The Mies van der Rohes – A Female Family Saga

Prelude to War was the first film of Frank Capra's Why We Fight propaganda film series, commissioned by the Pentagon and George C. Marshall. It was made to convince American troops of the necessity of combating the Axis Powers during World War II. This film examines the differences between democratic and fascist states.

A documentary propaganda film produced by the U.S. Army Signal Corps about the Aleutian Islands Campaign during World War II. The film opens with a map showing the strategic importance of the island, and the thrust of the 1942 Japanese offensive into Midway and Dutch Harbor. Nominated for the Academy Award for Best Documentary Feature.

The film shows the period just after the liberation of camp Westerbork and the Netherlands. The remaining Jews were ordered to guard new prisoners: NSB members and other collaborators. Several of those 'wrong' Dutchmen had been partly responsible for the deportation of Jews to Auschwitz. This documentary is about those first four months in camp Westerbork, when almost a hundred prisoners suspected of collaboration died.

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Inspired by the complexity of the entire film-footage captured by Eva Braun, while in the inner most circle of Adolf Hitler and his private world, these observations challenge the viewer's perception of what is fact and to a greater extent what is unperceived. History teaches us the horrors of manipulation, unaccountability and ignorance. Historical moments that mirror all aspects of today’s society and humanity.

Focusing on three women from vastly different backgrounds this film weaves together powerful moments from each of these Rosie's journeys of transformation.

The Last Ring Home is a made-for-TV documentary that recounts the story of how a WWII hero's last wish was lost, found, finally fulfilled and then lost again. The discovery of the story by the hero's grandson is as big as the discovery of the ring.

Five Jewish Hungarians, now US citizens, tell their stories: before March 1944, when Nazis began to exterminate Hungarian Jews, months in concentration camps, and visiting childhood homes more than 50 years later. An historian, a Sonderkommando, a doctor who experimented on Auschwitz prisoners, and US soldiers who were part of the liberation in April 1945.

On December 13 of 1943 the Nazi occupation army in Greece executed all the male population of the town of Kalavryta while burning it to the ground. Three men who witnessed these events as kids remember.

World War II was not just the most destructive conflict in humanity, it was also the greatest theft in history: lives, families, communities, property, culture and heritage were all stolen. The story of Nazi Germany's plundering of Europe's great works of art during World War II and Allied efforts to minimize the damage.

Produced in 1943 under the guidance of Army Air Force Lieutenant Clark Gable, this film follows a single 8th Air Force B-17 crew from training through a series of missions over Europe.

If Only I Were That Warrior is a feature documentary film focusing on the Italian occupation of Ethiopia in 1935. Following the recent construction of a monument dedicated to Fascist general Rodolfo Graziani, the film addresses the unpunished war crimes he and others committed in the name of Mussolini’s imperial ambitions. The stories of three characters, filmed in present day Ethiopia, Italy and the United States, take the audience on a journey through the living memories and the tangible remains of the Italian occupation of Ethiopia — a journey that crosses generations and continents to today, where this often overlooked legacy still ties the fates of two nations and their people.

At the start of World War II, Japanese Americans living on the West Coast were faced with the threat of forced removal and incarceration in concentration camps. A small number took their fate in their own hands, fleeing to interior states, becoming refugees in their own country, on a forced migration into the unknown. Before They Take Us Away is the first feature documentary to chronicle the untold stories of the “self-evacuees” who spent the war years outside the camps, as they struggled to rebuild their lives and overcome poverty, isolation, hostility and racial violence.

This documentary-style short follows two impoverished teens performing on the streets of London in the days leading up to the London Blitz of 1940.

This is the story of an incredible rise to power, the most comprehensive documentary on Hermann Goering ever made. He was a man of many faces: vain, ambitious, more brutal than any other of Hitler's minions, yet the most popular Nazi official of all, at times even more popular than Hitler himself. He embodied the jovial side of the Third Reich. Yet the same man who organised dissolute bacchanals also founded the Gestapo, set up the first concentration camps, and had his own comrades murdered in the purge of 1934. These unique personal records form the largest and most important single film find from the Nazi era in past years.

During World War II, 12 000 children were born to Norwegian mothers and German soldiers. In WARS DON’T END five of these children tell their stories about lives of discrimination and abuse stemming from the choices of their mothers and the actions of their fathers.

Made famous by the 1957 Hollywood movie, the bridges of the River Kwai emblematize one of the most misunderstood events in history. Contrary to the romanticized film version, the structures represent a period of terror, desperation, and death for over 16,000 POWs and 100,00 local slaves. The Thailand - Burma Railway was the vision of the Japanese Imperial Army: a 250-mile track cut through dense jungle that would connect Bangkok and Rangoon. To accomplish this nearly impossible feat, the fanatical and ruthless Japanese engineers used POWs and local slaves as manpower. Candid interviews with men who lived through the atrocity - including Dutch, Australian, British, and American POWs - illuminate the violence and horror of their three-and-a-half-year internment. From Britain's surrender of Singapore the enduring force of friendship, The True Story Of The Bridge On The River Kwai narrates a moving and unforgettable account of a period in history that must be remembered.

Using never-before-seen footage, Japan's War In Colour tells a previously untold story. It recounts the history of the Second World War from a Japanese perspective, combining original colour film with letters and diaries written by Japanese people. It tells the story of a nation at war from the diverse perspectives of those who lived through it: the leaders and the ordinary people, the oppressors and the victims, the guilty and the innocent. Until recently, it was believed that no colour film of Japan existed prior to 1945. But specialist research has now unearthed a remarkable colour record from as early as the 1930s. For eight years the Japanese fought what they believed was a Holy War that became a fight to the death. Japan's War In Colour shows how militarism took hold of the Japanese people; describes why Japan felt compelled to attack the West; explains what drove the Japanese to resist the Allies for so long; and, finally, reveals how they dealt with the shame of defeat.

This short documentary produced by the University of Oregon Multimedia Journalism graduate program explores memories of Portland's Japantown – Nihonmachi – and the thriving Japanese American community in Oregon prior to World War II. The film features Chisao Hata, an artist, teacher and activist, and Jean Matsumoto, who was incarcerated at the Portland Assembly Center and in the Minidoka concentration camp as a child.

When World War II broke out, John Ford, in his forties, commissioned in the Naval Reserve, was put in charge of the Field Photographic Unit by Bill Donavan, director of the soon-to-be-OSS. During the war, Field Photo made at least 87 documentaries, many with Ford's signature attention to heroism and loss, and many from the point of view of the fighting soldier and sailor. Talking heads discuss Ford's life and personality, the ways that the war gave him fulfillment, and the ways that his war films embodied the same values and conflicts that his Hollywood films did. Among the films profiled are "Battle of Midway," "Torpedo Squadron," "Sexual Hygiene," and "December 7."