Filmed immediately after the end of the civil war in Angola, Há Sempre Alguém Que Te Ama records the return of Pocas Pascoal to the country where she was born, in an attempt to reconstruct the episode that, in 1975, led to the capture of the director along with her mother and sisters. An intimate documentary about memory and self-(re)construction.
Juan Méndez Bernal leaves his house on the 9th of april of 1936 to fight in the imminent Spanish Civil War. 83 years later, his body is still one of the Grass Dwellers. The only thing that he leaves from those years on the front is a collection of 28 letters in his own writing.
An home movie documentary about a young man with a camera who tries to recount and reframe a pivotal moment in his childhood: the death of his mother. An intimate and personal story about what remains of that mother-son relationship, now marked by an unbridgeable distance and an absence with which it is necessary to come to terms.
The thrilling reality of an autistic and blind boy who accepts life with a smile.
Honour West and Joan Camuglia-May share their experiences in this upbeat roller-skating documentary.
Petrouchka is a young Gabonese woman who takes care of her brother who is a victim of a disability. Her love for her brother leads her to create an association that aims to help all young people who live in this situation and is now called the mother of the disabled. She proudly shares her career with her followers on social networks.
After the COVID-19 time, the weather gradually turned cool and the octogenarian couple led a quiet life. The couple realized that there were only three people left in their generation after stumbling upon a photo. So they decided to visit their relative who lived in another city.
Youssef, a young Quebecer of Moroccan origin, became radicalized and joined the ranks of Daesh in Syria. In the midst of the shelling, he and his wife had a baby. What will happen to the child?
A double-edged letter in the midst of confinement. Javier starts sending videos to his son to catch him up on his new life. Through these videos, Nico will try to respond to his father.
She was born in a cave, more than 60 years ago. Now she lives in a village, with many children and grandchildren to look after. Sometimes, she dreams of her dead mother calling her home – to the cave.
Young people who decide to leave their home to seek opportunities for the future face different difficulties on a daily basis. The inevitable estrangement with family and lifelong friends. The constant lack of understanding, the coldness and individualism of the new city. The stress and even the feeling of being a stranger back home. This journey to the future sets out issues about identity, nostalgia and courage, while they fight to find their place in a changeable world.
National Film Board of Canada documentary of stories of Acadians (French Canadians from the eastern Maritime provinces). Hundreds of thousands of Acadians emigrated to Louisiana following deportation by the British during the Acadian Expulsion of the mid-18th century, hence the term 'Cajun.'
Le Polyhandicap : Une immersion au plus près de l'humanité
unravels the hidden struggles between mothers and daughters across generations.
When Ulrik is 33 years old, his mother suddenly passes away after a failed knee surgery and his world collapses. His father starts spending money he does not have, seeks out hookers and ends up hugely in debt and therefore loses Ulrik's childhood home. Ulrik desperately crosses the lines of decency and politeness as he tries to prevent his father from going on date sites and sending money to fictional women in need. How much can a son stand before he ends up as his own dad's dad? And - what is it Ulrik is so afraid of?
In a series of letters to her young son, a mother, soldier and filmmaker documents her thoughts from the Ukrainian frontline.
Peng Zuqiang chronicles the final two years his uncle Nan spends under the same roof as his elderly parents. Born with physical challenges, Nan requires constant care. Their world largely unfolds within the confines of their modest Chinese apartment, with only brief excursions for groceries or Nan's therapy sessions.
The mother of animation director Rebecca Blöcher didn’t want to live an ordinary life. She wanted “something more,” she explains in this stop-motion film. The people around her didn’t understand—in a letter written in 1968, a girlfriend criticizes her for going out on her own and making men jealous, while advising her to dress in a more “feminine” way and to join a cooking course. Blöcher’s mother brushed aside the advice. Years later still, she divorced her husband and stepped into the big wide world.
Even the most loyal admirer of Tom Jobim, the most documented Brazilian artist throughout the world, cannot imagine the surprises he will encounter in this film. It contains previously unreleased pictures and images captured for 15 years by Ana Jobim, his wife, that show details of the life and work of Tom Jobim. Shot in New York, Rio de Janeiro and the family ranch in Poço Fundo, the film shows his intimacy with his children, the birth of important songs, parties at home with other musicians, and even a unusual Jobim in pajamas, in an “expedition” in the woods. “When someone visits the intimacy of a great artists, possibly the distance between him and the myth is felt to be smaller. For me it is the opposite; the distance becomes greater and I have more conscience of the myth”, says Ana.
One day, in Savigny, an 18-year-old boy left his house in the middle of the war, saying: "I'm leaving, I'm going to kill Hitler." His name was Joseph, he was Jewish, he was my great-uncle. He disappeared during the night of the Occupation, and his existence became a family secret. He disappeared from history, the small as well as the big: he is not on any deportation list, and the only archive where he appears is a family photo of him as a child. It disappeared like a stone at the bottom of the water, instead of going up in smoke in the sky of Poland. What did he become? And why didn't anyone mention his name anymore?