The Inquisition

“Nicky is seven. His parents are older and meaner.” A Place Called Lovely references the types of violence individuals find in life, from actual beatings, accidents and murders, to the more insidious violence of lies, social expectations, and betrayed faith. Benning collects images of this socially-pervasive violence from a variety of sources, tracing events from childhood: movies, tabloids, children's games (like mumbledy-peg), personal experiences, and those of others. Throughout, Benning uses small toys as props and examples—handling and controlling them the way we are, in turn, controlled by larger violent forces.

As a visually radical memoir, CAMERAPERSON draws on the remarkable footage that filmmaker Kirsten Johnson has shot and reframes it in ways that illuminate moments and situations that have personally affected her. What emerges is an elegant meditation on the relationship between truth and the camera frame, as Johnson transforms scenes that have been presented on Festival screens as one kind of truth into another kind of story—one about personal journey, craft, and direct human connection.

Two best friends, a detective and a prosecuting attorney, tackle criminal cases in a small southern town.

In this horrifyingly modern fairytale lurks an online Boogeyman and two 12-year-old girls who would kill for him. The entrance to the internet quickly leads to its darkest basement. How responsible are our children for what they find there?

In the period 1891-1927, Henriette Roland Holst goes through a dramatic development. As an aspiring poet from an affluent bourgeois milieu she throws herself, full with idealism and conviction, into the labour movement. Within the various socialistic parties however, a fierce battle on direction takes place, wherein Henriette has trouble finding her place. After returning disillusioned from a trip to the Soviet Union, she does not feel at home in any leftist party. Later she will recollect on this period in her biography "Het vuur brandde voort" (translation: "The fire rages on"). The film reconstructs this period with the use of old film material combined with texts by Henriette Roland Holst herself: fragments from letters, poems, speeches and books, sparingly supplemented with personal commentary by the filmmaker.

Věra 68

Lonely. It could be you. It could be me. There are millions of us out there. The headlines call this 'The Age of Loneliness'. They say it's a major public health issue. A silent epidemic that's starting to kill us. But we don't want to talk about it. No-one really wants to admit they are lonely. Award-winning film-maker Sue Bourne believes loneliness has to be talked about. It affects so many of us in so many different ways and at so many different stages of our lives. So she went out to find people brave enough to go on camera and talk about their loneliness. The Age of Loneliness has people of all ages in it, from Isobel the 19-year-old student to Olive the feisty 100-year-old, Ben the divorcee, Jaye the 40-year-old singleton, Richard the 72-year-old internet-dating widower, to Martin, Iain and Christine talking about their mental health problems. Everyone talks with such remarkable honesty and bravery that you can't help but be touched by their stories.

Documentary on the civil rights activist, Viola Liuzzo, who was murdered in 1965 as she campaigned for black suffrage in Selma, Alabama, and its effect on her family.

A documentary about a group of pilgrims who travel to Nepal to worship at the legendary Manakamana temple.

Unveiling the lives and careers of AFL Head coaches, The Chosen Few includes interviews from some of the game's greatest coaches, both past and present.

In the slums of Rio, two kids' paths diverge as one struggles to become a photographer and the other a kingpin.

Held in an L.A. interrogation room, Verbal Kint attempts to convince the feds that a mythic crime lord, Keyser Soze, not only exists, but was also responsible for drawing him and his four partners into a multi-million dollar heist that ended with an explosion in San Pedro harbor – leaving few survivors. Verbal lures his interrogators with an incredible story of the crime lord's almost supernatural prowess.

Liu Jian, an elite Chinese police officer, comes to Paris to arrest a Chinese drug lord. When Jian is betrayed by a French officer and framed for murder, he must go into hiding and find new allies.

Freddy Heflin is the sheriff of a place everyone calls “Cop Land” — a small and seemingly peaceful town populated by the big city police officers he’s long admired. Yet something ugly is taking place behind the town’s peaceful facade. And when Freddy uncovers a massive, deadly conspiracy among these local residents, he is forced to take action and make a dangerous choice between protecting his idols and upholding the law.

Shut Up and Sing is a documentary about the country band from Texas called the Dixie Chicks and how one tiny comment against President Bush dropped their number one hit off the charts and caused fans to hate them, destroy their CD’s, and protest at their concerts. A film about freedom of speech gone out of control and the three girls lives that were forever changed by a small anti-Bush comment

The Battle of The Alamo

A tale of one North Korean's struggle to leave behind the homeland, this stylised documentary unveils the depths of loss and longing, and the desire for legacy amongst a community of North Korean defectors who have escaped their homeland to live in the leafy London suburb of New Malden.

The film discusses the traits and originators of some of metal's many subgenres, including the New Wave of British Heavy Metal, power metal, Nu metal, glam metal, thrash metal, black metal, and death metal. Dunn uses a family-tree-type flowchart to document some of the most popular metal subgenres. The film also explores various aspects of heavy metal culture.

Of all the great ballerinas, Tanaquil Le Clercq may have been the most transcendent. With a body unlike any before hers, she mesmerized viewers and choreographers alike. With her elongated, race-horse physique, she became the new prototype for the great George Balanchine. Because of her extraordinary movement and unique personality on stage, she became a muse to two of the greatest choreographers in dance, George Balanchine and Jerome Robbins. She eventually married Balanchine, and Robbins created his famous version of Afternoon of a Faun for her. She had love, fame, adoration, and was the foremost dancer of her day until it suddenly all stopped. At the age of 27, she was struck down by polio and paralyzed. She never danced again. The ballet world has been haunted by her story ever since.

Reminiscences from a few people convicted to the Siberia prison camps.