Skull

A nocturnal education film, designed to help children develop their emotions and expressions as well as language and physical skills by enjoying singing and exercising with a big brother.

Arriving at their new house, Alfie's family have very different ideas about their new home. 'Ghostboy' teaches the very important lesson that some things aren't always what they seem.

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Unwilling to accept the death of his friend Shi Yan, the protagonist materializes him in his memory in the form of Bug Man, who he plays with to escape from the depressing reality. Bug Man in monitored by the Memory Management Bureau, and memory collectors Fang Tang and Bai Zhong are assigned to retrieve him.

Water, Water

A visual representation, in four parts, of one man's internalization of "The Divine Comedy." Hell is a series of multicolored brush strokes against a white background; the speed of the changing images varies. "Hell Spit Flexion," or springing out of Hell, is on smaller film stock, taking the center of the frame. Montages of color move rapidly with a star and the edge of a lighted moon briefly visible. Purgation is back to full frame; blurs of color occasionally slow down then freeze. From time to time, an image, such as a window or a face, is distinguishable for a moment. In "existence is song," colors swirl then flash in and out of view. Behind the vivid colors are momentary glimpses of volcanic activity.

This is a hand-painted film which has been photographically step-printed to achieve various effects of brief fades and fluidity-of-motion, and makes partial use of painted frames in repetition (for "close-up" of textures). The tone of the film is primarily dark blue, and the paint is composed (and rephotographed microscopically) to suggest galactic forms in a space of stars.

Porky and Sylvester stay overnight in what Sylvester realizes is a terrifying hotel filled with endless imminent danger.

A story about the music in us.

In Dunkirk, during the carnival, a strange man find himself alone in the deserted streets. He wanders around, finally arriving on the beach where he discovers that the noises of the carnival come from the sea.

Minnie gives Figaro a bath and ties a ribbon around his neck. Figaro feels like a sissy, and when he mixes it up with some alley cats, they mock him, and the leader attacks. But Figaro is so afraid that his shaking topples a series of trash cans onto the aggressor. The rest of the cats didn't see this happen, and think Figaro defeated their leader. Of course, now he's all dirty, and he needs another bath.

Newlyweds, Adelaide and Jonathan leave New York in 1907 in a boat and row, ignorant of world events, to Europe. The years pass and many things are changing them, love is gradually degrading to hatred, then indifference. Old age is almost here, and with it, in a last swim, a last embrace, husband and wife end up “alone at last.” The boat adrift, will be discovered on the shores of Europe in the year 1957

A playful exercise in intermittent animation and spasmodic imagery. Playing with the laws relating to persistence of vision and after-image on the retina of the eye, McLaren engraves pictures on blank film creating vivid, percussive effects.

In a subway station, a man watches a girl acting strange.

Simple story about the man who goes to the beach and uses inflatable objects for all of his needs. Preserved by the Academy Film Archive in 2012.

A young man in the shape of a small wolf, being confused and frustrated about his childhood. He has fond memories of his father and his early life living isolated in the forest, with his whole family. His father, as the young Wolf remembers it, was a very strong person, a loner, but responsible, skilled, and brave—the classic father figure.

16mm. In one of the first films to use computer animation, director Peter Foldès depicts one man’s descent into greed and gluttony. Combining traditional and computer animation (one of the first to use it!), Peter Foldes, through clever metamorphosing images and powerful line drawings, provides a moralistic tale of one man’s enormous appetite and selfish consumerism. Growing more corpulent and repulsive, his indigestion leads to a nightmare where he is consumed in a hell of emaciated bodies. By extension, this film indicts affluent nations and individuals in a world where many starve.

A man and a woman converse at a cafe's bar in this animated short.

Mr. Resistor tries to catch himself a woman.

In this extraordinary short animation, Evelyn Lambart and Norman McLaren painted colours, shapes, and transformations directly onto their filmstrip. The result is a vivid interpretation, in fluid lines and colour, of jazz music played by the Oscar Peterson Trio.