Chemical engineer and inventor Maria Telkes worked for nearly 50 years to harness the power of the sun, designing and building the world's first successful solar-heated modern residence and identifying a new chemical that could store solar heat like a battery. Telkes was undercut and thwarted by her (male) boss and colleagues at MIT, but she persevered. Upon her death in 1995 Telkes held more than 20 patents, and now she is recognized as a visionary pioneer in the field of sustainable energy whose work continues to shape how we power our lives today.
As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.
With over 300 million firearms, the U.S. holds the highest rate of gun ownership per capita in the world. Meanwhile, with each gun-related tragedy, the question remains whether to regulate or to arm. Increasing demand, illegal distribution and emerging 3D technologies threaten to upend the traditional debate of gun control. As discussed in interviews from Austin to Grand Rapids, Denver to New York City, NO CONTROL seeks to address the efficacy of gun laws and the ongoing debate between personal freedom and public safety in a candid discussion of one of the most complex, contentious issues in American history.
In the mid-1990s, Orlando was the center of excitement in the NBA. The young franchise, led by mega-stars Shaquille O'Neal and Penny Hardaway, beat the mighty Bulls en route to the 1995 NBA Finals. While it was clear Orlando was a dynasty in the making, the Magic's moment on top was never fully realized.
Five New York divas close up. The thing that in addition to their friendship links these gifted, confident and beautiful women; a painter, an actress and three musicians, is their shared homeland, former Yugoslavia.
The economists behind the implementation of the most extreme capitalist system in the world observe with surprise the discontent of its countrymen. For the first time, they tell the story of how they became Milton Friedman's students in Chicago in the 1950s and what were they willing to do to pursue their extreme economic ideas, aided by Pinochet's dictatorship in the 70s. Unseen images and testimonies that allow us to understand the historic process that transformed the Chilean people and Chile in the country that it is today, an image of success and discontent.
In 1979 José Efraín Ríos Montt became a reborn Christian. He was offering a sermon when a group of soldiers burst into his Christian school, and asked him to lead a military coup in 1982. Francisco Chavez Raymundo and his sister were small children when Rios' political actions annihilated their community. In March, 2013 the lives of Francisco Chavez and Rios Montt converge in the same space. Rios is called upon to testify before Guatemalan justice and is confronted by a group of Mayan Ixiles, orphans and widows of the war, Francisco is one of them.
Since 1945, only a select few in the US government have known the truth about UFOs. In 2020, one of them is finally speaking out. Join Dr. Laura Gale PhD on a guided tour through over half a century of disinformation, counterespionage—and mankind's attempts to make first contact.
Admiration for her sister Rowan's self-confidence prompts filmmaker Ester Gould to explore our narcissistic society, with disconcerting results.
The Hague, the International Criminal Tribunal for the former Yugoslavia: Two ambitious lawyers face each other in the trial of Milorad Krstić, who’s accused of committing war crimes as a commander in the Bosnian war. The defender, Mikhail Finn, has managed to refute all the accusations against his client. Convinced of Krstic´s guilt, Catherine Lagrange, the prosecutor, summons a young man with incriminating evidence against Krstić. He claims to have been abandoned by his parents as a child and to have been one of Krstić’s soldiers. Defender Finn starts to investigate in order to verify the witness’ testimony – and soon encounters the young man’s family. Inspired by a true story.
She Don't Fade chronicles the sexual pursuits of Shae Clarke, an African American lesbian. Clarke, played by Dunye herself, defines and readily demonstrates her "new approach to women."
An effervescent facilitator and mother figure, Multicultural Liaison Officer Rosemary is undoubtedly a force of nature. Isolation in Auburn’s migrant community is a huge obstacle, and cultural norms mean that women are often tied to the house or a limited locale. Rosemary, with her larger-than-life spirit and generosity, works tirelessly to draw the women out of their homes and into society. She hosts a lively African Women’s Dinner Dance and takes them on a trip to the Blue Mountains and the NSW South Coast – introducing them to an Australia they’ve never seen before.
Whether a veil of the soul, the mind or the body; the layers of the veil in history and the many meanings behind it will be revealed. 'Women are either judged for wearing the hijab or not wearing it' (the hijab refers to the head covering). In 'The Tainted Veil,' the challenges surrounding these ideas are exposed in a debate by diverse guests and extraordinary stories.
The portrait of a community as they face their country's economic recession.
This is a newly restored version of documentation of the 1967 group performance Snows, which was built out of Schneemann's outrage and sorrows over the atrocities of the Vietnam War. An ethereal stage environment combining colored light panels, film projection, torn collage, hanging sacks of colored water, "snow," crusted branches, rope, foil and foam was the set and setting in which an audience-activated electronic switching system controlled elements of the performance/installation. Images from film, slide and live action propel silent, ghostly performers to become aggressor and victim, torturer and tortured, lover and beloved, as well as simply themselves in this breakthrough mixed-media film performance. (The film Viet-Flakes is a central element).
To celebrate Arena's 40th anniversary, a new film made entirely from its own archive, evoking the one experience common to all - the 24-hour cycle from dawn to dusk to dawn again.
Filmed for over 10 years, this epic documentary presents the story of renowned Taiwanese choreographer Lin Lee-chen and her Legend Lin Dance Theatre. Extracting the essential details of Lin’s daily life, the film explores the origins of her dance, contemplates the poetic and ritualistic movements she creates, and delineates her lifetime pursuit of aesthetic concerns.
Show Girls celebrates Montreal's swinging Black jazz scene from the 1920s to the 1960s, when the city was wide open. Three women who danced in the legendary Black clubs of the day - Rockhead's Paradise, The Terminal, Café St. Michel - share their unforgettable memories of life at the centre of one of the world's hottest jazz spots. From the Roaring Twenties, through the Second World War and on into the golden era of clubs in the fifties and sixities, Show Girls chronicles the lives of Bernice, Tina and Olga - mixing their memories with rarely seen footage of the era.
The Real MASH traces the original stories and people that inspired the fictional feature film and TV series about Mobile Army Surgical Hospitals in the Korean War. Both pushed buttons on cultural and social frontiers but real life MASH units were actually more like renegade units onto themselves and early indicators of the social turmoil and tensions that were to unfold later in the USA. Interviews with MASH actors, including Jamie Farr, Loretta Swit and Gary Burghoff, co-creator Gene Reynolds, surgeons, doctors, nurses, pilots and enlisted men who served in the war blend with dramatic recreations, archival film and rare photographs to tell the true stories behind the MASH entertainment franchise.
In the shadow of a De Beers diamond mine, a remote indigenous community lurches from crisis to crisis, as their homeland transforms into a modern frontier. Rosie Koostachin delivers donations to families who live in uninsulated sheds, overgrown with toxic mold. She is determined to raise awareness, believing that if only Canadians knew, her hometown's dire situation would improve. Over five years, filmmaker Victoria Lean follows Attawapiskat's journey from obscurity and into the international spotlight twice - first when the Red Cross intervenes and again during the protest movement, Idle No More. Weaving together great distances, intimate scenes and archive images, the documentary chronicles the First Nation's fight for justice in the face of hardened indifference.