Louis de Funès (1914-83), as well as a detailed analysis of his masterful acting technique.

A documentary road movie with René Vautier In the aftermath of Algeria's independence, René Vautier, a militant filmmaker, considered "the dad" of Algerian cinema, set up the cine-pops. We recreate with him the device of itinerant projections and we travel the country in ciné-bus (Algiers, Béjaïa, Tizi Ouzou, Tébessa) to hear the voices of the spectators on the political situation, youth and living conditions of men and Of women today.

In 1972, Carlos Mathus's provocative play 'La lección de anatomía' opened in Buenos Aires. He thus became a renowned author and director, and the play had an international uninterrupted run of thirty years. More than forty years later the author asks himself about the current relevance of the play and embarks on the adventure of a revival, an odyssey that will take a definite toll on his spirit, his health, and the work itself.

Comedian, actor, author, director and emblematic figure of the French stage and cinema of the 50s and 60s, Francis Blanche liked to change register, moving from radio to writing to television and cinema, living more than "hundred lives".

"I often say sociology is a martial art, a means of self-defence. Basically, you use it to defend yourself, without having the right to use it for unfair attacks." (Pierre Bourdieu) The world has witnesses who speak out loud what others keep to themselves. They are neither gurus, nor masters, but those who consider that the city and the world can be thought out. The sociologist, Pierre Bourdieu is one such witness." Over a three- year period, Pierre Carles' camera followed him through different situations: a short conversation with Günter Grass, a lively conference with the inhabitants of a working-class suburb, his relations with his students and colleagues and his plea that sociology be part of the life of the city. His thinking has a sort of familiarity, which means it is always within our reach. It is the thinking of a French intellectual who has chosen to think his times.

A look at the entire process of creating and developing Patrice Chéreau’s third staging of "In the Solitude of Cotton Fields" by Bernard Marie Koltès with Pascal Greggory and Chéreau himself. From the first reading around the table through the first contact with the performance space, rehearsals and lighting to opening night, the entire creative process unfurls in front of our eyes. The film shows us the evolving and ongoing dialogue between Greggory and Chéreau, a dialogue full of crises and magical moments of harmony and insight via which the truth, intensity, complexity, mystery and depth of Koltès’ text gradually emerge to form an implicit bond between these two men. The film also shows Chéreau directing rehearsals for Mozart’s "Don Giovanni" in Salzburg, revealing both the unity of and profound differences between his opera and theater work.

In a career spanning more than half a century, Bernard Blier has shot more than 180 films. He alone represents a history of French cinema without having spent his time cultivating its legend. He crossed his century as an actor with the modesty of a craftsman. He believed in learning, know-how and transmission. He considered himself, like the butcher or the cabinetmaker, as a man useful to his fellow men. Bernard Blier found in Louis Jouvet, who was his teacher at the Conservatory, a master at playing, a mentor and even a spiritual father. Jouvet taught Blier the love of acting, theater and Molière. And if he knew how to take hold of Michel Audiard's best tirades like no one else, notably those of the "Tontons Flingueurs", it is to this apprenticeship that he owes it.

Moi, Magyd Cherfi : portrait intimiste d'un chanteur devenu écrivain