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A tramp cares for a boy after he's abandoned as a newborn by his mother. Later the mother has a change of heart and aches to be reunited with her son.

Each time Mrs Babylas sees an animal, she just can't help herself bring it back home.

To please his dying father, Hong Yu, a college student, is forced to abandon his girlfriend, Little Hong, and marry his cousin, with disastrous results.

Comedy about a film crew shooting a movie about guns and robbers, when real robbers turn up. Having to go home in robbers costume, they are mistakingly accused. In the end the real robbers are brought to justice. One of the earliest films portraying bisexual characters.

The wealthy hat maker Cederström has two daughters, Marianne and Lotte. He has decided that Marianne should marry Melander even though she loves the poet Malm. Lotte on the other hand loves Melander.

Wanting his son to get away from his many girlfriends and buckle down to work, the New York industrialist father of a playboy sends him to an obscure village in Spain to find samples of a rare mineral. When the son gets to Spain, he runs afoul of the local police chief - who has a secret that he tries to keep the young man from discovering.

In 15th century France, a gypsy girl is framed for murder by the infatuated Chief Justice, and only the deformed bellringer of Notre Dame Cathedral can save her.

A divorced couple try to pretend they are still happily married in order to get $100,000 from the woman's divorce-disapproving aunt.

The timid youngest son of the most important family in town must use his wits to win the respect of his strong father and the love of a beautiful new woman in town.

At Thanksgiving, a tramp arrives in a homeless-hostile town.

An opportunistic umbrella salesman attempts to save a musician and his daughter from blackmail.

A 1924 film directed by John Francis Dillon.

Insecure Beatrice Ridley lets her jealousy of her husband get the better of her when he begins receiving letters each morning from the Honeysuckle Inn, a roadhouse frequented by sportsmen. Consulting young attorneys, Widgast and Pidgeon, she finds their wives also suspicious about the goings on at the Honeysuckle Inn. Madcap complications ensue when all the characters meet there before everything is straightened out for all three couples.

One of the two earliest horror films ever made. This film is presumed lost. In this black comedy scene, the bottom falls out of a coffin, the corpse tumble out, and is jolted back to life. Short sequences like this, as well as street scenes and dancing geisha girls were the main subjects of early Nippon cinema, pioneered by Shiro Asano and Shibata Tsunekichi from 1897 onwards. In creating dramatic, scenes, film-makers naturally chose the most striking or bizarre. Another undocumented film, recalled by cameraman Shiro Asano.

A married farmer falls under the spell of a slatternly woman from the city, who tries to convince him to drown his wife.

A young man gets engaged to a business competitor's daughter.

The husband of Lady Myra Ingleby is off fighting in the World War. She is devastated when Sir Derysk Brand tells her that her husband has been killed. The War Office gives her the details - Lord Ingleby was killed, not by enemy fire, but because of an error committed by one of his fellowmen, whose name is never to be disclosed. The grieving widow retreats to her Cornwall estate for a rest. Staying at the inn is a man known as Jim Airth, who carries a grief of his own.

When his ne'er-do-well brother embezzles the commissary funds of their cavalry unit stationed in the Sudan, a British soldier takes the blame for him. He winds up deserting his post and joining up with a traveling vaudeville troupe. He falls in love with a pretty young woman in one of the show's acts but finds that a local Arab sheik has his own plans for the young girl.

A series of family entanglements develop around the changing will of Roger Bernhuses de Sars (Karl Mantzius), who wants his heritage to go to his illegitimate daughter Blenda (Greta Almroth). But love and fate also plays their cards. One of the most surprising films of Sjöström, close to Stroheim and some of the silent comedies of Lubitsch. Belonging to the golden age of Swedish film, this comedy offers one of the earliest explorations of the relationship between masters and servants on the screen, later developed by French masters like Renoir and Guitry. After acting in the diptych of Thomas Graal, Sjöström shows that he also dominates the “light genre” as director.

Newlyweds receive a build-it-yourself house as a wedding gift—and the house can, supposedly, be built in "one week". A rejected suitor secretly re-numbers packing crates, and the husband struggles to assemble the house according to this new 'arrangement' of its parts.