An exploration —manipulated and staged— of life in Las Hurdes, in the province of Cáceres, in Extremadura, Spain, as it was in 1932. Insalubrity, misery and lack of opportunities provoke the emigration of young people and the solitude of those who remain in the desolation of one of the poorest and least developed Spanish regions at that time.
Wallace and Gromit have run out of cheese, and this provides an excellent excuse for the duo to take their holiday to the moon, where, as everyone knows, there is ample cheese. Preserved by the Academy Film Archive.
When Ji-sun picks up a mobile phone, soon the chaos will begin.
In his contribution to the On Art and Artists interview series, Nathaniel Dorsky (b.1943) begins by discussing his childhood love of the John Ford film Stagecoach and its influence upon his decision to make films while attending Antioch College. Describing the affinity he developed for work operating at the intersection of film materiality and personal language, Dorsky explains how he developed his philosophy of the “devotional film” and the “microcosmic viewer.” Dorsky likens his practice to Buddhist sculpture, referring to himself as a “Japanese poet continuing aspects of the ethos of the Marxist revolution.” In the interview, the artist describes his use of the screen as an “altarpiece for the image” and emphasizes his use of editing to create works which “harmoniously coalesce.” Interview conducted by Jeffrey Skoller in May 2000, edited in 2014.
A group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.
A day in the city of Berlin, which experienced an industrial boom in the 1920s, and still provides an insight into the living and working conditions at that time. Germany had just recovered a little from the worst consequences of the First World War, the great economic crisis was still a few years away and Hitler was not yet an issue at the time.
A walker in the dark. A light without a spark. All of them mean nothing, unless there is a hark.
Documentary short showcasing the genius of jazz greats Coleman Hawkins, Roy Eldridge, Cozy Cole, and Milt Hinton, among others.
While drawing, Rui is surprised by the presence of Epsilon, a mysterious girl with magical powers.
In this documentary, survivors recall the catastrophic 2018 Camp Fire, which razed the town of Paradise and became California’s deadliest wildfire.
Anime short that will accompany screenings of the Delicious Party♡Precure film. The short will star characters from three previous Precure series - Tropical-Rouge! Precure, Healin' Good Precure, and Star Twinkle Precure - alongside the characters from the current Delicious Party♡Precure series.
A baby dragon and a little bird fail to make beautiful music together.
With "FOOD LOVE" (2023), Mayr and Hase present their second short film and the follow-up to their debut film "CAR LOVE" (2022). Here, the themes of food and sexuality are negotiated; more specifically, it's about French "haute cuisine," which is brought into a sexually charged context during the film. The boundaries between the art of cooking, food consumption and sex become blurred in FOOD LOVE; the food that the protagonist creates is consumed in a multiple sense and serves physical gratification in an ambiguous sense. In the order of a French menu, sexual acts are performed with and on the dishes. After the climax, however, a surprise awaits: it is an inconspicuous fast-food burger that is finally eaten by the protagonist.
Die 7 Todsünden des Staatsbürgers
Music scores are atomized and recompiled into instructions for visual edits and cues. Ties are uncovered between sight and sound.
Panasonic PV-GS83 in a plastic bag thrown in the ocean.
Single frames vectorized and stitched before processing through an analog EAB.
White Rock Lake Water Theater in Dallas, Texas. Sculpture by Frances Bagley and Tom Orr. Video compiled from 35mm stills.
Oil spills around Oak Cliff, Dallas.
Compiled and animated from still images.