Norwegian nature, suburbia and the Creatures living there

Young lion prince Simba, eager to one day become king of the Pride Lands, grows up under the watchful eye of his father Mufasa; all the while his villainous uncle Scar conspires to take the throne for himself. Amid betrayal and tragedy, Simba must confront his past and find his rightful place in the Circle of Life.

Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.

Filmmaker and new media artist Tong Xie’s debut short probes the unease, confusion, and obsession experienced by the body as it crosses the urban physiognomy. Set amidst the shadowy loneliness of Paris at night, Absolutely No Sexual Favors je pense à toi 吾想汝顯 depicts the psychological and corporeal marginality of queer identity and desire through perpetually displaced figures.

In the heart of the Caribbean, a mother and daughter confront a malevolent curse erasing identities of all the island's women, propelling them on a daring quest to reclaim their rich cultural heritage and triumph over the encroaching darkness.

At a national park in Kenya, English game warden George Adamson and his wife, Joy, care for three orphaned lion cubs. After the two larger lions are shipped off to a zoo in the Netherlands, the smallest of the three, Elsa, stays with the couple. When Elsa is blamed for causing an elephant stampede in the nearby village, head warden John Kendall demands the young lion either be trained to survive in the wilds of the Serengeti or be sent to a zoo.

Martin (Joe Newton) is a casualty of society. He is under appreciated and overworked as a salary man in the city. With mounting pressure on his shoulders, he experiences a breakdown at work and loses his job. After visiting his childhood home to collect some possessions, he opts not to go home but instead chooses to live off grid in the vast woodland. Here he attempts to survive, to try and find himself again, through being amongst nature and his love of writing poetry.

Shot in a series of long-takes over several days, the film follows a flower shop attendant (played by Devereaux, then actually employed at a small flower shop by the beach) in fragmented detail. The order of scenes resists chronology: moments recur, shift, or vanish, creating not the passage of a single day but the jumble of many, refracted into a meditation on routine and its quiet abstractions.

The film interprets a story from the Uttara Kanda of the epic poem Ramayana, where Rama sends his wife, Sita, to the jungle to satisfy his subjects. Sita is never actually seen in the film, but her virtual presence is compellingly evoked in the moods of the forest and the elements. The film retells the epic from a womens' liberationist perspective, and is about the tragedy of power and the sacrifices that adherence to dharma demands, including abandoning a chaste wife.

The mother of a severely traumatized daughter enlists the aid of a unique horse trainer to help the girl's equally injured horse.

A folk singer in 17th-century Kerala discovers a mansion. Inside, he encounters an enigmatic cook and a powerful master, setting in motion a chain of events that changes his life.

Clara (Karin Viard) is a stripper with a high-strung, jealous boyfriend with the curious name of Loockeed (Antoine Chappey). The couple are friends with the even-temperred, almost saintly Max (Gerald Laroche), an auto mechanic. The three of them set out from their home in the north to journey to the Alpine mountains near Switzerland and Italy, where they will help a fourth friend take care of his pleasure boat business at Lake Annecy while he is in military service. As the trio attempt to establish some sort of equilibrium in their new lives, Max must constantly deal with Loockeed's testy, jealous barbs. Despite this, the three of them remain friends.

Alinur, a student filmmaker, tries to make a film about the apocalypse for his capstone project. The movie itself happens to be about a mercenary named M who inadvertently causes an apocalypse. As he tries to “create” the destruction of this supposed apocalypse through utilizing technical gimmicks that he has enforced onto the production of the film, this supposed effort also creeps in as a force that starts to “destroy” him, piece by piece. The outcome of it tests the sincerity of not only the film itself but also of the performative efforts that Alinur has made as a filmmaker—even this test might not be as sincere as it seems.

As a young urban couple on a working holiday hopes to connect with nature at Tistlebu farm, a primordial power comes into play, changing them both forever.

The inner mind of Aaliyah Petra, a young black dancer fighting to withstand the immense pressure of being her family and community's “Moneybaby.” Aaliyah battles through the overwhelming pressure to succeed, discovers her own resilience, and realizes the true meaning of Black Excellence.

A dog is abandoned by its owner.

The story of a group of friends who reunite for their annual 4th of July weekend only to be confronted by Chad, a strange and beautiful nature photographer who begins to change their lives one by one.

When the experienced guide Vic accompanies the city boy Alan and his three friends on their first wilderness experience, he not only hopes to teach the four boys lessons about the wilderness, but about themselves. Vic pushes them to the limit. Soon after alienating the boys, Vic finds himself in desperate need of help and must rely on his students in order to survive.

La hija de Rappaccini

A reframing of the classic tale of Narcissus, the director draws on snippets of conversation with a trusted friend to muse on gender and identity. Just as shimmers are difficult to grasp as knowable entities, so does the concept of a gendered self feel unknowable except through reflection. Is it Narcissus that Echo truly longs for, or simply the Knowing he possesses when gazing upon himself?

As a young woman walks home alone one night, a chance encounter with a missing dog incites the reclamation of her body and self — as she learns to bite as tough as her bark.