Woodpeckers: The Hole Story

As his country is gripped by revolution and war, a Ukrainian victim of the Chernobyl nuclear disaster discovers a dark secret and must decide whether to risk his life and play his part in the revolution by revealing it.

An innovative production from the world-renowned filmmaker and passionate naturalist Heinz Sielmann, Woodpecker (Zimmerleute des Waldes) is an intriguing celebration of these territorial birds known for their distinctive knocking.

Woody Woodpecker enters a turf war with a big city lawyer wanting to tear down his home in an effort to build a house to flip.

Woody Woodpecker is a stable boy. The stables are located right in an airfield, and the sound of airplanes droning around only fuels his lust to fly. "I want to fly like the birds!" declares the woodpecker. But the only thing the bulldog sergeant on the airfield feels Woody is competent for is clipping the horses with an electric clipper. And considering that Woody accidentally allows the clipper to clip off the sarge's shirt buttons and a long strip of hair off his chin, he may be giving Woody too much credit. Nevertheless, Woody spends his time reading "How to Fly a Plane from the Ground Up." And eventually, he sneaks onto a PU-2.

After getting kicked out of the forest, Woody thinks he's found a forever home at Camp Woo Hoo — until an inspector threatens to shut down the camp.

Gabby Gator, voiced in Kentucky Colonel mode by Daws Butler, is starving. He comes upon a recipe for southern-fried woodpecker and writes Woody a fan letter. Woody shows up to perform an act and about the three-quarter mark, realizes what is going on, and proceeds to take his revenge.

On the Pebbley Beach Golf Course, Dapper Denver Dooley and Woody Woodpecker are in a championship playoff. The prize: $25,000. After both contenders make holes in one, a psychological battle begins. Woody crunches celery. Dapper drives himself into a sand trap. Woody proves himself too light for quicksand; Dapper sinks. At every turn, Dapper proceeds to lure and trick poor Woody until Woody's game seems lost. All that Dapper needs to win is a short putt into the cup, but he's seized with a magnificent case of hiccups. Woody wins and hiccups dollar bills!

A dreamy autumn picnic goes awry when it receives an unexpected visitor.

Woody goes to a magic show. He chomps popcorn and continually ribs the magician about his "easy" tricks, finally driving most of the audience away. Then the magician calls Woody on stage to "assist" him in a few "tricks," which enables him to get back at Woody for some of his taunts. Then Woody turns the tables, putting the magician under a magic spell. As the magician comes out of the spell, he tries to get rid of Woody by shooting him out of a cannon. But after the shot is fired, Woody's still there. In desperation, the magician climbs into the cannon and fires himself off the stage!

Woody Woodpecker befriends a dog.

This pioneering documentary film depicts the lives of the indigenous Inuit people of Canada's northern Quebec region. Although the production contains some fictional elements, it vividly shows how its resourceful subjects survive in such a harsh climate, revealing how they construct their igloo homes and find food by hunting and fishing. The film also captures the beautiful, if unforgiving, frozen landscape of the Great White North, far removed from conventional civilization.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.

Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

The life and death of Grigori Efimovich Rasputin.

In this stunning film by Christopher Nupen, Segovia returns to the Granada of his youth, site of his personal and musical formation. The world-famous Alhambra—empty of tourists, between midnight and 4 AM—plays host to a deeply moving selection of Segovia’s signature pieces, many in his own arrangements, all imbued with the meditative, profoundly soulful qualities that lifted him to the pinnacle of artistry and helped him redefine what was considered possible for guitarists.

Collection of songs performed at the "Frank Sinatra Spectacular," a 1965 benefit by the various members of the Rat Pack.

Go deep inside one of the most recognizable gay porn stars of all time. This exciting doc takes you behind-the-scenes to get a glimpse at the real life of François Sagat.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

Valentyna and her bed-ridden mother live on a small farm surrounded by the evergreen, lush flora of the rain forest. The works and thoughts of the poet and the artist, though, are filled with the landscapes of their old home, Ukraine. Memories of snow and birch trees, thistles and orchids, vegetable gardens and their animal residents come to life in Tamara’s poems and Valentyna’s drawings.