Rude Questions

A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the Dream Boat sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place.

Max is gender non-conforming and gives birth to River, who they are raising gender-neutral until River can express their own identity.

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

For the last quarter century, Houston native Arden Eversmeyer journeyed across the country to record hundreds of oral "herstories" with a mostly invisible population that is rapidly disappearing. Old Lesbians honors Arden's legacy by animating the resilient, joyful voices she preserved in the Old Lesbian Oral Herstory Project, from first crush to first love, from the closet to coming out, and finally from loss to connection.

Documentary about behind the scenes of Pabllo Vittar's highly anticipated show at the first edition of The Town, in São Paulo.

Experimental documentary short starring Batato Barea and Peter Pank, filmed in July 1991

Taking more inspiration from The Faces of Death than from the "real" movie world, this documentary shows brutal violence, sex, nudes, some curiosities from various countries. Specifically: we observe porn-taxis, gay-pride, erotic patisserie, child prostitution, children forced to crush coca leaves (this causes them horrible wounds on the skin), human skin trade, sick children (very strong scene). According to the tradition of the movie world, even animals are not spared, even if the cruelties against them are limited to two scenes: the extraction of the heart of a monkey while it is still alive, and the operation on the testicles of a other monkey for testosterone.

Since 1979, Rose Chong Costumiers have been dealing in elaborate and vibrant maximalist attire for hire. In 40 years, it has established itself as an iconic and legendary Melbourne staple among the Inner-North's queer scene. But neither Rose Chong's nor fancy-dress are as simple as they first seem according to Dan, one of the long-time "Chongettes" who works there. When considered with care and attention, they reveal glittering ideas of play and fun and community. From a queer lens - or rather, a mirror - this unassuming costume shop is a place where one might begin to conceive truths about themselves and their identities. How to Dress Like Me is a 5-minute documentary that contends with the intersections of play, queerness, and clothes.

This incisive, urgent documentary examines the history of anti-Black racism in hockey, from the segregated leagues of the 19th century to today’s NHL, where Black athletes continue to struggle against bigotry.

A funeral car cruises the streets of Medellín, while a young director tells the story of his past in this violent and conservative city. He remembers the pre-production of his first film, a Class-B movie with ghosts. The young queer scene of Medellín is casted for the film, but the main protagonist dies of a heroin overdose at the age of 21, just like many friends of the director. Anhell69 explores the dreams, doubts and fears of an annihilated generation, and the struggle to carry on making cinema.

To mark the 60th birthday of the multi-talented comedian, singer and author Hape Kerkeling, the two documentary filmmakers André Schäfer and Eric Friedler have created a quiet, thoughtful and entertaining portrait of this often anarchic humorist. The film tells of his rapid rise as a teenager, his time and the blows of fate during the AIDS epidemic, the controversial forced outing, his confident exit from the show business and his new beginning. The film is a sensitive insight into the family history and a fast-paced journey through the career stages of a formative figure in German TV entertainment.

Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.

Hard to imagine, but true: According to current estimates, out of 500,000 active male football professionals worldwide, under ten (10) are openly homosexual. While homosexuality hardly plays a role in other areas of life today, the topic seems to be completely taboo in professional football. The feature-length documentary THE LAST TABOO lets those who broke exactly this taboo tell their very personal stories alongside Thomas Hitzlsperger. Like the British professional footballer Justin Fashanu (*1961 in London; † 1998 in London), who broke this taboo for the first time in 1990 and paid for it with his life. His niece Amal tells his story. Marcus Urban, on the other hand, was about to make the jump to the Bundesliga as a teenager and, by deciding to come out, he also went against his big dream. The stories of the US professional Collin Martin and the British player-coach Matt Morton, on the other hand, suggest that normality is not far away.

Victorian Queens takes a deep dive into the weird, wonderful and utterly unique landscape of Melbourne's drag community.

An edgy and unapologetic look at the growing impact that open LGBTQ music artists, and their straight allies, are having on the portrayal of sexuality and gender politics in music, and its affect on the normalizing of gay culture. Using artists personal experiences as a lens, we'll look at sexuality's influence on music and the role of social media in helping artists complicate mainstream expectations of identity. How far are artists willing to push their music, messages and imagery to challenge the way pop culture defines notions of sexuality, masculinity, femininity, gender and what it means to be queer?

In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.

In an airborne pandemic when separation, isolation, and self-sufficiency became the punishing norm, many trans people faced the COVID-19 era differently. G. Chesler’s new documentary feature presents eight portraits of trans, postgender, and genderqueer people sharing their experiences of cultivating, sustaining, and joining communities in this pandemic. These trans community creators center experiences of Asian American people facing violent racism as the pandemic began in late 2019, Black Americans rising in opposition to white supremacist police-state violence in mid 2020, and the exclusion many people who are disabled feel from a society that—despite grave and massive loss—still refuses to habitually protect itself at large.

Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.

In Saigon, family culture carries on as it has for centuries, even when blood ties are broken. Through a mosaic of intimate portraits, Má Sài Gòn explores humanity’s universal desire for love, acceptance, connection and belonging through an LGBTQ+ lens. The film is a love letter – a bittersweet ode to a comforting yet disturbing mother, to a city that is as liberating as it is oppressive.