Bastet

Sága is a strange, withdrawn, androgynous young girl. She has no friends and spends most of her time locked away at home. But Sága wasn't always like this; her life and personality changed dramatically at puberty when a terrible curse took hold of her. For years, she has managed to hide her dark secret from the world... But for how much longer?

Deacon City Police Captain Jackson Briggs recruits the assassin Hanzo Hasashi (Scorpion) for an undercover mission: enter a deadly tournament and eliminate its criminal participants. The film reimagines Mortal Kombat characters in a gritty, realistic setting, stripping away supernatural elements while preserving the core conflict.

When a mysterious stalker strikes at a small campus, the some students find themselves stunned and terrified by the going-ons around them. One student, however, becomes fascinated with the murders.

A strangler is loose on a British estate, and he not only strangles his victims but brands an "M" onto their foreheads before he decapitates them.

A deep and introspective analysis of my relationship to the Catholic God I grew up worshipping. Guilt, shame, and repressed desires are the themes explored, specifically in relation to being gay and dealing with the internal conflicts that it caused me.

After discovering his mother crying, a boy is stalked by unknown presences.

Grampa Munster introduces some of the best and worst horror trailers from Universal's classic horror films.

Sebastian, a young man, has decided to follow instructions intended for someone else, without knowing where they will take him. Something else he does not know is that Gerard Dorez, a cop on a knife-edge, is tailing him. When he reaches his destination, Sebastian falls into a degenerate, clandestine world of mental chaos behind closed doors in which men gamble on the lives of others men.

A mad writer checks into a hotel. In the window of a opposite building he sees four men and starts to write their life story. Every man is an anonymous person who have done or experienced something irreversible in his life. They end up together to plan a heist.

To salve his guilty conscience an elder brother removes his disturbed younger sibling from a mental institution after a suicide attempt and tries to bring him back to mental competency through one on one contact. Free of the institution he continues to be haunted by dreams of a lost twin and chants the eerie phrase "Do I stand before the king?" It is the elder brother that seems doomed to lose himself in his brother's insanity.

Miraji

A new film by Sheik Althaf Hussain. The plot is unknown at this moment; currently in private screenings and festival submissions.

An ex-criminal is hired by the police to go undercover inside a drug cartel, but when he saves a little girl, he blows his cover.

When a self reliant business woman breaks down on a dark and isolated country road, she discovers that help can come from the strangest of strangers.

An opportunity to extract revenge falls on The Barber’s lap belonging to the indigenous tribes as The Officer, the face of the government who killed her lover visits her salon for a shave. But there is an ongoing truce pact between the two parties and violence must be avoided so that the prisoners exchange can take place smoothly.

In an alternate reality where the decline of nations has given rise to corporatist regimes, any trace of culture or tradition is suppressed by these new leaders to prevent the masses from reclaiming a national identity. However, rebel cells have emerged to counteract this agenda.

Najwa, a teacher from a small town, moves to Jakarta for the sake of her daughter Yanti’s future after accepting a teaching position at an elite school run by a foundation. However, their new home harbors both terror and clues from vengeful spirits—victims of an ancient cannibalistic practice carried out by the foundation's founders. As a deadly ritual draws near, Najwa must confront dark forces to save herself and her daughter from becoming the next sacrifices in the cannibalistic rite.

Monette, a middle-aged traveling book salesman, goes to confession. When the priest asks him what sin he has committed, Monette admits that he believes he has sinned in some way but is not entirely sure exactly what he is guilty of.

Passingness is a haunting exploration of identity, memory, and the fragile edge of reality. As the narrative unfolds through emotionally charged performances and a tense, introspective atmosphere, the audience is drawn into a fragile space between being and disappearing. A haunting meditation on identity, loneliness, and the terror of not being seen. Driven by intense, intimate performances, the story unfolds in layers of psychological tension, revealing inner scars, blurred truths, and the quiet terror of not knowing who you are or if you ever were.

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