Reshma and Shera love each other in spite of the feud that exists between their families. Chhotu, Shera's brother, kills Reshma's family. When Shera gets the news, he plans to kill Chhotu.
This is the gritty and sensational true story of Arun Gulab Gawli, a mill worker’s son who grew up in Mumbai’s impoverished Dagdi Chawl, to become an infamous don, politician and chief rival of the most powerful crime boss of the day, Dawood Ibrahim. Daddy realistically charts Mumbai’s true crime history from the 1970s and 1980s until 2012, when Gawli was finally sentenced to life imprisonment.
A sixteenth century love story about a marriage of alliance that gave birth to true love between a Mughal emperor and a Rajput princess.
During the Japanese invasion of China, a young Indian doctor joins the Chinese resistance, meets and courts a Chinese girl, cures a virulent plague, and is captured by a Japanese platoon...
A realistic, hard-hitting portrayal of terrorism and youth in the Punjab after the 1984 riots.
Raju faces many hurdles and disappointments in matters of the heart throughout his life. But as a clown in a circus, he tries to make his audience laugh at the cost of his own sorrows. Along the way, Raju loves and loses, but must always keep a smile on his face because, in the words of his circus manager, "The show must go on."
The film begins in 1857, when India was ruled by the British East India Company. Mangal Pandey is a sepoy, a soldier of Indian origin, in the army of the East India Company. Pandey is fighting in the Anglo-Afghan Wars and saves the life of his British commanding officer, William Gordon. Gordon is indebted to Pandey and a strong friendship develops between them, transcending both rank and race.
Romantic teen caper has a college boxing champion and a career-challenged ventriloquist defying tradition when they compete for favors to win over two rich and beautiful sisters.
A dance group faces challenges and betrayal after competing against reigning champions in an underground dance competition.
Three officers of the Indian National Army are on trial for treason. An ailing lawyer must help them face the consequence of their courage.
In order to increase his monthly allowance, Veer lies to his stepbrother Dharm about being married. When Dharm unexpectedly arrives in Goa, he mistakes Prem's wife for Veer's. This case of mistaken identities leads to chaotic and hilarious situations.
Three brothers, each raised in different religious households, reunite after many years in a chance encounter. They set out to take revenge on those responsible for separating them.
A simple man from a village falls in love with his new neighbor. He enlists the help of his musical-theater friends to woo the lovely girl-next-door away from her music teacher.
An account of the gangster Maya Dolas and his gang which terrorized Mumbai City, and the ensuing standoff between Mumbai Police and the gang on 16 November 1991.
The year is 1893 and India is under British occupation. In a small village, the tyrannical Captain Russell has imposed an unprecedented land tax on its citizens. Outraged, Bhuvan, a rebellious farmer, rallies the villagers to publicly oppose the tax. Russell offers a novel way to settle the dispute: he challenges Bhuvan and his men to a game of cricket, a sport completely foreign to India. If Bhuvan and his men can defeat Russell's team, the tax will be repealed.
Inspector Sunil Rana thwarts a hijacking, but instead of earning praise, he ends up suspended from the force. Depressed about the unchecked corruption in the police department, Rana seeks solace in a bottle. But when his best friend in the department is murdered, he realizes he must stand up for what is right. He may be suspended, but Rana has still sworn to uphold the law.
Three brothers are separated after their parents are murdered by a gangster. Years later, they find their paths intertwined around a family song.
Prem and Nisha meet and fall in love at the wedding of their elder siblings, but their plans to be together are put in jeopardy when Nisha's sister dies, leaving behind a baby.
After giving birth to Bhagwan Shri Kartiyeke, Devi Maa Parvati forms a child-human image from clay, adopts him, and asks him to guard the house and not let anyone in while she bathes. The child refuses to let anyone in, including Bhagwan Shivji himself, who beheads him. When a tearful Parvatiji pleads, Shivji brings the child back to life with the head of an elephant, and names him Gajanand, and assures him that no one will make fun of him.
Saanjh marks the debut of Producer and Director, Ajay K Saklani, who, through this movie attempts to bring to the fore the lesser known Himachali language and tries to revive the almost forgotten Tankri Script. Saanjh is the first feature film to have been made and released in the Western Himalayan/ Pahari language. The serenity of village life amidst the Himalayas reaches the peak of sublimity as the visual tour is accompanied by some of the most melodious songs rendered by Mohit Chauhan and Pavithra Chari which strike the heart strings of even those who are unfamiliar with the Pahari dialect. The movie provides a perfect audio-visual setting for a beautiful confluence of the emotional journeys of a daughter, a mother and an orphaned boy as the sun sets on their lives and dusk sets in. Saanjh was the first film in Himachali dialect to be released in cinema halls across India.