Three friends Ram ,Rahim and Raymond from different cities come to Bombay to make big in music industry they meet many people for work purpose but luck hasn't favored them yet.They come across Asha whose left homeless in the city as the person she came to meet has been transferred somewhere else the trio decide to help her and shelter in their house.Asha also has music talent and helps Ram,Rahim and Raymond get work in films and other functions, they happened to get chance at a New Year function where cops come and arrest the trio where they find that Asha is not whom she claims but was in the city to meet her lover.
It's 1947 and the borderlines between India and Pakistan are being drawn. A young girl bears witnesses to tragedy as her ayah is caught between the love of two men and the rising tide of political and religious violence.
After a group of friends graduate from Delhi University, they listlessly haunt their old campus, until a British filmmaker casts them in a film she's making about freedom fighters under British rule. Although the group is largely apolitical, the tragic death of a friend owing to local government corruption awakens their patriotism. Inspired by the freedom fighters they represent in the film, the friends collectively decide to avenge the killing.
Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.
Kaanchi movie is a musical thriller with a love story. It is a story of the inner power of a woman who represents millions of suppressed youth against unjust in the country. It is also the story of an innocent rural beauty and her fight against power.
A young Prince Asoka works to perfect his skills in battle and also deals with family conflict. During a struggle with one of his step-brothers, his mother urges Asoka to escape to stay alive. While away, Asoka meets Kaurwaki and falls in love, but must use his skills as a warrior to protect her. A dangerous and heartbreaking web of conspiracy follows, which leads Asoka to embrace a Buddhist path.
Johny lives a dual life - as a popular starlet and an international criminal wanted by the police for a number of criminal activities. He meets his look-alike Gopi who comes from the village in search of a job; Johny offers Gopi the job; a salary and a house to live in. This job involves playing the role of Johny so that the real Johny can outsmart the police and commit his criminal activities with ease. He teaches Gopi his mannerism and etiquette with things going as planned. But Gopi eventually gets trapped - both by the police and the underworld criminal gang.
A talented teenage singer-songwriter living amid domestic abuse becomes a YouTube sensation after a video in which she hides her identity goes viral.
In 1948, a cross-fire erupts at an isolated stretch of Indo-Pak border, leaving only two soldiers alive. One is an Indian soldier of Pakistani origin while the other happens to be a Pakistani soldier of Indian origin. An ironic story of pride and survival begins when - in an attempt to evade danger, they bump into each other. And amidst continuous exchange of bullets, altercations and murkier situations, it evolves into a journey of human connection with an unforeseeable end.
Based on a popular historical legend, Prince Salim has a passionate love affair with a beautiful, sassy commoner.
When a gangster named Heeralal gets arrested, he befriends Johny, a petty thief, in prison. He seeks Jony's help in executing his mission of smuggling a few diamonds. Johny, however, is an undercover CID officer named Sohan.
Shudra: The Rising is a Hindi language film with a storyline based on the caste system in ancient India, and more specifically the Hindu Varna system. It is directed by Sanjiv Jaiswal and dedicated to Bhim Rao Ambedkar. The film depicts the four basic units of the caste system - the Brahmins, Kshatriyas, Vaishyas and the Shudras. The film shows various rules imposed on the Shudras such as waking with a bell around their ankles and a long leaf behind their back,and a pot hanging around their neck.
About a taxi driver in Mumbai, Mangal, who is called "Hero" by his friends. A driver who drives a cab by day, then drinks at night, listens to his singer girlfriend, Sylive, and then goes into a drunken stupor - and wakes up with a hangover. One day, while assisting another taxi driver, Mangal comes to the assistance of a damsel in distress, who is being molested by two thugs. Mangal gallants rescues her, and attempts to take her to her destination, to no avail, as the person she is looking for has moved. The next day, Mangal and the young woman, Mala, again attempt to seek Ratanlal, a music director, but the entire day is spent in vain. Mala lives in Mangal's tiny apartment and both become attracted to each other. When Mala finds out about Sylvie, she leaves him. He goes in her search, but finds that she has become a famous singer with the help of her music director friend.
Zubeidaa, an aspiring Muslim actress, marries a Hindu prince to become his second wife. Her tumultuous relationship with her husband, and her inner demons lead her to a decision which has fatal consequences for them all.
On a calm summer day in 1991, in the bustling Lokhandwala Complex, five criminals including Maya and Dilip were counting 70 lakhs in flat no. 32 B, when 286 policemen, headed by ACP Khan, took strategic positions around their building. A gunfire ensued and the entire nation witnessed the most talked about daylight encounter lasting 6 hours that transformed suburban Mumbai into a war zone.
A simple man from a village falls in love with his new neighbor. He enlists the help of his musical-theater friends to woo the lovely girl-next-door away from her music teacher.
This is the gritty and sensational true story of Arun Gulab Gawli, a mill worker’s son who grew up in Mumbai’s impoverished Dagdi Chawl, to become an infamous don, politician and chief rival of the most powerful crime boss of the day, Dawood Ibrahim. Daddy realistically charts Mumbai’s true crime history from the 1970s and 1980s until 2012, when Gawli was finally sentenced to life imprisonment.
Recently divorced from his wife, Pooja Talwar, Gujarat-born Vivan Shah, who works as a Jockey with Mumbai's Radio Mirchi, dramatically meets with Shanaya Dhingra - whose mother is Parsi and father a Punjabi. Circumstances force him to gate-crash her wedding ceremony and spend a night in a prison cell by her enraged DCP father. Subsequently, a friendship develops between the two and she even assists him with his job - and lands one herself. The duo gets so popular that their employer decides that they perform a live show on TV while the Dhingras believe the duo are in love.
Devdutt Anand works in a company selling musical instruments, and is always late for work, infuriating his boss, I.S. Johar. Things change for the better when Johar finds out that Devdutt has a talent for writing poems, and he gets Devdutt to write and even gets them published for him. While traveling home by bus, he meets with Nanda, who has come to live in his neighborhood, and both are attracted to each other. One night Devdutt comes to the assistance to Bollywood movie actress Kalpana when her car breaks down, she finds out he is a poet and both are attracted to each other. Devdutt is asked to deliver a piano to the palatial house of a wealthy woman named Simi alias Radha Rani. She too is impressed by Devutt's poems and invites him over to her house for a party, and again both are attracted to each other. Knowing fully well that he cannot marry three women in his country, a tortured and uncertain Devdutt must now make up his mind as who he wants as his life-partner.
Chitralekha is a 1964 historical-philosophical Hindi film, directed by Kidar Sharma, starring Ashok Kumar, Meena Kumari and Pradeep Kumar. It was based on 1934 Hindi novel by the same name by Bhagwati Charan Verma about Bijgupta serving under the Maurya Empire and the king Chandragupta Maurya (340 BCE – 298 BCE) and his love for courtesan Chitralekha. Set in the back drop of the middle age society. The portrayal of the three tools wisdom, knowledge and power become superfluous in the absence of strength of character.