Tochka

This meta student film illustrates the trials and tribulations of being a film student.

Crab Day is a short film made to accompany Cate Le Bon’s eponymous album, released on April 15, 2016 via Turnstile. Directed by Phil Collins and shot on location in Berlin in the winter of 2015.

A visceral journey through dysphoria in the internet age.

Three friends form a bond over the year, Johnathan is gay, Clare is straight and Bobby is neither, instead he loves the people he loves. As their lives go on there is tension and tears which culminate in a strong yet fragile friendship between the three.

In 1948, the Trouths are facing no income and the hottest summer on record. When their estranged son inexplicably returns, the apartment is full again - but is it big enough for the gambling, trauma, and substantial life insurance policy that comes in his wake?

In Edo-era Japan, a ukiyo-e artist languishes in his master’s shadow. Creatively stifled, he finds consolation in the company of a prostitute, and becomes entangled in a love triangle. A mystery emerges involving two portraits and the sudden disappearance of the artist Sharaku. Helmed by Cannes-selected director Tatsuji Yamazaki, the film employs kabuki-inspired sequences and stylised sets.

Narrator dreams of Madrid while being caught in a repetitive loop somewhere in Paris. He questions if his interlocutor is a real human being, as their dialogue, mostly built of citations, doesn't seem to be helping with breaking the loop.

Richard Rhys, a painter in Victorian London, is the prime suspect in the Jack the Ripper murders. In a chance encounter he meets a wealthy reformer and socialite, Victoria Thornton, married to the richest man in England. Their passionate love affair results in a pregnancy and possible scandal and ruin. It is a story of redemption and true love.

Human, Tears, Art

An artist’s final painting becomes the backdrop of a tense dinner date in which a couple debate the legitimacy of wine tasting.

A Man runs away from a Shadowy Figure whilst coming to terms with what’s next…His Mortality.

A vacationing entomologist suffers extreme physical and psychological trauma after being taken captive by the residents of a poor seaside village and made to live with a woman whose life task is shoveling sand for them.

A woman on the run from the mob is reluctantly accepted in a small Colorado community in exchange for labor, but when a search visits the town, she learns that their support has a price.

Composed of two narrative layers. The first layer includes a visit to the cinema (including a projectionist) and a reflection on their perception and experiencing the projection. The second layer is the projected work, ie film in film. This is based on the structure of the myth: at the beginning we see a tree that seems to refer to the tree (life or knowledge) in Eden. This is followed by a correlation of the images of Michelangelo Buonarroti's The Creation of Adam (1512) and other Renaissance works. The following shots from the Nazi concentration camps, ie the presentation of manifestations of human evil, are then an allegory of the fall of a man who was the result of the original sin in paradise.

A man, boarded up in his room during the apocalypse, is haunted by his anxieties and the nightmares of the ones he watched suffer. Until a voice on the radio begins speaking to him.

A teen wanders through the secret, fleeting moments of the night toward adulthood. The angst and raw emotion of the night's delicate connections linger as he crosses paths with a mysterious girl.

A young artist, Sofia - a photographer, wanders the streets at night with her camera. She's led by a mysterious graffiti artist through his written poetry on street walls and embarks upon a spiritual quest.

SUMMER. HEAT. SWEAT. CHILDREN'S LAUGHTER. ALL BECOMES DARKNESS.

Brief aan mijn vader

On an otherwise quiet night there is a startling knock at the door. Andrew Tucker answers the door to find an old friend whom he hasn't seen in years. The disheveled and absent friend comes to him with one request: "I need you to come with me but, I can't tell you where we're going." Andrew takes a chance but learns that every answer brings more questions. Nothing good ever comes knocking after midnight and Andrew's nightmare asks how far you would go to help a friend.