Marcel au sommet de son art

In 2013, Alberto Iñurrategi, Juan Vallejo and Mikel Zabalza desist in their attempt to climb Paiju Peak (6,610m). A year later, his steps cross with Mikel Renteria and Mentxu Mendieta from the WOP Foundation, who decide that the second attempt at Paiju Peak will be the first stage of their WOPeak project. The three members of the cordada land again in Pakistan. Identical scenery, the same objective and a maximum motivation for a challenge beyond mountaineering in a route full of emotions that ends with the opening of a new road in the heart of the Karakorum that they christened '2t'.

In the fifties a group of men attempted to ascend the highest peak on earth. In the same year, as the first ascent of Mount Everest succeeded, the German climber Hermann Buhl single-handedly managed to make the first successful ascent of Nanga Parbat. Cameraman Hans Ertl joined the expedition which took place under the toughest conditions and with his camera created a stunning documentary.

The filmmaker travels to the mysterious land of the “poor souls.” He visits eyewitnesses in rural areas of Central Switzerland. They offer their account of mystifying experiences in connection with the afterlife, of evil deeds by people who passed away long ago in need of atonement. The film investigates the hidden signs of mountain magic and reminds us of our own myths, ghosts and primal images. It also looks for paths to self-awareness that could be revealed to us within and under layers of centuries-old Catholic cultural sediment.

What has four legs, five arms and three heads? The Gimp Monkeys. Craig DeMartino lost his leg after a 100-foot climbing fall. Pete Davis with born without an arm. Bone cancer claimed Jarem Frye's left leg at the age of 14. While the three are linked by what they are missing, it is their shared passion for climbing that pushed them towards an improbable goal - the first all-disabled ascent of Yosemite's iconic El Capitan.

In 1990 Macartney-Snape returned once again to Mt Everest with the idea of climbing the mountain from the sea to the summit. The idea had originally been floated by adventure cameraman Michael Dillon. With sponsorship provided by Australian Geographic amongst others, it would take Macartney-Snape three months to achieve this goal. This was the first time anyone had walked from sea level and reached the top of Mt Everest, as even the first expeditions started from Kathmandu, at 1400m above sea level. Although Macartney-Snape planned climbing Everest via the more difficult West Ridge, bad weather and strong avalanche risk changed his plans and he finally ascended via the South Col route.

When the snow melts and the hills of Appenzell are dotted with green and white, buckets of water slowly make their way up and down the slope. After a time, the gentle movement turns into violent swaying. Shots ring through the air, the buckets are punctured. Slowly the water begins to flow. This is the high point of a ritual that begins deep within the bowels of the mountain. Then trails of water spurt through the air to the thawing slopes and the water begins to gush, nearly causing the well in the valley to overflow.

Sven has a dream. Once in his life he wants to walk the Camino de Santiago - the Way of St. James. But that seems impossible, Sven has Usher syndrome, a disease which slowly, inexorably robs him of hearing and vision. Profoundly deaf and completely blind since 2010, he can only communicate using a special hearing aid in the spoken language.

Every year, over a thousand climbers try to reach the summit of Mount Everest, with the annual record for successful attempts currently standing at 633. But of that number, nearly half were Sherpas - the mountain's unsung heroes. Yet the Sherpa community has remained secretive about their nation, culture and experiences living in the shadow of the world's highest mountain. Now, for the first time, they open the door into their world. Without the expertise of the Sherpas, only the hardiest and most skilful climbers would succeed. Every day they risk their lives for the safety of others, yet they seek neither glory nor reward, preferring to stay in the background. Following the stories of four such Sherpas - Phurba, Ngima, Ngima Tenji and Gelu - this film reveals the reality of their daily lives, not just up the mountain, but with their families after they return home.

July 1956: like every summer, the actor and cellist Maurice Baquet temporarily deserts the stage and the cinema studios to go to Chamonix where the mountaineer Gaston Rebuffat is waiting for him. A few days later, the two men achieved a historic first, that of the south face of the Aiguille du Midi (3,842 m), a magnificent wall rising like a rampart above the Vallée Blanche. July 1988: to pay tribute to the memory of his friend Gaston, now deceased, Maurice Baquet once again climbed this wall suspended between heaven and earth with the man who, 50 years his junior, is considered one of his best contemporary mountaineers: Christophe Profit.

While shooting Gerard Mordillat's film, "Billy ze Kick", Christophe Profit, one of the best climbers in the world, was asked to stand in for an actor. He will, without ropes or belay, climb the smooth side of a 60 meter building.

Once again, Masters of Stone breaks through to the cutting edge of the sport. Harder, Faster, Bolder, Newer, and more...six points of breakthrough in all.... where human edges toward the superhuman. This is the Super Bowl, Olympics, and Boston Marathon of rock climbing, all rolled into one. More than any other sport, rock climbing continually redefines its rules and resets its limits. Yesterday's impossible becomes today's warm-up as advances in mental and physical mastery combine to break new ground. Every few years the Masters of Stone series delivers a new episode that captures these breakthroughs in a tasty mix of music, character, commentary, and above all, visual action.

“Getting to the top matters,” or so says veteran alpinist Mark Richey as he prepares to climb Saser Kangri II, at 7,518 meters the world’s second highest unclimbed mountain. In “The Old Breed”, co- director and climber Freddie Wilkinson takes the audience with him on a journey to the heart of one of the last unexplored patches of mountain wilderness: the war-inflicted eastern Karakoram range. As Richey and Steve Swenson, both in their 50s, push the limits of physical health and will power to be the first to claim this final summit, a gripping psychological thriller unfolds.

Le Dernier Voyage de Patrick Edlinger

Jean des Bossons is a documentary-fiction which recounts the activities of a high mountain guide in 1947. Around Chamonix Mont-Blanc, the guide Jean des Bossons, interpreter by the mountaineer Armand Charlet, accompanies on mountain hikes, Jean-Pierre, an apprentice guide. The novice, skis on the shoulder, is already clumsy. The professional taught him how to travel on skis uphill and downhill, then mountaineering in ice and rock parishes. By dint of training, Jean-Pierre has made it his job. Guides are also lifeguards. A group went to a glacier to rescue a man who had fallen into a crevasse. During this rescue, Jean des Bossons is the victim of an accident. A drama that prevents him from practicing the profession, but not climbing. The man sinks into the fog and Jean-Pierre cannot find him.

First film in a series of three with Over-Ice and Oversand and one of the first films on free climbing shot in the cliffs of the Gorges du Verdon in several parishes. We meet a certain Patrick Edlinger, Patrick Bérhault, but also Jean-Marc Troussier, Jacques Perrier, Stéphane Troussier, Hugues Jaillet, Gilbert Thomann, Odette Schoënleb, Bernard Gorgeon, Christian Guyomar. Thanks to the program Les Carnets de l'aventure, then broadcast on Antenne 2, and its producer Pierre-François Degeorges, this film was made. The chain gave its production agreement during the day, while the climbing was very confidential, no one knew Patrick Edlinger and the project itself contained only a few lines on a sheet

Dans la voie, Portrait d'un guide au travail

History, advice and demonstrations of mountaineering in the Mont Blanc massif by the renowned guides of the National School of Ski and Mountaineering from Chamonix. The film starts with an historical summary illustrating the aspirations and methods that lead man to conquer the mountains. Armand Charlet teaches mountaineering techniques and takes his students to the field for glacier or rock exercises. Gaston Rebuffat makes demonstrations of particularly dangerous climbs. At altitude, people move in solitude, cold and silence, like circus acrobats without spectators, but nothing stops the modern mountaineer.

Marcel Ichac accompanied the mountaineer Armand Charlet, in 1943, in the repetition of the first crossing of the Aiguilles du Diable that the guide of the Chamonix valley had made in 1925. A roped party joined on snow and ice the Col du Géant, reached at the Mont-Blanc-du-Tacul stop and on the Col du Diable. The men cross the needles by climbing chimneys, cracks and abseiling walls. They access the eastern slope of the Mont-Blanc massif which offers a panorama of the Grandes Jorasses and Mont-Blanc. Armand Charlet was the first to reach the summits of four needles above 4000 meters: the Devil's Horn, Pointe Chaubert, Pointe Médiane and Pointe Carmen; he also tells how he successfully climbed the furthest, the Isolated. Marcel Ichac shot these scenes as close as possible to his subject, he responded with this film with a “truth” cinema, the principle of which we find in his later productions.

In this Traveltalk series short we learn that four million ethnic French, German and Italian people live in Switzerland. The Alps and their important part in the country's history is noted. We view vividly-coloured alpine wildflowers which cover the mountain meadows in the spring. We see rushing mountain streams, fed by melting snows, and then learn of colourful alpine chalets and traditional wood-carving amongst other highlights.

"The ascent of the Aiguilles Ravanel and Mummery", climbed by young guides in cycling pants: The brothers Armand Charlet and Georges Charlet, Arthur Ravanel, Henri Couttet and Charles Balmat. The film was shot by Georges Tairraz II, Chamoniard mountain photographer, representative of the third generation of a family line of mountain photographers and filmmakers. George Tairraz II's film will lay the groundwork for a French vision of mountain film; In the 1930s, a French school of mountain cinema emerged, less expressionist, more stripped down and realistic than the German school. These are the films of Marcel Ichac, Roger Frison-Roche, Samivel, Georges Tairraz II, etc. It develops according to the principles set by Marcel Ichac, in opposition to the German school. It is both about getting out of the dramatic vision of the mountain and placing the mountain and the climbers at the heart of the plot.