Woodpeckers: The Hole Story

As his country is gripped by revolution and war, a Ukrainian victim of the Chornobyl nuclear disaster discovers a dark secret and must decide whether to risk his life and play his part in the revolution by revealing it.

An innovative production from the world-renowned filmmaker and passionate naturalist Heinz Sielmann, Woodpecker (Zimmerleute des Waldes) is an intriguing celebration of these territorial birds known for their distinctive knocking.

Woody Woodpecker enters a turf war with a big city lawyer wanting to tear down his home in an effort to build a house to flip.

After getting kicked out of the forest, Woody thinks he's found a forever home at Camp Woo Hoo — until an inspector threatens to shut down the camp.

A dreamy autumn picnic goes awry when it receives an unexpected visitor.

On the Pebbley Beach Golf Course, Dapper Denver Dooley and Woody Woodpecker are in a championship playoff. The prize: $25,000. After both contenders make holes in one, a psychological battle begins. Woody crunches celery. Dapper drives himself into a sand trap. Woody proves himself too light for quicksand; Dapper sinks. At every turn, Dapper proceeds to lure and trick poor Woody until Woody's game seems lost. All that Dapper needs to win is a short putt into the cup, but he's seized with a magnificent case of hiccups. Woody wins and hiccups dollar bills!

Woody Woodpecker is a stable boy. The stables are located right in an airfield, and the sound of airplanes droning around only fuels his lust to fly. "I want to fly like the birds!" declares the woodpecker. But the only thing the bulldog sergeant on the airfield feels Woody is competent for is clipping the horses with an electric clipper. And considering that Woody accidentally allows the clipper to clip off the sarge's shirt buttons and a long strip of hair off his chin, he may be giving Woody too much credit. Nevertheless, Woody spends his time reading "How to Fly a Plane from the Ground Up." And eventually, he sneaks onto a PU-2.

Woody Woodpecker befriends a dog.

Gabby Gator, voiced in Kentucky Colonel mode by Daws Butler, is starving. He comes upon a recipe for southern-fried woodpecker and writes Woody a fan letter. Woody shows up to perform an act and about the three-quarter mark, realizes what is going on, and proceeds to take his revenge.

Woody goes to a magic show. He chomps popcorn and continually ribs the magician about his "easy" tricks, finally driving most of the audience away. Then the magician calls Woody on stage to "assist" him in a few "tricks," which enables him to get back at Woody for some of his taunts. Then Woody turns the tables, putting the magician under a magic spell. As the magician comes out of the spell, he tries to get rid of Woody by shooting him out of a cannon. But after the shot is fired, Woody's still there. In desperation, the magician climbs into the cannon and fires himself off the stage!

A weekend in the mountains.

"We, the Yazidis, became doves. Doves without wings", says Hedil. Stranded with her family in a Yazidi refugee camp in Eastern Turkey, she reminisces about her former life in Northern Iraq and recounts the horrors of her escape. The film follows two families' attempts at normality in an otherwise miserable place. (ML)

Amal is 14 years old when she ends up on Tahrir Square during the Egyptian revolution, after the death of her boyfriend in the Port Said Stadium riot. During the protests, she is beaten by police and dragged across the square by her hair. This coming-of-age film follows her over the years after the revolution. As the film cuts between the unfolding current events and Amal’s rapidly changing life and appearance, we see her searching for her own identity in a country in transition. Amal is fiery and fearless, sinking her teeth into the protests and constantly lecturing her mother, who works as a judge. A girl among men, she also has to fight for respect and the right to take part, both in the street and in the rest of her life. In Egypt, even for a young woman like Amal—her name means "hope"—the choices open to her for her future are limited.

East of Walbrzych

Dans la forêt de Borek

"[This film] embodies (...) one of his [Hahnemann's] most mature films. Rainy rides along Schönhauser Allee, which seems to be depopulated. Past the 'Viennese Café', the meeting place par excellence. From a moving train the view of idyllic landscapes, on the horizon a castle. The camera tilts, turns, until the world is upside down. Scenes of an action with the artist friend Heike Stephan: in the sanctuary Hahnemann, black painted with a white turban, and Stephan, stack cages with rabbits on top of each other. Then TV recordings of a discussion forum with Jean-Luc Godard and Rosa von Praunheim - scenes as from another planet. From the off again and again a poem Hahnemann, recited by Peter Mario Graus. The diction is initially calm, almost factual, increases, eventually overturns, but then falls back, resigned. " (Claus Löser in "Gegenbilder")

Chronicles five of fashion photographer Peter Lindbergh's muses, the supermodels of the early 1990s.

Joyful, magical, inspiring, Into the Light with Cité Mémoire soars above the city, revealing history through giant projections that compel us to slow down, look up and breathe as characters of the past emerge from the stone walls of Old Montreal, touching us deeply with their human stories.

Special-effects wizard Ray Harryhausen is the honored guest star of this presentation, a bonus feature on the "Mighty Joe Young" DVD. The Chiodo brothers - three of them - all interview Harryhausen on the 50th anniversary of the film. The Chiodo brothers - Charles, Edward and Stephen - are modern-day special-effects movie men.

Fifteen years ago, social networks were seen as a new democratic ferment that, by promoting the dissemination of information and horizontal communication between citizens, would help people break their chains, from Eastern Europe to the Arab world. The story is different: the assault on the Capitol by Donald Trump's supporters, the chaotic reign of his counterpart Jair Bolsonaro, the offensives targeting Muslims in Narendra Modi's India, or the dazzling success of the racist slogans of Italian League leader Matteo Salvini have highlighted the devastating power on a global scale of the calls to hatred and disinformation that circulate in real time on social media.