It's 2021, the beginning of the second term after the most anticipated Presidential election in 2016. The 13th and 14th amendments no longer exist.
At the end of the 18th century in Bulgaria under Ottoman slavery, a young woman leaves home and family to become leader of a guerrilla gang.
Nora is a young housewife and mother, living in a quaint little village with her husband and their two sons. The Swiss countryside is untouched by the major social upheavals the movement of 1968 has brought about. Nora’s life is not affected either; she is a quiet person who is liked by everybody – until she starts to publicly fight for women’s suffrage, which the men are due to vote on in a ballot on February 7, 1971.
A naïve but internet savvy 22 year old navigates the reality of her boring, small town Canadian life juxtaposed with the fantasy of her provocative and powerful Instagram celebrity.
Liam wakes from a car crash with no memory of who he is. As he makes his way into town to look for help, he finds only dead bodies, all with strange pale eyes. Liam's first assessment is that a virus is present in the air, but he soon discovers the horrible truth: anyone who comes within a 50-foot radius of him dies instantly.
When a homeless young musician moves into a sailboat with a feisty elderly widow, the two must overcome their differences and haunting pasts to unlock each other's dreams.
COME SWIM is a diptych of one man's day; half impressionist and half realist portraits.
A somewhat impressionist, at times even slightly surreal miniature about a student (Werner Stocker in a splendid performance) who, out of financial difficulties, starts out as pool attendant at an open air swimming pool in Berlin's district of Neukölln. Escaping from his unpleasant landlord and his lover Patrizia (a very young Martina Gedeck), he soon starts to live at the baths, and as swimmers disappear and the baths are closed for the winter, he turns the grounds into his own, perfect refuge from civilisation and social pressure, becoming increasingly detached from reality. What may sound like an annoyingly gimmicky premise is executed here playfully, yet with admirable simplicity and a subtle, unpretentious poetic sensibility that one would wish for more often in contemporary German cinema.
At 13 years old and the eldest of three kids, Lane struggles to keep her family together as her iconoclast mother moves without warning through the communes and dusty back woods of Northern California.
Religious and cultural tensions escalate when an African Islamic woman has an affair with a white American agnostic man.
Tegan falls once more under the influence of the Mara and directs the TARDIS to the planet Manussa. There, the Federator's son Lon and his mother Tanha are preparing for a ceremony to celebrate the banishment of the Mara five hundred years earlier. The Mara takes control of Lon and uses him and Tegan to obtain from Ambril, the Director of Historical Research, the 'Great Crystal' - the large blue stone that originally brought it into being by focusing energy from the minds of the planet's one-time inhabitants. The Mara now plans to use the crystal during the ceremony to bring about its return to corporeal existence.
A fractured, makeshift family ekes out a meditative existence, their lives mysteriously intertwined through ritual and habit. Part musical, part melodrama. An enigmatic tale of eternal return, a decayed slice of Midwestern Gothic.
An Edwardian yacht in deep space races around the planets. There is a double agent in the TARDIS crew. The White Guardian warns the Fifth Doctor of great danger. Turlough must finally choose sides and at the end of the race lies the prize of Enlightenment.
During the marijuana bonanza, a violent decade that saw the origins of drug trafficking in Colombia, Rapayet and his indigenous family get involved in a war to control the business that ends up destroying their lives and their culture.
Mirja must find her place after serving jail time. When she gets a job as a hotel cleaner she starts living a double life. She's torn between her sick mother and her old group of friends, who have always been her real family.
Facing eviction, the residents of a bohemian quarter of Portland, Oregon organize to collectively purchase a block of houses, only to get a crash course in bureaucracy.
The life of Marie and Peter seems perfect, but their greatest wish remains unfulfilled: a family of their own. After several painfully failed attempts to have a child by natural means, Marie and Peter decide to try adoption in Russia. Carried by their longing and after many months of preparation and waiting, they set off to get to know their future daughter Nina in a children's home thousands of kilometers away from Germany. They still have no idea that they are only at the beginning of a tour de force against the Russian authorities – and they are facing the biggest challenge for their relationship, because while Marie and Peter are fighting for their future child, the question is: are we still pursuing the same goal? Each for himself – and especially as a couple?
A character-driven melodrama about a Hong Kong ‘everyday man’ who marries a rich woman to climb the class ladder.
Miranda's Letter takes as a starting point the 'missing women' in Shakespeare, in this instance, The Tempest, and imagines what Miranda's mother would have wanted to say to her daughter. Commissioned as part of Shakespeare Lives 2016.
Experimental filmmaker, Jack has developed a revolutionary type of film, which induces a euphoric state in the viewer. Needless to say, this rapidly becomes an underground phenomenon in Taipei. The label of these mind-altering screenings? Made In Taiwan... With the help of Amy Lin, organised screenings pop up around the city and crowds of eager MIT fans flood in to see his latest creations. As his films become more popular, Jack fights obsessively to keep complete control of his work. However, he also comes to realise that his films have long-lasting effects on the mind. With his own constant exposure to the films, Jack begins to slip into a dark, dream world of his own creation from which he may never return.