Caligula's Pet: A Conversation With Lori Wagner

The private Joan Crawford fought as hard to create a normal family life as she did to establish her career. She forged her own path and to that end became a single parent, eventually adopting and raising four children. Like many parents, she picked up a 16mm camera and began filming both the special and the ordinary events of her family’s life. These home movies (ca. 1940–42) present that which one rarely gets to see: a larger-than-life personality at home, unadorned, just being herself—and often in color, at a time when her feature films were black and white. Crawford filmed most of the home movies herself; when she is on camera, it is unclear who is behind it.

A short documentary about how "Fulton" the Ukrainian Football Club came together.

Every year at Christmas, the women of the Slavonian Ladies' Auxiliary celebrate their culinary heritage by getting together to make pusharatas (a type of Croatian doughnut) for the people of Biloxi, Mississippi.

A community of Armenians, refugees from the Soviet Union during the Baku pogroms, live in a deep American province. Baku life, Armenian blood, Soviet mentality, and American emigration mix in incredible tragicomic proportion.

Making of Jean Luc Godard's Alphaville (1965)

The light and the noise stain the dark night.

A short film and digital resource to highlight the need for more inclusive healthcare in Canada, and provide resources and tips for medical professionals seeking to make their offices and clinics more inclusive for 2SLGBTQ+ patients.

This short explores the possibility that Louis XVII, son of King Louis XVI and Marie Antoinette, escaped death during the French Revolution and was raised by Indians in America.

The Making of feature for the George Lucas movie 'THX 1138'.

"Why we’re all paying so much more for Netflix, and what we can do about it."

The earliest 'rockumentary' of John Mayall and his musicians filmed in their homes, dressing rooms, motorways, airports, clubs, concert halls and at festivals.

In interviews, various actors and directors discuss their careers and their involvement in the making of what has come to be known as "cult" films. Included are such well-known genre figures as Russ Meyer, Curtis Harrington, Cameron Mitchell and James Karen.

A first-person account of a kid named Sidney in a town that helped him become who he is today: Cole Harbour, Nova Scotia.

The film shows one day from waking up in the morning all the way to waking up again the next morning. The everyday situations that many commercials are made of, the little dramas that they create and solve through the product or service they sell, are stitched together into one day. This is a film about the everyday in (German, or Western-European) society because the commercials are part of the everyday of most people (everyone who watches television) and they depict an ideal image of society. The film abundantly uses repetition as an editing technique, in visual ways as described above, but also because commercials can be read in different ways. For instance, Brat baking foil shows up at the evening dinner sequence, when an ovendish is put on the table, and again later on in the sequence about going out to a classic concert, because the clip has classic music.

Song of Ceylon was commissioned for the short-lived German TV-series Telekritik and broadcasted in 1975. In Telekritik documentary approaches were analysed and made available for a critique of contemporary TV, its aesthetics and modes of production. Other authors for the series include Hartmut Bitomsky, Rainer Gansera and Klaus Wildenhahn.In the 30-minute movie, Farocki shows and comments on excerpts from the film Song of Ceylon by Basil Wright (and a short segment of Eisenstein's Mexico-fragments). Farocki's voice-over describes part of the movie, focussing on details and montage. He also uses didactic and descriptive drawings and intertitles to confront the classic documentary and its stylistic approaches with contemporary TV.

A video-verité manifesto made with self-identified gender outlaw, author and activist, Leslie Feinberg (1949-2014). Raw and confrontational, this videotape asks its audience to examine their assumptions about the "nature" of gender, challenging any nead certainties and calling for more sensitivity and awareness of the human rights and dignity of trans people.

Short subject on how fashion is created-- not by the great couturiers, but on the street.

A fond farewell to London's trams - whose peculiarly endearing qualities were discovered only at the threat of their disappearance.

This short documentary shows the reactions of European immigrants as they land in Halifax at the beginning of the 1960s. From the port, we follow them on a snowy journey by train to Montreal.

People from different ethnic backgrounds with "difficult" names by Western standards share their experience with moving through the world with an identity that challenges others to simply just say their name. A short social docu-film by Mariam Meliksetyan, “Say My Name” is a meditation on identity, otherness, assimilation, community, and ancestral roots.