Tum: A Dangerous Obsession

Shanichari is a beautiful girl born in lower cast and her life is full of sufferings because of lower cast, poor finances, lost parents, drunken husband, mischievous son. The title refers to a custom in some parts of Rajasthan—where aristocratic women were long kept secluded and veiled—of hiring professional women mourners on the death of a male relative, a rudaali (pronounced “roo-dah-lee”—literally, a female “weeper”) to publicly express the grief that family members, constrained by their high social status, were not permitted to display—or at times, perhaps did not feel. Underwritten by the National Film Development Corporation (NFDC) and Doordarshan (Indian national television) and based on a short story by famed Bengali author Mahasweta Devi—whose tales often focus on the travails of low-caste women.

Yogi Joshi (Kamal Sadanah) is the hardworking middle class student who goes to college with the traditional Pooja (Ayesha Julka), who is the daughter of a single-father. Pooja has been in love with Yogi for quite some time, but Yogi seems to see her as a good friend. Yogi's father (Bharat Kapoor) works at the factory owned by the successful Indu Singh (Amrita Singh). Indu admits her daughter into the same college as Yogi and Pooja. She is a trustee of the college and is assured by the Principal that Kajal is in good hands. Kajal (Divya Bharti) goes to college and tries to park in Pooja's spot, but Pooja cuts her off. The two get in an altercation and to show Pooja how much power Kajal has, she drives her jeep into the corridors of the college and stops right in front of Pooja and her friends, including Yogi.

A corrupt businessman obtains a castle through surreptitious means. He has a series of affairs while his ill wife remains bed-ridden and after her death he marries one of his mistresses. But she was the daughter of the man from whom the castle was stolen and she has her own agenda...

When hot shot, Wall Street dealmaker Jai thinks of putting some pleasure into his 48 hour business trip to Mumbai, Sahil, his young, music-producer friend, drops everything, including his reckless boyfriend Alex, to help him execute the perfect getaway. Hiking the hills and canyons of Maharashtra, amidst half-attempted conversations and sudden silences, business calls and old jokes, the friends discover there is more than just time-zones keeping them apart. Things take another turn when Alex shows up with a new male-companion at his side, throwing up old conflicts and bringing unanswered questions to the fore.

Bob Biswas, a hitman-for-hire, comes out of a prolonged coma and struggles to recall his identity but suffers a moral dilemma when the memories of his past resurface.

PRIVACY is a psychological thriller set in and out of Mumbai slums. It follows the story of Roopali, who works at the Mumbai surveillance camera command center as an operator. While being ambitious, she constantly fights her own guilt and resists her dark past. Things start to get complicated when Roopali ignores protocol and begins to investigate a robbery/murder that takes place on her watch.

Kartik & Aman’s relationship is tested when one of them has a fling which leads to a domestic spat. Kartik’s parents’ relationship breaks apart when Damodar and Vasudha have a tiff. Will these two couples ever be able to resolve their differences? Will their relationships stand the test of time? Kuch Sapney Apne is a sensitive heartwarming film about relationships, queer or not, and what happens when uncomfortable truths challenge relationships.

Two contemporary and creative music teachers, Mary D'Cruz and Manoj who provide a glimpse of the rich culture and refinement of music and theater to students who are driven by an unimaginative educational system in the name of Math, Science and Technology.

A story of belonging and acceptance, identity and family told through courageous, queer women choose to embrace love that exists beyond their personal beliefs and social moralities.

When teen-socialite Kelly Van Ryan and troubled bad girl Suzie Toller accuse guidance counselor Sam Lombardo of rape, he's suspended by the school, rejected by the town, and fighting to get his life back. One cop suspects conspiracy, but nothing is what it seems...

Karan who is weak in his studies but good at music and masti which always results in fighting with his father, but his life changes when he sees the girl of his dreams. Everywhere he sees her he follows her but one day he goes out of town to find her but couldn't. Later his father sents him to another city but his car breaks down and takes lift and finds it's the same girl whos name is Pooja.

After arresting a drug dealer during an undercover operation, police officer Yeshwant Lohar is framed for murder and imprisoned by his corrupt supervisor, Salim Shaikh, who is involved in distributing narcotics. Determined to prove her husband's innocence, wife Ragini resists Salim's attempts to intimidate or bribe her. Salim then releases false photos of Ragini having an affair with police officer Atul, shaking Yeshwant's faith in his wife.

Two feuding neighbouring families are brought together to celebrate the wedding anniversary of Vishnupratap Singh (Vikram Gokhale) and his wife (Farida Jalal), much to the dislike of Rudra Pratap (Sharad Kapoor). During this get together Abhayendra Singh (Fardeen Khan) falls in love with Mangala Solanki (Richa Pallod). Abhayendra comes to know of the background of the two families' feud, and makes attempts to reconcile the two families - with disastrous results.

A prosperous young Indian man falls in love with his servant, a widow with the dream of becoming a fashion designer.

Mansi, played by Aruna Irani the elder sister has to take up professional singing after her father's death and to support the family. The film focuses mainly on the female characters and traces how the younger sibling Bansi played by Shabana Azmi regains her identity.

Mohan Sharma (Tarun Bose) is a workaholic, whose life changes dramatically after his wife dies upon giving birth to their daughter Uma (Sharmila Tagore).

In Mumbai for a wedding, a married man contemplates an affair with a sexy starlet who has an ulterior motive for flirting with him.

Devata

We are thrust into the decaying crumbling marriage of Megha and Vinay. A relationship that is now running only on toxicity and vitriol for each other. Accusations fly, perceptions have been distorted and what is left is an unreliable narration of events. The only thing certain is that there is no redemption when they try to address this by inviting guests…

Two young Indians, a male named Jatin, and a woman named Karishma, meet on an airplane, who is on it's way to India. Jatin is returning home to get married to a woman named Jaya, who has been chosen for him by his mother. Karishma is also returning to India to get married to an Indian named Nimesh. Their paths cross, and despite of the difference in their temperaments, both are attracted to each other. Both would like to get married, but also realize and stand by their commitment to Jaya and Nimesh. Will they marry the partners intended for them, and thus regret this meeting for the rest of their lives?