Why I Killed Gandhi

A short film and digital resource to highlight the need for more inclusive healthcare in Canada, and provide resources and tips for medical professionals seeking to make their offices and clinics more inclusive for 2SLGBTQ+ patients.

Mother and son turned killers. Mama's Boy is a true crime Australian documentary investigating what drove Samantha Brownlow to convince her son Corey Lovell to murder her stepfather.

The light and the noise stain the dark night.

In this documentary Edo Maajka, Bosnian hip hop star talks about war, his life as a refugee, war crimes, forgiving and making peace, nationalism, music scene in Croatia and Bosnia, Balkans mentality, love and hate, cevap restaurants, Sava river, partings, life of music stars, Lepa Brena and Nele Karajlic, politicians. His mode of narration and his charisma, his sincerity and his relaxed camera appearance will surely capture the spectators' attention.

A look into the world of sustainable fashion with Emma Gorton-Elicott the owner of Fruit Salad, a Bristol based independent sustainable & slow fashion business. Emma discusses the difference between slow and sustainable fashion and what you can do to curate a sustainable wardrobe.

The Making of feature for the George Lucas movie 'THX 1138'.

Joe McKenna is one of the most influential stylists in the world. From the beginning of the 1980s, he struck up a great friendship with Azzedine Alaïa, and they continued to work together for many years. Thanks to their mutual understanding and trust, Joe McKenna was able to obtain the rare privilege of entering the studio and the couturier’s workshops with his camera. He paints an intimate and endearing portrait of Alaïa, punctuated by interviews with Nicolas Ghesquiere, Carlyne Cerf, Naomi Campbell and Grace Coddington, among others

Rae Ripple, a welder from the outskirts of West Texas transforms neglected metal into works of art and in the process finds healing from her traumatic past.

Joan Bakewell visits Haworth in Yorkshire, home of the Brontës, to see the setting in which the novelists worked.

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

From the slow waitings for opening of the big top to the loneliness in the dressing room backstage, Abuhadba follows the life of a small circus in Chile run entirely by a traditional circus family.

The Numbers Start with the River is a 1971 American short documentary film about small-town life in Iowa. Produced by Donald Wrye for the United States Information Agency, it was nominated for an Academy Award for Best Documentary Short.

Going into my interview with Laurel Greenfield, I thought the majority of our conversation would be about her inspiration for painting food and why she chose to pursue painting as a career. We spoke about that but ended up having a much bigger conversation about pursuing a creative career. We talked a lot about finding the balance between having a business plan and taking a leap of faith into the unknown, something anyone pursuing a creative field on their own can relate to.

A young mother, alone with her daughter, confides in a friend who happens to be the director herself. Chantal Akerman, although she sympathizes with the mother, does not say a word.

Celebrate the films that redefined animation, influenced culture and brought Spider-Man into all new dimensions as the filmmakers, journalists and fans share their love of the Spider-verse films.

Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.

A first-person account of a kid named Sidney in a town that helped him become who he is today: Cole Harbour, Nova Scotia.