The Stroll

Sixteen year olds Palani and Karthik want to become "ladyboys." They're bullied in school and beaten by their families. Their parents would like to see them grow up as normal boys, but they're falling deeper and deeper into the world of the "Aravanis." Loved as dance performers but hated as homosexuals, their stories emblazon the inner conflicts of India's gender culture today.

Drag Queens and their cabaret shows are well-known in France, but Drag Kings still remain very much on the sidelines. Chriss Lag traveled all over France and met 22 Kings to bring them front and center.

A former U.S. Navy Seal seeks life, liberty and the pursuit of happiness living life as a transgender woman.

A nephew sets out to uncover the truth behind his infamous great-uncle - Washington D.C.'s forgotten king of porn.

Fred Martinez was a Navajo youth slain at the age of 16 by a man who bragged to his friends that he 'bug-smashed a fag'. But Fred was part of an honored Navajo tradition - the 'nadleeh', or 'two-spirit', who possesses a balance of masculine and feminine traits.

A landmark court decision in Massachusetts allows gay people in that state to marry - forcing activists, legislators, and ordinary people to reconsider how they view same-sex relationships.

Director Drew Stone’s New York Hardcore series returns with The New York Chronicles Film 1.5. Featuring never before seen footage and brand new interviews with Sammy Siegler (Youth Of Today / Judge), Jay Peta (Mindforce), Bob Riley Stigmata / Murderers Row) and more. The journey continues throught the community and culture of the iconic New York Hardcore scene that is still vibrant, relevant and going strong to this day. “NYHC Forever And Always!”

The Police Tapes is a 1977 documentary about a New York City police precinct in the South Bronx. The original ran ninety minutes and was produced for public television; a one-hour version later aired on ABC. Filmmakers Alan and Susan Raymond spent three months in 1976 riding along with patrol officers in the 44th Precinct of the South Bronx, which had the highest crime rate in New York City at that time. They produced about 40 hours of videotape that they edited into a 90-minute documentary.

Camp Beaverton is the Home for Wayward Girls, the only queer, all women, trans-inclusive, sex positive theme camp set within Burning Man, an 8-day experimental art festival that encourages radical self expression found deep within the Nevada desert. The Beavers create a safe space to explore their boundaries while they build a community of friendship, trust, and lifelong relationships.

The band of American artists known as the New York School toyed with tradition and rebelled against the Renaissance.Feeling as though free association yielded their best results, the painters, poets and performers of the New York School took a surrealist approach that was concerned less with aesthetic and more with expression. Those associated with the School were unified by their desire to create from within. They created a monumental, dramatic art that remains a singular expression of the crucial modern quest for individuality and personal freedom." Never knowing exactly how their pieces would turn out, the artists of the New York School embraced their own complex humanity and worked from a place of bold, sporadic realness.

Lucy is a 95-year-old lady. In her apartment, photos turned yellow by the passing time tell the adolescence of a boy who at the time was called Luciano and who was going to live the most terrible period of his life. Lucy is the oldest transsexual woman in Italy. She is among the few survivors of Dachau's concentration camp. Lucy's story tells us the story of the 1900s. The events of her turbulent life become a metaphor for a humanity that does not give up and that treasures the most important gift in history, memory, as a unique and irreplaceable starting point.

An intimate documentary about a trans woman's isolation and decision to leave her home country of Azerbaijan in pursuit of a safer life. Using the metaphor of a rabbit, that comes from her nickname "bunny," she presents her relationship with her family, country, music, and protest, intercut with home videos.

Shot in Atlanta, this is a collection of clips of Phanphiroj talking to handsome young men he has brought into his studio to photograph for a book project. So there are clips of him interviewing them, shooting photos and even having physical encounters. And there are several conversations that dig deeper into attitudes. The key point is that most of these guys are straight, and Ohm is flirting shamelessly with them. The film is loosely edited, jumping around between encounters as it explores ideas about attraction, lust and even porn. It's silly and relaxed, and of course very indulgent too.

An intimate conversation between two guys...

Julia is a young transgender woman who left her home country of Lithuania. Now living in Germany, she walks the streets of Berlin, working as a prostitute to survive. This documentary revisits Julia over a ten-year period of her life.

Die Menschenfischer

Scott Mills travels to Uganda where the death penalty could soon be introduced for being gay. The gay Radio 1 DJ finds out what it's like to live in a society which persecutes people like him and meets those who are leading the hate campaign.

Documenting the days and weeks preceding Boy George's appearance in a New York courtroom in June 2006 for cocaine possession and his subsequent sentencing to 5 days community service as a street cleaner by order of the US justice department.

Learn all the positions.

The Mona Lisa Curse is a Grierson award-winning polemic documentary by art critic Robert Hughes that examines how the world's most famous painting came to influence the art world. With his trademark style, Hughes explores how museums, the production of art and the way we experience it have radically changed in the last 50 years, telling the story of the rise of contemporary art and looking back over a life spent talking and writing about the art he loves, and loathes. In these postmodern days it has been said that there is no more passé a vocation than that of the professional art critic. Perceived as the gate keeper for opinions regarding art and culture, the art critic has supposedly been rendered obsolete by an ever expanding pluralism in the art world, where all practices and disciplines are purported to be equal and valid. Robert Hughes, however, is one art critic who has delivered a message that must not be ignored.