Boll Mo: Sexism in Kosova

October 1st, 1957. Dusk descends on Tiananmen Square, Peking. Fireworks crackle light across the night sky, above a city alive with National Day festivities and celebrations. Two intrepid New Zealand film-makers - Rudall and Ramai Te Miha Hayward - are there, documenting the life and times of communist China. The distinction of being the first English speaking foreigners to film unfettered in communist China was significant. The invitation to visit China was facilitated through the New Zealand China Friendship Society. They filmed in Canton, Shanghai, Peking (Beijing) and Wuhan. It was a small window of opportunity for Westerners to gaze on a country that was largely a mystery to the outside world since 1949. The unfortunate irony was that two of the documentaries; “Wonders of China”, and “Inside Red China”, were considered to be communist propaganda, and were not distributed outside of New Zealand.

Younost, une jeunesse russe

"Jolly Roger" could mean Roger Schawinski. But by definition, a "Jolly Roger" is the classic black pirate flag with skull and crossbones. This documentary tells the unvarnished story of the Swiss radio pirates who emerged in the 1970s. The focus is on Radio 24 in its wild years, when Schawinski's team broadcast from Italy, with the strongest FM station in the world at the time, straight down from Pizzo Groppera, 130 kilometers all the way to the Zurich area. Supported by numerous original documents from private filmmakers and from the SRG archives, the viewer relives the absurd radio war between David and Goliath that lasted almost four years, 24 years after this war between the radio pirates and the state power began on November 13, 1979. The many known and unknown fighters, who rallied behind their Radio Winkelried Schawinski in 1979 to help usher Switzerland into a new media age, remember the good and bad times, the demonstrations and the numerous threatened and actual closures.

In 2020 the Hungarian government announced the change of ownership at nine state universities in order to make them maintained by foundations. The so-called “restructuring” comprised the imposition of a board of trustees over the universities, the members of which being loyal supporters of the government holding stable positions in its economic halo. Only one of the nine institutions protested against the forced political takeover of the University of Theatre and Film Arts (SZFE). Our film presents one of the stories of the university blockade.

THE PERFUMED GARDEN is an exploration of the myths and realities of sensuality and sexuality in Arab society, a world of taboos and of erotic literature. Through interviews with men and women of all ages, classes, and sexual orientation, the film lifts a corner of the veil that usually shrouds discussion of this subject in the Arab world. Made by an Algerian-French woman director, the film begins by looking at the record of a more permissive history, and ends with the experiences of contemporary lovers from mixed backgrounds. It examines the personal issues raised by the desire for pleasure, amidst societal pressures for chastity and virginity. The film discusses pre-marital sex, courtship and marriage, familial pressures, private vs. public spaces, social taboos (and the desire to break them), and issues of language.

This fascinating political look at a little-known chapter in women's history tells the story of "Jane", the Chicago-based women's health group who performed nearly 12,000 safe illegal abortions between 1969 and 1973 with no formal medical training. As Jane members describe finding feminism and clients describe finding Jane, archival footage and recreations mingle to depict how the repression of the early sixties and social movements of the late sixties influenced this unique group. Both vital knowledge and meditation on the process of empowerment, Jane: An Abortion Service showcases the importance of preserving women's knowledge in the face of revisionist history. JANE: AN ABORTION SERVICE was funded by the Independent Television Service (ITVS) with funds provided by the Corporation for Public Broadcasting.

Since the year 2000, there have been several waves of suicides among the indigenous population of the Colombian Amazon. I discovered that the men commit suicide because of love sorrow. Their wives leave them for white men. The latter think that the Indian feels nothing because they do not express themselves in the same way and, in their language, there are no words to describe feelings. Is it possible that a whole people, the Cácuas Indians, do not feel anything?

A look into the life and times of actress Leah Remini as her wedding approaches and afterward they attempt to have a baby.

Documentary on the Mayan culture.

A view of the religious tensions between Muslims and Buddhist through the portrait of the Buddhist monk Ashin Wirathu, leader of anti-Muslim movement in Myanmar.

A documentary about political activism, rebellion, squatting, and the do-it-yourself attitude among young people on the eve of the 70s. This is the story of how Blitzhuset came to be. We interviewed those active during the uprising; the young people who were at the forefront, the politicians and the police who were supposed to keep the city clean of the excrements. This is an exciting documentary about an era that has been mystified and lived in the shadows for far too long.

Anaben Pawar is an elderly tribal woman accused of witchcraft in rural India. Through Ana's story, we delve into a deep-rooted culture of patriarchy and examine one of the most monstrous attacks on women's bodies in modern India: the witch-hunt.

Haida Gwaii, an archipelago off the west coast of Canada, is home to Skil Jaadee and her family. They live in harmony with nature and have made it their mission to save their language and preserve their history.

This documentary takes the viewer on a deeply personal journey into the everyday lives of families struggling to fight Goliath. From a family business owner in the Midwest to a preacher in California, from workers in Florida to a poet in Mexico, dozens of film crews on three continents bring the intensely personal stories of an assault on families and American values.

A feature length, lively - montage style - documentary, capturing the essence of what life was like in socialist Hungary - dubbed the "The most cheerful barrack" back then - using contemporary music, interviews, adverts and news footages.

Interviews and performance footage are used to provide an overview of the women's music scene.

A free church pastor in Aarhus is reported to the police for having violated seven women in the congregation, with two of the women accusing him of rape. The pastor admits to inappropriate relationships, but claims it was consensual. The police drop the case due to lack of evidence, as it is currently not illegal for a pastor to have sex with adult members of the congregation, as long as they are over 18. But should the law be changed? The prosecution has charged the pastor with showing inappropriate nude images, with a reservation to seek deportation and compensation.

Exploration of the ordinary lives led by women of different classes—a college professor, an unmarried woman, and a seasoned drama artist. They unveil the societal intricacies woven into their social backgrounds, with typical evening talks besides them. Gripping tales of yore immersed in the metaphorical embrace of their surroundings, their familial shelters are emblematic of resilience and protection, where profound truths lie hidden within the depths of the commonplace.

Priests, theologians and bishops are increasingly confessing that the majority of clergy no longer keep celibacy. They condemn the institution of the church and its treatment of priests. And they refuse to obey the ecclesiastical laws imposed by the Vatican. They no longer want to keep their private lives secret. Many are calling for an end to compulsory celibacy.

One of the rooms inside the legendary Barba Azul Cabaret has become a shelter for the girls working there: the women's bathroom. Every night La Mami, who's in charge of the bathrooms, offers them the warmth and the advice they need to take on the challenge they face in the dance hall.