Bassist and composer Kyle Eastwood reunites his quintet with the Orchestre National de Lyon to pay tribute to the career of his father, legendary actor and filmmaker Clint Eastwood, in a concert combining jazz, classical music and cinema, held at the auditorium of the Orchestre National de Lyon on October 19, 2022.
Examines the legacy, cultural impact, and body of work of American R&B/funk/jazz/soul/disco band Earth, Wind & Fire, and will feature exclusive access to the band’s archives of visual, audio, and written material, as well as the support of the estate of Maurice White and the band.
Jake Blues, just released from prison, puts his old band back together to save the Catholic home where he and his brother Elwood were raised.
Born on a sharecropping plantation in Northern Florida, Ray Charles went blind at seven. Inspired by a fiercely independent mom who insisted he make his own way, He found his calling and his gift behind a piano keyboard. Touring across the Southern musical circuit, the soulful singer gained a reputation and then exploded with worldwide fame when he pioneered coupling gospel and country together.
The Los Angeles punk music scene circa 1980 is the focus of this film. With Alice Bag Band, Black Flag, Catholic Discipline, Circle Jerks, Fear, Germs, and X.
Boundary-pushing Russian dancer and actress Ida Rubinstein selects renowned French composer Maurice Ravel to compose the music for her next ballet. Ravel ends up creating his greatest success ever: Boléro.
In 1960s France, a jazz musician becomes the subject of an impromptu documentary.
This riveting music documentary traces the history of Jazz piano legend Oscar Peterson, from his early days as Montreal's teenage Boogie-Woogie sensation through his meteoric rise to international celebrity with Norman Granz and the ground-breaking Jazz at the Philharmonic and beyond. In this award-winning autobiographical portrait, legendary jazz pianist Oscar Peterson narrates his story, from his beginnings in smoke-filled Montreal clubs to hallmark performances with jazz greats. Concert footage includes an unforgettable combo -- Nat King Cole with Jazz at the Philharmonic and the Oscar Peterson Trio Wall reunion. Quincy Jones, Ella Fitzgerald and Dizzy Gillespie are interviewed, among others.
Kirk Whalum curates this exciting collection of musicians, coming together to perform THE GOSPELACCORDING TO JAZZ. The artists include Kim Burrell, Jonathan Butler, Georke Duke, Paul Jackson Jr. and Tata Vega, all neatly complementing Whalum's forays into jazz, blues and gospel.
A hack screenwriter writes a screenplay for a former silent film star who has faded into Hollywood obscurity. Film adaptation of the Andrew Lloyd Webber stage musical based on the iconic 1950 film.
Everyone mentions her when asked who the 1st generation of jazz musicians is in Korea, adding that jazz wouldn't have been continued in Korea if not for her. It's Park Seong-yeon, the musician who ran Korea's first jazz club - Club Janus - and she provided it for other musicians to perform. Diva Janus follows the late Park's footsteps through her past and interviews by her peer musicians.
Melrick is an unruly young boy who spends his summer in French Guiana at his grandmother's house to escape his turbulent daily life in Stains, France. At the end of his stay, he plays the drum to revive the memory of his late uncle, Lucas Diomar, who died in tragic circumstances. Despite a wave of murders of young men shaking the headlines, Melrick becomes aware of his place in a family destroyed by irreparable grief.
Documentary about the Chicago jazz scene.
During the 1960s, two American jazz musicians living in Paris meet and fall in love with two American tourist girls and must decide between music and love.
Chet Baker silently wanders through an Antonioniesque landscape in a Felliniesque state of wonderment as his improvised trumpet solos alternate between earnestly offering the obvious and mocking the artiness of the whole affair.
Stop for Bud is Jørgen Leth's first film and the first in his long collaboration with Ole John. […] they wanted to "blow up cinematic conventions and invent cinematic language from scratch". The jazz pianist Bud Powell moves around Copenhagen -- through King's Garden, along the quay at Kalkbrænderihavnen, across a waste dump. […] Bud is alone, accompanied only by his music. […] Image and sound are two different things -- that's Leth's and John's principle. Dexter Gordon, the narrator, tells stories about Powell's famous left hand. In an obituary for Powell, dated 3 August 1966, Leth wrote: "He quite willingly, or better still, unresistingly, mechanically, let himself be directed. The film attempts to depict his strange duality about his surroundings. His touch on the keys was like he was burning his fingers -- that's what it looked like, and that's how it sounded. But outside his playing, and often right in the middle of it, too, he was simply gone, not there."
"It must schwing!" was the motto of Alfred Lion and Francis Wolff, two German Jewish immigrants who in 1939 set up Blue Note Records, the jazz label that was home to such greats as Miles Davis, John Coltrane, Herbie Hancock, Thelonious Monk, Art Blakey, Dexter Gordon and Sonny Rollins. Blue Note, the most successful movie ever made about jazz, is a testimony to the passion and vision of these two men and certainly swings like the propulsive sounds that made their label so famous.
Pinnacle records has the perfect plan to get their sinking company back on track: a comeback concert in LA featuring Aldous Snow, a fading rockstar who has dropped off the radar in recent years. Record company intern Aaron Green is faced with the monumental task of bringing his idol, out of control rock star Aldous Snow, back to LA for his comeback show.
Kirk Whalum presents this music documentary-cum-live concert performance exploring the impact of jazz on modern retellings of the Gospel. The film includes performances by Kirk Whalum himself along with George Duke, Lalah Hathaway, Doc Powell and Kevin Whalum.
Taken in by the musical world as a young orphan, Rick Martin grows up with a desire to play pure jazz instead of the commercial gigs he lands, whilst also coping with the problems caused by his tempestuous marriage to an aloof heiress.