Rude Questions

A documentary on Queercore, the cultural and social movement that began as an offshoot of punk and was distinguished by its discontent with society's disapproval of the gay, bisexual, lesbian and transgender communities.

A New York film and at the same time the study of a young man suffering from an obsessive-compulsive disorder (OCD). The Berlin filmmaker Oliver Sechting (37) and his co-director Max Taubert (23) travel to New York with the idea of documenting the art scene there. However, the project is quickly overshadowed by Oliver's OCD, and the two directors fall prey to a conflict that becomes the central theme of their film. Encounters with such artists as film directors Tom Tykwer (Cloud Atlas), Ira Sachs (Keep the Lights On), and Jonathan Caouette (Tarnation) or the transmedia artist Phoebe Legere seem more and more to resemble therapy sessions. At last, Andy Warhol-Superstar Ultra Violet succeeds in opening a new door for Oliver.

Sometimes, finding your tribe requires a bit of magic. For attendees of a live action role-playing (LARP) camp in upstate New York, the deeply accepting environment has given neurodivergent, queer, and self-proclaimed "nerdy" teenagers the space and community for self-discovery that they have never found anywhere else. As the campers immerse themselves in this imaginative world, they discover inner strength, heal from past traumas, and emerge as the heroes they are meant to be, both in the fantasy realm and in real life.

The 3rd installment in James A. Burkhalter's QUEER ROOTS trilogy: After years of his mother begging him to do it, James decides to finally review and erase 10 years' worth of phone messages. It tells the story of James' "roaring twenties," constructed solely through the voices of friends, family, and lovers.

Using diary excerpts, photographs and memories from companions, the film paints the portrait of the artist Jürgen Baldiga who sensitively and authentically captured the West Berlin queer scene of the 1980s and early 1990s with his camera.

Keenly aware that his niece is going through a particularly rough time at home, Uncle James teaches Ava Dee how to use the Blackmagic Pocket Cinema Camera. As an experiment, he tells her to shoot whatever she wants and he'll edit it into a film.

This short experimental diary film reveals my struggles with mental illness in my adolescence and queer adulthood while simultaneously reflecting upon my joyous childhood experiences. I investigate when and how my depression began and explain that my relationships with the people I love have supported me through my harder times. The film incorporates footage shot over May and June 2023 and archival home videos. Overall, I aim to resolve my "growing pains" through the medium of diary film and by reconnecting with my younger self.

Since the 1970s, lesbians from around the world have been drawn to the island of Lesvos, the birthplace of the ancient Greek poet Sappho. When they find paradise in a local village and carve out their own queer lesbian community, tensions simmer with the local residents. With both groups claiming ownership of lesbian identity, filmmaker Tzeli Hadjidimitriou—a native and lesbian herself—is caught in the middle and chronicles 40+ years of love, community, conflict, and what it means to feel accepted.

The final official installment in the "Mondo Cane" series dares to go where no other Mondo film has gone before.

"Chapal Bhaduri, a leading lady of Bengal’s traditional folk traveling theatre-in-the-round, the Jatra, spent his life playing women. This film is an intimate biography that brings you face to face with this unique individual, sharing what it means to him to become a woman night after night, talking of the woman inside his body, of troubled sexuality, of a long partnership with his older lover, of the loneliness of living on the edges of conventional society–and showing how he metamorphoses into the goddess to perform her story." - The Bangalore International Centre

An edgy and unapologetic look at the growing impact that open LGBTQ music artists, and their straight allies, are having on the portrayal of sexuality and gender politics in music, and its affect on the normalizing of gay culture. Using artists personal experiences as a lens, we'll look at sexuality's influence on music and the role of social media in helping artists complicate mainstream expectations of identity. How far are artists willing to push their music, messages and imagery to challenge the way pop culture defines notions of sexuality, masculinity, femininity, gender and what it means to be queer?

The true story of the students of Brigham Young University's queer underground, as they lit the school's iconic "Y" in rainbow colors. But, A Long Way From Heaven does a lot more than tell the story of the Rainbow Y. It outlines the history of queer treatment at BYU - the good (where it exists), the bad, and the very, very ugly. The film combines new, original footage with a huge variety of historical images, videos, newspaper articles, and other mixed media from every conceivable source to tell the story of BYU's queer students, and the bravery and risks they constantly take to make their voices heard.

When Melody was a young child, 20+ years away from coming out as transgender, she developed an obsession with movies. One of her biggest hobbies was acting out her favorite VHS tapes, FBI warnings and trailers included, in front of her parents' camcorder. Mom and dad realized this was an easy way to keep their child busy. Thus, the camera became a sort of babysitter, resulting in dozens of tapes featuring Melody performing in front of the (usually stationary) camera.

In his essay film, Jerry Tartaglia, longtime archivist and restorer of the film estate of queer New York underground, experimental film, and performance legend Jack Smith, deals less with Smith’s life than with his work, analyzing Smith’s aesthetic idiosyncrasies in 21 thematic chapters. It's a film essay about the artist’s work, rather than a documentary about his life. An unmediated vision of Jack Smith, an invitation to join him in his lost paradise.

"There are things in this world that are yet to be named" centers around Solanum plastisexum - an Australian tomato whose sexual expression is unpredictable and unstable, challenging even the fluid norms of the plant kingdom. Footage of the team of botanists who recently used their Solanum research to explode notions of sexual normativity in any plant or animal is combined with a voiceover of letters sent between science writer Rachel Carson and her lover Dorothy Freeman. "There are things in this world that are yet to be named" is a meditation on erasure, indefinability, and the intersection of queer and environmental histories.

after mourning the passing of his late wife, Bill finds the courage to travel to New York City and reconnect with his favorite mistress.

The artist walks through a garden, with additional footage featuring Black trans activist Marsha P. Johnson.

In 1999, the largely conservative Wairarapa district in New Zealand elected a former cabaret performer/actress named Georgina Beyer to the country's House of Parliament -- a seemingly unremarkable event in that country's history except for the fact that Beyer is a transsexual and may very well be the first transsexual in the world to be elected to a national office. In their 2002 biographical documentary Georgie Girl, co-directors Peter Wells and Annie Goldson highlight the popular Member of Parliament's rapid rise through local government to prominence in the New Zealand national government.

A documentary about Néstor Perlongher. His life, his poems, and his activism in Argentina's Frente de Liberación Homosexual (homosexual liberation front).

Religious-based images and traditions permeate the lives of all the people who inhabit Seville. Historically, the city's mariquitas ("sissies") have also assimilated them in their childhood and, through them, have been creating their own encounter spaces and their own codes. Nowadays, new dissident identities continue to respond to them: they participate or distance themselves, they continue what exists or transform it. This film looks at these traditions from a perspective always relegated to the margins.