A Story of Vengeance

It’s 1974 and Sam Bicke has lost everything. His wife leaves him with his three kids, his boss fires him, his brother turns away from him, and the bank won’t give him any money to start anew. He tries to find someone to blame for his misfortunes and comes up with the President of the United States who he plans to murder.

David Sumner, a mild-mannered academic from the United States, marries Amy, an Englishwoman. In order to escape a hectic stateside lifestyle, David and his wife relocate to the small town in rural Cornwall where Amy was raised. There, David is ostracized by the brutish men of the village, including Amy's old flame, Charlie. Eventually the taunts escalate.

Jae-Young is an amateur prostitute who sleeps with men while her best friend Yeo-Jin "manages" her, fixing dates, taking care of the money, and making sure the coast is clear. When Jae-Young falls in love with one of those men, she suppresses her feelings towards him in respect of her friend who's jealous.

Following Rocky Balboa's intense battle with his most powerful adversary yet – the ferocious Clubber Lang – Rocky joins forces with former rival Apollo Creed in an effort to get back his fighting spirit.

Rocky Balboa holds the world heavyweight championship, but a new challenger has stepped forward: Drago, a six-foot-four, 261-pound fighter who has the backing of the Soviet Union. This time, Rocky's training regimen takes him to Siberia, where he prepares for a globally televised match in the heart of Moscow. But nothing can truly prepare him for what he's about to face – a fight to the finish, in which he must defend not only himself, but also the honor of his country!

Laura abandons her peaceful life as a doctor to avenge her sister, who was cheated by a band of pornographers who drugged her to film her rape.

A retired detective moves to a rural village in Ireland where he discovers numerous missing children. He takes the investigation into his own hands due to the absence of police.

Ira translates as “Anger,” but the titular emotion isn’t often conveyed by the unnamed man and woman at the center of this subdued Italian drama set on the grim fringes of society. Instead, they spend their nights working—he in the market, she on the streets—or wandering restlessly and relentlessly around their dark, decaying city. Writer/director Mauro Russo Rouge follows his characters as they drive down roads lit by the yellow glow of streetlights, push through the crowds at a pink-hued nightclub, pick up supplies in a glaringly bright supermarket, and meander down sidewalks with drinks in hand. They rarely emerge into the sunlight; most of the action takes place in claustrophobic indoor spaces or in the cold, gray light of dusk or dawn. So, too, do their expressions remain withdrawn—even when their nascent relationship triggers a decisive act of violence.

Mike Sullivan works as a hit man for crime boss John Rooney. Sullivan views Rooney as a father figure, however after his son is witness to a killing, Mike Sullivan finds himself on the run in attempt to save the life of his son and at the same time looking for revenge on those who wronged him.

In Montauban in 1944, Julien Dandieu in a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in the back country village where Julien has an old castle. One week later, Julien decided to meet then for the week end, but the Germans are already occupying the village.

Will Graham is a former London crime boss who has left his former life to live as a recluse in the forest. Haunted by the blood of those he has murdered, Will wishes never to return. But when his brother commits suicide following a sexual assault at the hands of a volatile car dealer, Will returns to London to discover the cause of his brother's death and administer justice to those responsible.

A school physician whose son is being bullied at school finds that he must conduct a routine medical examination of one of his son's chief tormentors.

Katherine Whately, a tough, young Chicago cop, comes home to her small town to settle her teenage rape. She is welcomed by her brother but shunned by her father. Josh, the town doctor, is her only ally in her quest for the truth. Together Katherine and Josh find the bloody trail of a serial murderer and shatter the lie that is two decades old.

Paul Flanagan is released from jail after serving for 8 years. He only has two things on his mind. First: to retrieve the money from the robbery he was convicted for. Secondly: to get revenge on his partners in crime (his half-brother Paul and his ex-lover Cathy), who got away Scot free and never once visited him in jail.

Centring on the activities of a gang of assorted criminals and, in particular, their leader – a vicious young hoodlum known as "Pinkie" – the film's main thematic concern is the criminal underbelly evident in inter-war Brighton.

Before we can join society as productive and acceptable human beings, we are forced to endure a difficult and trying experience - high school. In a world run by youth, primal attributes dictate who is 'King of the Classroom'. When Marty, a troubled but talented teenager, moves into the locker beside his school's 'Classroom King', a charismatic but grossly sadistic cocaine dealer, his position on the high school food chain sinks to an unsurpassed low. Marty is forced to make the decision of his life: put up with the savage humiliation, or respond with the same primal attitude he is attacked with. His choices slowly but surely reveal who is Class Savage.

Two killers revenge a wirepuller of the underworld in Yokohama.

Avery, a reclusive older man, has a best friend in his dog, Red. When three teens kill Red without reason, Avery sets out for justice and redemption, attempting to follow the letter of the law. But when the law fails him, and the boys' father clearly defines right and wrong in his own way, Avery must avenge himself by any means possible.

Based on a local legend and set in an unknown era, it deals with universal themes of love, possessiveness, family, jealousy and power. Beautifully shot, and acted by Inuit people, it portrays a time when people fought duels by taking turns to punch each other until one was unconscious, made love on the way to the caribou hunt, ate walrus meat and lit their igloos with seal-oil lamps.

A sociopathic kidnapper methodically pushes a desperate pair of parents to their absolute breaking point.