Love is Madness

Assuming he is marrying a wealthy girl, Peter Foley passes a fraudulent check. To save him from jail, Julia Barry poses as his wife. Peter is actually in love with Alice Blake. He encounters complications with motorcycle cop Bull, who is engaged to Julia. A friend of Alice adds to the mix-up. All wind up snowbound together in a mountain lodge.

Marcia Kane, daughter of an American capitalist, is persuaded by her father to marry the expatriated Russian Grand Duke Sergei, and believing Wally, her real love, to be dead, she consents. Discovering after the ceremony that her father has tricked her, Marcia vows to be the duke's wife in name only, though she refuses Wally's proposal that she go away with him.

Fannie joins Johnny to perform a music-hall act which becomes a success, until two Broadway producers catch the act and offer Fannie a job on their latest show; however, they have no place for Johnny, so Fannie turns down the offer. (Film considered lost.)

Two old tars, retired from service, live alone in a cottage by the sea. They sail along on an even keel, until a buxom and comely widow projects herself on the scene when one old tar breaks one of their unwritten laws and falls in love with her. The other old fellow objects strenuously.

It's a classic boy-meets-girl story, boy-loses-girl, boy gets mistaken for an escaped convict and ruthlessly chased by armies of cops across the countryside in a thrill-packed stunt-addled climax.

L'honneur est sauf !

An experimental sitcom, shot in the style of silent films of the early twentieth century. A parody of military-patriotic films. The plot of the film is the battle of the Russian army with Napoleon in 1812.

A film projectionist longs to be a detective, and puts his meager skills to work when he is framed by a rival for stealing his girlfriend's father's pocketwatch.

A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.

Mo Geum-san is a barber living in the rural area, who once aspired to be an actor. He starts to have doubts about his humdrum life after the village health center advises him to be examined at a larger hospital. He comes up with a plan to give a gift to his beloved ones in the coming Christmas. The plan is to invite everyone to the local culture center and to screen his self-made comedy movie based on his own tragic life.

Prince Sami comes from Nigeria and is an uncivilized "nature boy." He is sent to the highly civilized court of Duchess Maria of Arragon, where he initially causes chaos. In the end, however, he becomes the duchess's husband.

While making a movie in the Alps, the female star falls in love with a nobleman.

Set during the 16th-century Spanish occupation of Flanders, the story concentrates on the fiercely patriotic Mark Van Ryke (Colman). Donning the guise of "Leatherface," a swashbuckling masked avenger, Van Ryke performs his derring-do on behalf of the Prince of Orange (Nigel de Brulier). Naturally, Van Ruke considers beautiful Spanish aristocrat Donna Leonora de Vargas (Vilma Banky) to be a bitter enemy, and the feeling is mutual. To no one's surprise, however, Van Ryke and Donna Leonara eventually fall in love (hence the title). The pulse-pounding climax finds Van Ryke riding hell-for-leather through a rainstorm to warn the Flemish troops about the Spaniards' plans to burn the city of Ghent to the ground. Two Lovers was based on Madame Orczy's novel Leatherface, and adapted for the screen by Alice Duer Miller.

A resourceful landlady rents the same room to two men: the commercial clerk Zimt, who is at work during the day, and the conductor of a café orchestra Zucker, who has to work all night. After all kinds of turbulence, the trick comes to light and the two bitter enemies Zucker and Zimt eventually become good friends.

This is a poetic film set in the times of Lenin's NEP. A ballet dancer steals a brooch and gives it as a present to another dancer. This is a crime of passion. A mysterious black ball is after the heroine. She runs away from it and manages to give the brooch in an exquisite pirouette movement, as shiny as diamond facets. What gives a stone its dazzling luster are its polished facets. But the real gem is love, and it's much harder to get than any diamond in the world.

A working-class love story set in and around the London Underground of the 1920s. Two men – gentle Bill and brash Bert – meet and are attracted to the same woman on the same day at the same Underground station. But the lady chooses Bill, and Bert isn't the type to take rejection lightly...

Trilby lounges on a table with her shoes off, smoking, laughing, enjoying a piece of cake, and kissing her friend in a scene from the popular eponymous novel and stage play. Now lost, it is considered the first book-to-film adaptation.

Dr. Spencer's wife becomes intensely jealous when she finds, in her husband's coat, a note signed "Mary," which asks him to visit the writer at the Hotel Mum. The woman carries her tale of woe to Attorney Thomas, a family friend. In his effort to make light of the matter, Thomas soothingly places his arm about Mrs. Spencer's shoulder. Dr. Spencer's office is directly across the court. Glancing out of the window, the doctor sees his wife apparently being embraced by Thomas. The attorney consents to accompany Mrs. Spencer to the Mum and meet "Mary." The doctor trails the two. As luck would have it, Mrs. Thomas passes the Mum just as her husband and Mrs. Spencer enter. The doctor and Mrs. Thomas meet and make their way after their other halves, bent on vengeance bent.

A fortuneteller informs Monte that he will marry the first girl he meets. After several false starts, he meets what he is sure is "the" girl. She takes him to jail, hits him with a book, and affects her brother's escape, leaving Monte inside. He finally gets out, a chase occurs and he swears off girls forever, only to be snared again.

Mary Davis, alone and destitute in New York City, pilfers a meal from a restaurant and eludes the police by ducking into the Cafe Royale, where she is shuffled along a line of aspiring chorines awaiting job interviews. In desperation, Mary agrees to impersonate Mademoiselle Fanchon, formerly of the Folies-Bergère, who has walked out on her contract. Reporter Kenneth Ward interviews Mary, believing her to be the notorious Frenchwoman, and due to a misunderstanding, she rushes wildly into his arms. When Robert Ryan, a bachelor friend of the real Fanchon, investigates Mary’s deception, she violently repels his advances and believes she has killed him. Later, the real Fanchon threatens to kill Robert. Following a series of amusing complications, Mary finds love with Kenneth.