Spider's Thread

A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).

A man confronts his past during an experiment that attempts to find a solution to the problems of a post-apocalyptic world caused by a world war.

Upcoming Short Film

Working men and women leave through the main gate of the Lumière factory in Lyon, France. Filmed on 22 March 1895, it is often referred to as the first real motion picture ever made, although Louis Le Prince's 1888 Roundhay Garden Scene pre-dated it by seven years. Three separate versions of this film exist, which differ from one another in numerous ways. The first version features a carriage drawn by one horse, while in the second version the carriage is drawn by two horses, and there is no carriage at all in the third version. The clothing style is also different between the three versions, demonstrating the different seasons in which each was filmed. This film was made in the 35 mm format with an aspect ratio of 1.33:1, and at a speed of 16 frames per second. At that rate, the 17 meters of film length provided a duration of 46 seconds, holding a total of 800 frames.

A story about a father and a son who are drinking milk together for the last time.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

A man ran into a woman on a street. She was not attractive, but was a perfect girl for him. After missing the chance to talk to her, he contemplates on how he should have approached her.

A portrait of Robert, a troubled but poetic soul struggling with his purgatorial existence in a hackney scrapyard.

It's 1992. Martin is 17 and he films his daily life with his Hi8 camera. He films anything and everything—his room, the world around him... But never his father, the thought doesn't occur to him. One day he meets Dominique. He's 23 and works as a student monitor at Martin's high school.

When Jake, a tech support agent, forms an unexpected connection with Tom, a stranger seeking help on a video call, their lives intertwine as they share their deepest struggles.

Arnie Miller, a small town guy from rural Connecticut, is forced to navigate a complicated weekend when convinced to go visit an ex girlfriend in Chicago.

Dolly can't leave the house, but she can't understand how he has.

A man explains how he was obsessed when he was younger by a mysterious room and an extraordinary rarefied piano music that drifted through its open window during the night. Forty years later, returning to his home town after having spent most of his life abroad, in "a bunch of different places", he asks one of his friends to rent a room for him. As chance would have it, it turns out to be the same room which attracted him when he was a young man. What drew him again to this room?

The Kabul National Museum, once known as the "face of Afghanistan," was destroyed in 1993. We filmed the most important cultural treasures of the still-intact museum in 1988: ancient Greco-Roman art and antiquitied of Hellenistic civilization, as well as Buddhist sculpture that was said to have mythology--the art of Gandhara, Bamiyan, and Shotorak among them. After the fall of the Democratic Republic of Afghanistan in 1992, some seventy percent of the contents of the museum was destroyed, stolen, or smuggled overseas to Japan and other countries. The movement to return these items is also touched upon. The footage in this video represents that only film documentation of the Kabul Museum ever made.

After a two-year absence and a recent stint in rehab, Fran returns home to Toronto. Struggling to live soberly for the first time in her adult life, she must face the emotional fallout of her disappearance and make amends with the girlfriend and the brother she left behind.

This investigation into the layers of mass incarceration and its shaping of the modern black American family is seen through the eyes of a single mother in New Orleans, Louisiana.

Featuring new, previously unseen footage documenting the bizarre and unsettling things that happened to filmmakers David Farrier and Dylan Reeve as Tickled premiered at film festivals and theaters in 2016. Lawsuits, private investigators, disrupted screenings and surprise appearances are just part of what they encounter along the way. Amidst new threats, the duo begins to answer questions that remained once the credits rolled on Tickled, including whether the disturbing behavior they uncovered will ever come to an end.

United Kingdom, March 24, 1954. Ten years before the decriminalization of homosexuality, journalist Peter Wildeblood and his friends Lord Montagu and Michael Pitt-Rivers are convicted and imprisoned for indecency and sodomy.

After tragedy strikes, a meek Ruby Oliver enters a broken VR game for a last chance to see the dead. Little does she know that this game treats all girls as a virus as she fights to save herself.