Dickson Experimental Sound Film

Ballroom dancers Veloz and Yolanda perform the various dance fads of the first half of the twentieth century.

Modern Americans think that the movies learned to talk in 1927 when Al Jolson opened his mouth in THE JAZZ SINGER, but sound pictures had a much longer history. Edison envisaged combining the phonograph with motion pictures even before they had been perfected and there is a test sequence from 1895. By the time this 'phonoscene' had been made, Alice Guy had been directing a series of them and there was a series in production in Germany, too. Yet true synchronization remained a problem, what with records wearing out and film breaking until the perfection of sound on film itself.

Short film to a song of love lost and rediscovered, a woman sees and undergoes surreal transformations. Her lover's face melts off, she dons a dress from the shadow of a bell and becomes a dandelion, ants crawl out of a hand and become Frenchmen riding bicycles. Not to mention the turtles with faces on their backs that collide to form a ballerina, or the bizarre baseball game.

Len Lye scraped together enough funding and borrowed equipment to produce a two-minute short featuring his self-made monkey, singing and dancing to 'Peanut Vendor', a 1931 jazz hit for Red Nichols. The two foot high monkey had bolted, moveable joints and some 50 interchangeable mouths to convey the singing. To get the movements right, Lye filmed his new wife, Jane, a prize-winning rumba dancer.

This is an animated version of Yanase Takashi's picture book featuring the friendship between a mother dog, Muku-muku, who lost her puppy, and the baby lion Buru-buru, who lost her mother.

'It was in San Francisco at a punk festival. I was already high and the air was so thick in the rooms that you could cut it with a knife. I had a photograph camera with me; I stood in a corner of the entrance hall and took 36 pictures on slide film. At home I put the slides into a slide projector. I took out the lens and filmed the slides by filming directly from the projector - using single frames according to a certain plan.'

The Cat in the Hat is all set for a lovely picnic, but the evil Grinch changes his plans by inventing a contraption that captures noise and makes it sound ferocious. The Cat has to save the world from the clutches of the Grinch and the only way to do it is to reach Grinch's soft spot.

This animated short follows an unwanted baby who is passed from house to house. The film is the Canadian contribution to an hour-long feature film celebrating UNESCO's Year of the Child (1979). It illustrates one of the ten principles of the Declaration of Children's Rights: every child is entitled to a name and a nationality. The film took home an Oscar® for Best Animated Short Film.

Dislocation in time, time signatures, time as a philosophical concept, and slavery to time are some of the themes touched upon in this 9-minute experimental film, which was written, directed, and produced by Jim Henson. Screened for the first time at the Museum of Modern Art in May of 1965, "Time Piece" enjoyed an eighteen-month run at one Manhattan movie theater and was nominated for an Academy Award for Outstanding Short Subject.

A man in tight jeans buffs his car to the strains of The Paris Sisters' "Dream Lover".

Puce Moment is a short 6 minute film by Kenneth Anger, author of the Hollywood Babylon books, filmed in 1949. Puce Moment resulted from the unfinished short film Puce Women. The film opens with a camera watching 1920s style flapper gowns being taken off a dress rack. The dresses are removed and danced off the rack to music. (The original soundtrack was Verdi opera music; in the 1960s, Anger re-released the film with a new psychedelic folk-rock soundtrack performed by Jonathan Halper.) A long-lashed woman, Yvonne Marquis, dresses in the purple puce gown and walks to her vanity to apply perfume. She lies on a chaise lounge which then begins to move around the room and eventually out to a patio. Borzois appear and she prepares to take them for a walk.

A gang of Nazi bikers prepares for a race as sexual, sadistic, and occult images are cut together.

Donald and Daisy are walking when he is hit by a flowerpot. He's convinced he's a famous singer, and he croons divinely, but does not recognize Daisy. He in fact does become famous. Daisy is devastated by her inability to get over him and sees a psychiatrist. He tells her she has to choose between the world having Donald, or her getting him back. She picks herself, and drops another flowerpot, which restores him.

Shrek, Fiona, Donkey, Puss in Boots, and the rest of the Far Far Away Kingdom battle it out in a singing competition.

Mickey is preparing to conduct an opera when he chases Pluto away. Pluto crashes into a magician's props backstage and spars with the hat, its rabbits, and its doves. The opera begins: Clarabelle plays flute, Clara and Donald are the leads in Romeo and Juliet. Pluto follows the magic hat onstage, to Mickey's growing annoyance. The hat falls into a tuba, and soon the animals are filling the stage.

Edna's grandfather is a conductor of a small orchestra that gives concerts in the park every Sunday. Because of lack of audience the city officials want to cancel these concerts. To stop this from happening, Judy and Edna gather a crowd the following Sunday; and to keep its attention, they themselves perform with the orchestra. Edna sings an aria and Judy sings 'Americana'.

A woman dressed elegantly walks purposely through the water gardens at the Villa d'Este in Tivoli, as the music of Vivaldi's Winter movement of The Four Seasons plays. Heavy red filters give a blue cast to the light; water plays across stone, and fountains send it into the air. No words are spoken. Baroque statuary and the sensuous flow of water are back lit. Anger calls it water games.

A young man is clearing out his departed fathers’ estate. Among his belongings he finds a box with a most peculiar content: a jazz band! They start to follow him wherever he goes. What a nightmare!

A reformed Lumberjack must embrace the power of Nature in order to defeat an 8-bit Wasp Monster that is destroying his home.

A colour anamorphic musical look at London's Heathrow airport over 24-hours in November 1971. The subject was shot entirely at Heathrow airport without recording any direct sound. LHR's many layered tracks were all compiled, recorded and laid in post-production.