Wa Tammat Aqualoh

While on a road trip to spread her godfather's ashes, Daphne and her ill godmother Fran get into an accident forcing them to make an unexpected stop. Wanting to keep Fran off the road, Daphne enlists Matthew, their mechanic, to be her fake boyfriend. But soon their fake relationship isn't so fake after all.

Sam decides to stop pursuing charges against her rapist and spend Thanksgiving alone on her family's Virginia farm. Her brother stages an intervention with seven of Sam’s friends to persuade her to return.

The future of Marguerite, a brilliant student in Mathematics at the prestigious Ecole Normale Supérieure, seems all planned out. The only woman from her year, Marguerite is finishing a thesis she has to present to an audience of researchers. On the big day, a mistake shakes all her certainties and all her foundations collapse.

Blanca, a brilliant young journalist who is writing a thesis on violence, is unaware that a psychopathic killer is on her trail.

A smart and original, quirky comedy about a female scientist who wants proof that her boyfriend is "the one."

Zha, a top student with a high IQ, goes on a journey with Mo, a professional debt collector and sometimes hooligan, in order to face down her own neurosis, as well as cure Mo of his extreme insomnia.

This Cheeky Scientist Documentary chronicles origins of Cheeky Scientist and includes in depth interviews with PhDs from different backgrounds who overcame extreme personal challenges to get hired in industry. This feature also includes behind the scenes footage of the Cheeky Scientist Summit and is narrated by Isaiah Hankel, Ph.D.

Buenos Aires at the outskirts of XIX century. A society rigid in patriarchal rules. A war between brothers of Argentina, Brazil, Uruguay and Paraguay. Two young and very much in love youngsters, fight for their right to be together. Obeyance and fear sets them apart along more than ten years. When they are finally reunited, will they be able to overcome the pain and tragedy that haunts them?

When his father dies a young man has the choice to continue the farmwork of his old man who suffered because of the hard labour and all the regulations.

Fisherman Choon-sam (Yoon Buk-yang) is suffering financially because of a prolonged scarcity of fish. Pestered by miserly Mr. Jang to pay back his debt, Choon-sam goes out to sea in hopes of a catch but meets a watery end instead. As payment for the debt, Mr. Jang tries to take Choon-sam's daughter In-soon as his second wife. Meanwhile, In-soon (Park Noh-kyung) is mutually in love with Chun-suk (Park Hak), but torn about the suggestion of Ok-bun (Chun Hyo-bong), who lives in Seoul, to join her in the city. In order to get a job and pay back her father's debt, In-soon follows Mr. Jang's son Chul-soo to Seoul, not knowing that he harbors illicit intentions toward her.

A study in human psychology that uses five disparate characters from clearly defined social positions, this film offers as much insight into the society of a changing Bulgaria, as it does into the minds of individuals in conflict. The story centers around transporting a worker's corpse, in a truck, to the mountain village where he was born. In the truck is: a man who may be suffering from tuberculosis, and who has an unfaithful wife at home; a doctor (the intellectual); a bookkeeper worried over the salaries she pays out; a hermit picked up on the road; and the driver who is a rough-and-ready working-class symbol. The seeds for conflict are set both by the personalities of the five in the truck and by their social background. The director Christo Christov, acknowledges his debt to Henri-Georges Clouzot and the Wages of Fear, for inspiration in the treatment of human conflict, its development through a set storyline, and its resolution in each of the five cases.

More than a storyline with a beginning, middle, and end, this tale of a foundry worker who engages a woman -- and fellow worker -- to do housekeeping for him is a tale that holds up the Hungarian social system against the morality of an exploitative male-female relationship. After his wife dies, the rough-cut and intentionally nameless "man" (Jozsef Madaras) eventually coerces the "woman" (Julianna Nyako) into doing his housework for a small remuneration. Everything goes along passably well for awhile, until the man adds in more household responsibility in the form of chickens to raise. Due to extra work at the factory, the woman cannot tend to the chickens as she should and the result is that some of them die. The man is furious, verbally abuses her, and then rapes her. Later, the woman discovers she is pregnant, with dire consequences.

The story of a kind monk named by the own people as LUANG-TA. Other than doing his regular religious chores, he also helps people and society in many ways such as taking care of the orphans and the less fortunate in society. Also give advises to prostitutes and wanderers.

Based on a novel by the late Finnish writer Timo Mukka, this simple story focuses on what happens when Milka (Irma Huntus), a girl barely out of childhood, gets pregnant by Ojanen (Matti Turunen) a rustic fieldhand. Her own mother had been hoping to marry Ojanen, and her daughter's pregnancy turns their lives around. Set in the Lapp country of northern Finland, the scenery is breathtaking, made even more so by the isolation of the region. A sense of natural solitude is underscored by a slow-moving dialogue interspersed with long silences, and the connection between nature and the dialogue is underscored as the young Milka recites poetry while out in the countryside. The fate of Milka and her mother, however, is connected to the decision that Ojanen makes at the end.

In this drama, a provincial girl goes to Paris in search of her fortune. Although she finds the City of Light to be quite different from what she'd imagined it to be, the girl manages to retain her dignity. It is only after she is thoroughly disillusioned by her experiences there that she returns to her country life.

Hugo Claus rewrote and directed Friday as the cinematic version of his original 1969 play of the same name. Just as in the play, the story begins with the theme of incest, as the father Georges (Frank Aendenboom) returns from serving his jail sentence for that crime. Unlike the earlier play, however, the film does not emphasize that aspect of the story. When Georges gets home he finds out that his wife Jeanne (Kitty Courbois) has had an illegitimate child by a younger man, Erik (Herbert Flack), and now both of them must somehow try to return to a normal life, given their only too obvious lapses in moral judgment. As the husband and wife try hard to accommodate each other's failings and start to get to know each other again, Erik comes back into the picture. Now the three of them must resolve the deep-seated conflicts that brought them to this emotionally-wrought juncture of love and betrayal.

Prometheus, on an Odyssean journey, crosses the Brooklyn Bridge in search of the characters of his imagination. After meeting the Muse, he proceeds to the "forest." There, under an apple tree, he communes with his selves, represented by celebrated personages from the New York "underground scene" who appear as modern correlatives to the figures of Greek mythology. The filmmaker, who narrates the situations with a translation of Aeschylus' Prometheus Bound, finds the personalities of his characters to have a timeless universality.