Practise Makes

An American journalist arrives in Berlin just after the end of World War Two. He becomes involved in a murder mystery surrounding a dead GI who washes up at a lakeside mansion during the Potsdam negotiations between the Allied powers. Soon his investigation connects with his search for his married pre-war German lover.

Alex Owens, a teen juggling between two odd jobs, aspires to become a successful ballet dancer. Nick, who is her boss and lover, supports and encourages her to fulfil her dream.

A comedy during confinement? Probably so. A portrait of a little girl and her family during confinement? Apparently so. An absurd, Beckettian musical shot during confinement? Exactly, yes.

A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity.

It's a dreary Christmas 1944 for the American POWs in Stalag 17 and the men in Barracks 4, all sergeants, have to deal with a grave problem—there seems to be a security leak.

Coming from a discussion with his love partner, Alex acts on instinct and pursues his desires, ignoring the consequences of his decisions and the damage he can cause Romina. Alex becomes entangled in a confusing situation involving a sexual attraction to both a mysterious woman and an idealized version of Romina.

London, 1929. Frank Webber, a very busy Scotland Yard detective, seems to be more interested in his work than in Alice White, his girlfriend. Feeling herself ignored, Alice agrees to go out with an elegant and well-mannered artist who invites her to visit his fancy apartment.

Jonathan Reeves is tasked with infusing more contemporary styles and modernism into the American Ballet Academy, and enlists his top choreographers Charlie, Cooper and Tommy to recruit dancers to compete at a camp where the winners will be selected to join the Academy. Bella Parker, who has always lived in the shadow of her hugely successful sister Kate, finally gets her chance to step into the limelight as one of the dancers recruited for the camp.

Experience the wonder of New York City Ballet's iconic holiday classic on the big screen. In George Balanchine's The Nutcracker, Tchaikovsky's beloved melodies transport the young and young at heart to a magical world where mischievious mice besiege a battalion of toy soldiers, and an onstage blizzard leads to an enchanted Land of Sweets. Balanchine's stunning choreography shines amidst awe-inspiring set pieces, ornate costumes, and grand one-of-a-kind visual effects, like the one-ton Christmas tree that grows to an astonishing 40 feet. The New York City Ballet's beloved production has been performed in New York City every year since its premiere on February 2, 1954, and is seen live by more than 100,000 people annually.

Bill is a hot shot dancer who partners with Jazzbo, until he sees Molly at the dance. He enters the Waltz with Molly and wins first prize - and they wind up being married that same night. Now they are free of their parents nagging and their own bosses. 24 hours - no dancing as in-laws are visiting. 24 days - the Apartment is finished so off to the Hoffman's Parisian Dance Palace. Molly can only dance the Waltz and not the hot new jazz dance so she leaves and Bill follows. They are both unhappy, Bill has two left feet when it comes to romance.

A rapper is given creative advice from his best friend.

Azusa (Anna Ishii) and Narumi (Fuka Koshiba) are 2nd grade high school students. They lack confidence and also any kind of ambitions. Hazuki (Karin Ono), Tamaki (Mika Akizuki) and Mika (Miku Uehara) are also unnoticed students at the same high school. These five girls form a dance club and begin to dance to get credits. They soon learn the joys of dancing and also learn to express themselves.

When teenager Ren and his family move from big-city Chicago to a small town in the West, he's in for a real case of culture shock after discovering he's living in a place where music and dancing are illegal.

Five years after their summer together in Barcelona, Xavier, William, Wendy, Martine and Isabelle reunite.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

LOVE ABOVE ALL THINGS is a passionate love story that unfolds over the course of five years. In it we witness the trials and tribulations Of Teo and Ana, their separations, reunions, euphoria, disappointments and joy. Ana cannot love any man other than Teo and Teo cannot live without Ana, but their love affair will not last, that is their destiny. Years pass and their lives continue with their peculiar love story that sometimes enlightens them and sometimes tears them down.

In the spring of 1913, Parisian businessman Gabriel Astruc opens a new theater on the Champs Elysées. The first performance is the premiere of Igor Stravinsky's 'The Rite of Spring', danced by the Ballet Russes. The rehearsal process is extremely fraught: the orchestra dislike Stravinsky's harsh, atonal music; the dancers dislike the 'ugly' choreography of Vaslav Nijinsky. The volatile, bisexual Nijinsky is in a strained relationship with the much older Sergei Diaghilev, the Ballet Russes' charismatic but manipulative impresario. Public expectation is extremely high after Nijinsky's success in 'L'apres-midi d'un faune'. Finally, 'The Rite of Spring' premieres to a gossip-loving, febrile, fashion-conscious Parisian audience sharply divided as to its merits.

Delphine and Solange are two sisters living in Rochefort. Delphine is a dancing teacher and Solange composes and teaches the piano. Maxence is a poet and a painter. He is doing his military service. Simon owns a music shop, he left Paris one month ago to come back where he fell in love 10 years ago. They are looking for love, looking for each other, without being aware that their ideal partner is very close...

The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.

Although his alcoholism has been treated, Alain still feels he is deeply unwell and does not feel he can leave the detoxification clinic once and for all. His wife, living in New York, continues to pay for his treatment, but no longer contacts him directly. He intends to commit suicide, but first takes a ride to Paris to catch up with old friends.