Not Even the Sea Has So Much Water

Elisabeth leaves her abusive and drunken husband Rolf, and goes to live with her brother, Göran. The year is 1975 and Göran lives in a commune called Together. Living in this leftist commune Elisabeth learns that the world can be viewed from different perspectives.

The star of a team of teenage crime fighters falls for the alluring villainess she must bring to justice.

A female teacher's lesbian desires are reawakened with one of her students.

The drug-induced utopias of four Coney Island residents are shattered when their addictions run deep.

Amidst her own personality crisis, a southern housewife meets an outgoing old woman who tells her the story of Idgie Threadgoode and Ruth Jamison, two young women who experienced hardships and love in 1920s Whistle Stop, Alabama.

When a tragic event marks his life forever, Rodolfo, the driver of an upper-class family, begins to sneak away with the car to offer his services as a private driver. This job hides a peculiar objective: revenge.

An erotic horror tale about a vixen vampiress seducing and killing women to appease her insatiable thirst for female blood.

Extranjeras

'Ad Meliora' (translation: Towards Better Things) is an experimental short film about the struggles girls go through growing up in a male dominated society.

I (Ken MItsuishi), documentary video maker, saw a guy named YUDA (Kazuma Honda) in middle of Tokyo. I was curious about Yuda and begun following him around, but one day he disappeared with my video camera. A couple months later, a lady name Michi Nakamura (Yukiko Okamoto) came to my office. She had the strap of my video camera that Yuda stole from me, and said she saw the address that was on the strap, so she came here. I asked her about Yuda, and she told me that he was dead. Right after she left my office, she was hit by a car, I visited her in hospital and she begins to tell me about the mysterious story of her and Yuda.

A recreation of the opening scene from the pilot episode of The Handmaid's Tale, "Offred." Originally directed by Reed Morano, ASC. Original cinematography by Colin Watkinson, ASC, BSC. Original teleplay written by Bruce Miller. Made in Misael Sanchez's "Filmmaking: Visualizing and Creating Moving Images for the Screen" at Sarah Lawrence College.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

Two actresses take us through a series of 'raps' and sketches about what it means to be beautiful and black.

Set in the desert-weird wilds of Joshua Tree, California, Serpentine Pink is a distinctively visceral and surreal independent, female-centric film that digs into the various and rigorous ways a heart heals from trauma. Inspired by France's Grand Guignol style of horror theatre, and utilizing a lyrical language both visual and verbal to capture the strange poetry of the Mojave land and soundscape, Serpentine Pink follows a reclusive biker woman and her John Wayne-obsessed exotic dancer lover's disturbing fallout after a violent acid attack. An ethereal psychic and her aspiring healer companion converge with supernatural forces in an attempt to confront and then heal the women's - as well as their own - deep-rooted, personal pain that comes from trying to break the cycle of possessive love.

A lesbian teacher (Kanako Kishi) comes to Tokyo in search of her student (Ichiko Kamata), who has dropped out of high school and started living with a bomb-making terrorist (Takeshi Ito).

When a shy young man arrives on her doorstep, Alice Hartley grabs the chance to escape from her loveless marriage. She and Michael open a Growth Centre with a difference - offering sex, drugs and personalised water births.

Introverted 16-year-old Lucia joins her Catholic school's all-girls choir, where she befriends Ana-Maria, a popular and flirty third-year student. But when the choir travels to a countryside convent for a weekend of intensive rehearsals, Lucia’s interest in a dark-eyed restoration worker tests her friendship with Ana-Maria and the other girls. As she navigates unfamiliar surroundings and her budding sexuality, Lucia begins to question her beliefs and values, disrupting the harmony within the choir.

"Ellas en la ciudad" (Them in the City) focuses on the first settlers of the neighborhoods on the outskirts of Seville. Through their stories, we discover that they have been the backbone of a city that has turned its back on them.

Once a man has sex and releases semen, that's it. However, a woman can enjoy pleasure over and over again while being held by a man. Mineko, the owner of a boutique, likes lesbians more than men. She invited her girlfriend Aiko, a female student she met in the downtown area, to her home and caressed her. Her Aiko was a virgin. Her Mineko has a patron named Yuji, her rich son. However, Mineko has been avoiding him lately. When he learns that Mineko is into lesbian love with her girlfriend Aiko, he follows them into a love hotel and enters their room... This work, directed by Jurumi from a screenplay she wrote herself, is a sensational story depicting the mysterious caresses of women and the insane lust of men. Yumiko Kamishiro, Yumika Hayashi, Yumi Hama, Ai Kawai, and Masayuki Kinoshita are competing.

A night of attempted seduction is recalled from the perspectives of the woman, the man, a lecherous doorman and a psychoanalyst.