A companion to the director's Le Dos Rouge/Portrait of the Artist. A famous filmmaker works on his next film, which will focus on monstrosity. He is obsessed by the idea of finding a painting that will be central to the film and will crystallize all the power and beauty of monsters.
Extraterrestrial beings travel the galaxy to free men "oppressed" by females to make way for an entirely-homosexual society.
Frede Hansen, a game salesman, is mistaken for a secret service agent on a ferry and kidnapped by enemy agents. He escapes and now the secret service want to use him as bait to track the enemy. They assign their best agent, Smith to be his partner and supervisor. Their main task is to eliminate the head of the enemy conspiracy, the mysterious 'Dr. Pax' who's real identity is unknown. Freddy accompanies Smith to Stockholm where they are to meet Sonja, an agent for Dr. Pax, who is also on Smith's liquidation list. Thanks to his bag of game tricks, Freddy manages to avoid being done in by Kolick, a killer for Dr. Pax. Freddy falls for Sonja, and he, she and Smith are taken as prisoners to Dr. Pax's hideout, a remote island fortress from which a major power is to be attacked by missiles guided by trained pigeons. Freddy manages to teach Dr. Pax a lasting lesson in the difference between trained pigeons and homing pigeons.
Galaxina is a lifelike, voluptuous android who is assigned to oversee the operations of an intergalactic Space Police cruiser captained by incompetent Cornelius Butt. When a mission requires the ship's crew to be placed in suspended animation for decades, Galaxina finds herself alone for many years, developing emotions and falling in love with the ship's pilot, Thor.
Leia can't seem to find anything in her surroundings that would help her get some inspiration for her drawing. She feels stuck and burnt out until she has a dream that finally gives her the motivation she needed. She then realizes that you can't force art, it comes unexpectedly and naturally.
After growing up poor in Salmonella, Vincenzo Cortino installs himself as the preeminent, if bumbling, Mafia don of the New World. But now he must pass on power to one of his two sons: either level-headed veteran Anthony or vituperative loose cannon Joey.
A rag-tag team of Reno cops are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. Based on the Comedy Central series.
The confluence of words and movement propels this multi-layered collaboration by Atlas, choreographer Douglas Dunn, and poets Anne Waldman and Reed Bye. Dunn's athletic choreography is performed to the rhythms, cadences, and associative meanings of the poets' "cascade of words," which function as music. Atlas introduces narrative references, ironically staging the dance in unexpected locations, including domestic interiors and vehicles. In a self-referential deconstruction that punctures the theatrical illusion, the poets are seen reading their texts and interacting as self-conscious performers within the dance. Atlas and his collaborators intersect the language of words with the language of the body.
Spoof of romantic comedies which focuses on a man, his crush, his parents, and her father.
Morgana is a filmmaker who has found in experimental cinema a powerful voice capable of encapsulating the most abstract notions of her identity, unfolding in an amalgam of textures, colored lights, and wildly extravagant music. An intimate portrait of a filmmaker, but above all, a dear friend.
Marc Chagall was an artist caught between two worlds, between traditional art and modernism, figuration and abstraction. The film accompanies him on an important stage of his life from 1910 to 1930, between Paris and Vitebsk. Chagall's home town was a laboratory for the artistic avant-garde in Belarus, while Paris was the center of modern art movements.
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In comedian Johnny Ray Gill's parody of the Universal horror flick, actor Daniel Rubiano has to face the music when he reports to work the next morning.
A trans Vietnamese woman's deadname being repeated over and over again.
A journey into art, madness and the unconscious. An exploration of visionary artists and the creative impulse, from the Flemish Masters of the Renaissance to the avant-garde movement of Surrealism and the unsung geniuses of Art Brut and Outsider Art.
A groundbreaking film that portrays the journey of Gigi Lazzarato, a fearless woman who began life as Gregory, posting fashion videos to YouTube from his bedroom, only to later come out as a transgender female. With never-before-seen personal footage, the film spotlights a family’s unwavering love for a child.
Through innovative 3D animation, this film follows an elderly woman’s journey through her memories as Alzheimer’s reshapes her sense of time and experience. Visual artistry brings her inner world to life, offering a profound exploration of memory, consciousness, and human connection.
When Ashtray moves to South Central L.A. to live with his father (who appears to be the same age he is) and grandmother (who likes to talk tough and smoke reefer), he falls in with his gang-banging cousin Loc Dog, who along with the requisite pistols and Uzi carries a thermo-nuclear warhead for self-defense. Will Ashtray be able to keep living the straight life?
A piece that tries to keep the imagination in the highest possible state of alert using a minimum of materials, all found to hand inside the creator's workshop space. An adventure of the body and mind in more raw and stripped-back form.
This short film is part of a mixed media artwork of the same name, which also included postcards of Ader crying, sent to friends of his, with the title of the work as a caption. The film was initially ten minutes long, and included Ader rubbing his eyes to produce the tears, but was cut down to three and a half minutes. This shorter version captures Ader at his most anguished. His face is framed closely. There is no introduction or conclusion, no reason given and no relief from the anguish that is presented.