The Inquisition

The '40s and '50s were a classic period in New York City nightlife, when the saloonkeeper was king and regular folks could drink with celebrities like Frank Sinatra and Jackie Gleason. In this documentary, Kristi Jacobson profiles her grandfather, the king of kings: Toots Shor of the eponymous restaurant and saloon, which was once the place to be seen in Manhattan. Edward R. Murrow called Toots Shor the owner of America’s greatest saloon. He became the unlikely den-mother to the heroes of America's golden age. Politicians and gangsters, sports heroes and movie stars - Sinatra, Gleason, DiMaggio, Ruth, Costello, Eisenhower, Nixon, Warren - for 30 years, they all found their way to Toots' eponymous saloon on New York's West 51st Street.

Laurens works for the German Minister of Finance and is an extremely correct and conscientious person. He knows his way around numbers, but less so with women. One day he meets Gina, a single young woman. She is sitting alone at one of the tables and Laurens forces himself to sit with her. Hesitantly, a first conversation develops between them. This is the beginning of a seemingly impossible love story that not only throws Laurens' life into turmoil. Laurens is secretary to the German finance minister. Over breakfast, he approaches the attractive Gina and invites her to accompany him to the G8 summit. There, Gina realizes that she doesn't fit into the world of politicians and business bosses. She is the only one to say what she thinks - and causes quite a stir. Laurens has to choose between his career and the love of his life.

Klaus Gremme, a retired instructor with the combat swimmers at the Baltic Sea, sets off for Lake Constance to meet his son Thomas and his grandchildren. They don't know anything about him because Klaus left his wife and Thomas when the boy was still very young. Klaus takes up residence with Mona, a single mother whose house is across the street from Thomas'. The reunion with his son turns into a fiasco, but Klaus doesn't give up and develops an elaborate plan to win Thomas and his family over after all. In the coming weeks, however, the ex-fight swimmer constantly clashes with his esoteric, pacifist landlady Mona. She and her children, the overweight Linus and Claire, who has Down syndrome, slowly grow fond of the lone warrior. In the end, the rapprochement with his own family seems to have failed. But Klaus may have found a new, completely different family in this search.

The sister of a famous, but as yet uncaught, criminal named "The Hexer" is murdered. Inspector Higgins of Scotland Yard believes that "The Hexer" will surface to take his revenge on his sister's killers, and plans to set a trap to finally capture him. However, soon bodies start piling up, and it looks as if "The Hexer" may get away yet again.

After twelve years in prison, Walter returns home. His family has abandoned him, save for his brother-in-law. Few know he's a sex offender and pedophile. Walter finds an apartment and is regularly visited by his parole officer. He gets a job at a lumber mill and starts seeing a coworker. Then his new world begins to unravel; as his past becomes known, he strikes up a high-risk friendship with a young girl and realizes that a man loitering near a schoolyard is a child molester prowling for his next victim.

Marcus Burnett is a henpecked family man. Mike Lowrey is a footloose and fancy free ladies' man. Both Miami policemen, they have 72 hours to reclaim a consignment of drugs stolen from under their station's nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.

A research-based essay film, but also a very personal perspective on the history of socialist Yugoslavia, its dramatic end, and its recent transformation into a few democratic nation states.

Five women arrive in Italy from different countries in search of love, work, freedom.

Ana Deborah Mola and Belkis Lescaille were among the first young teachers who started pilot programs around the island of Cuba in 1960, laying foundation for the massive National Literacy Campaign that would take place the following year.

Fatima, a teacher living her elite life in Karachi, shattered, when her nanny Nusrat, inexplicably disappears. Fatima travels to investigate her disappearance and finds a dangerous truth about Nusrat and her village.

This sequel to Flowers in the Attic picks up 10 years after Cathy, Chris and Carrie managed to escape Foxworth Hall.

The unsolved murders of Tupac Shakur and Christopher "Biggie Smalls" Wallace still stir the public's imagination after 20 years. Yet law enforcement has been at a standstill to produce results. The producers of "American Federale" and the first two "Assassination" films, finally unravel the tangled cases and expose not only who may have done it, but also why these cases have never seen justice. Battle For Compton" is the story of "The Machine"; a group of high powered individuals with a very dark secret they killed to keep, and have spent the last 20 years hiding- hoping one day it will all go away- before they do.

Jesus Camp is a Christian summer camp where children hone their "prophetic gifts" and are schooled in how to "take back America for Christ". The film is a first-ever look into an intense training ground that recruits born-again Christian children to become an active part of America's political future.

An emotionally scarred highway drifter shoots a sadistic trick who rapes her, and ultimately becomes America's first female serial killer.

Jakub presents an extensive ethnographical-sociological study of the life of the Ruthenians, filmed in the Maramuresh mountains in the north of Romania and in the former Sudetenland in Western Bohemia. The film was made over a period of five years during the time of both totalitarian regimes and was completed in 1992 after the revolution.

This black-and-white film is a loving portrait of Santiago de Cuba and its people. It provides a view of Cuba as a picturesque country, the product of an earthy mix of black and criollo cultures. The film uses historical images which portray the end of the eighteenth century when Haitian slave owners fled with their slaves to Cuba after the Haitian Revolution.

Using images shot in Russia and Armenia from World War I to the 1930s and retrieved from a Soviet film archive, Gianikian and Ricci Lucchi constructed a meditative film about the status of Armenians as a people without a state. Inspired by the diary of Gianikian’s father, People, Years, Life uses rare footage depicting the region’s major historic events: the end of Tsarist Russia, violence in the Caucasus during World War I, the 1918 Armenian exodus from Azerbaijan. Gianikian and Ricci Lucchi’s treatment of the material manipulates the speed of the images, adds color and music, and magnifies various parts of the image, so that the movement of bodies across the frame begins to carry the weight of exile, mourning, dispossession.

Comprised of images shot by amateur photographers and German soldiers in the Balkans from the twenties through the forties, BALKAN INVENTORY was begun by Gianikian and Ricci Lucchi in response to the tragedy unfolding in the former Yugoslavia.

Inspired by their beloved Dolomite area in Northeast Italy, a battle theater in World Wars I and II, Gianikian and Ricci Lucchi continue to explore issues of war and peace in their most recent production. The film uses shots of ordinary toys found in the area, many missing limbs and other pieces, to represent, in both direct and oblique ways, the historical period between Fascism, Nazism, and the postwar era.

In this filmic comment on Fascist ideology - which uses footage from the recently discovered archives of Luca Comerio - invisible hands push captive animals to fight among themselves.