Raja Bro

This rapturous documentary steps into the dynamic world of queer stand-up and examines the powerful cultural influence it has had on social change in America. The film combines rare archival materials, stand-up performances, and interviews with a show-stopping lineup to present a definitive history of queer comedy.

The life of the Schouten family revolves around tulips and top sport. Together they run a large international tulip company and children Irene and Simon skate at world top level. When mother Jolanda unexpectedly needs a lot of care and attention due to a brain haemorrhage, everything changes. How does the family relate to each other, skating and the company in this new situation?

Two storytellers put forth their versions of the story of Shravan Kumar. The art for the film uses painted images from a wooden portable shrine called a Kaavad. The film is a collaborative work between traditional Kaavad storytellers and Kaavad artists from Rajasthan, together with the filmmaker. Combining lush animation with live-action, the film is an interpretation of two stories which are forever fused in the act of telling and retelling.

An orphan is abused and abandoned, believed to be dead, and upon his return is first feared as a ghost, and then projected as a superhero.

In this documentary, director Rhys Ernst tells the previously untold histories of transgender pioneers. Trans people have always been here, throughout time, often hidden in plain sight.

He was an ordinary boy with extraordinary dreams. This intimate documentary traces the rise, fall and comeback of Indian rapper Yo Yo Honey Singh.

Tamara, Desiree, and Victoria are Venezuelan women who live in Caracas and at first glance have little in common. However, all three share much more than the city they live in: they carry an ID that shows a name that is not theirs. They are transgender women. In Venezuela, you cannot legally change the name you were born with. The women unite and through a series of legal actions and tireless activism for equality, these women will test the willingness of Venezuelan institutions to ensure the basic right of its citizens: the right to identity.

In America, everyone has a family story of immigration. Every family, at some point, has had somebody leave their native country behind to search for a better life. How did they hold onto their identity? How did they adapt to their new life? Every family has a special story. In my case, it's my Chinese-American story. My father would always tell us his story about walking for 7 days and 6 nights, before swimming for 4 hours to Macau to escape communism in 1966. His story would fall on my deaf ears until I returned to China with him.

Even the most loyal admirer of Tom Jobim, the most documented Brazilian artist throughout the world, cannot imagine the surprises he will encounter in this film. It contains previously unreleased pictures and images captured for 15 years by Ana Jobim, his wife, that show details of the life and work of Tom Jobim. Shot in New York, Rio de Janeiro and the family ranch in Poço Fundo, the film shows his intimacy with his children, the birth of important songs, parties at home with other musicians, and even a unusual Jobim in pajamas, in an “expedition” in the woods. “When someone visits the intimacy of a great artists, possibly the distance between him and the myth is felt to be smaller. For me it is the opposite; the distance becomes greater and I have more conscience of the myth”, says Ana.

In this witty monologue, Quentin Crisp advises and opines about personal style (with a few digressions).

A documentary portrait of Maine's 2009 Question One referendum, addressing the rights of same-sex couples to marry.

Nude men in rubber suits, close-ups of erections, objects shoved in the most intimate of places—these are photographs taken by Robert Mapplethorpe, known by many as the most controversial photographer of the twentieth century. Openly gay, Mapplethorpe took images of male sex, nudity, and fetish to extremes that resulted in his work still being labelled by some as pornography masquerading as art. But less talked about are the more serene, yet striking portraits of flowers, sculptures, and perfectly framed human forms that are equally pioneering and powerful.

The friendship, laughter and shared love between two brothers is tested when a 14-year-old boy is confronted with the complexities of a simple relationship. Gaurav finds out that his elder brother Mihir is gay. He is unable to accept this as he looks up to Mihir, a high-school jock whom every girl fancies. Adding to his woes, the girl he fancies 'friend-zones' him. 'How to fix your gay kid' is what their mother types into internet search when Mihir reveals his sexual orientation and wishes to come out of the closet.

A wound that still hurts can't be forced to heal.

Returning home to visit their ill grandfather, two estranged brothers must confront their unresolved rivalry while their parents’ marriage frays.

A legendary entertainer and a pioneer of gay activism, Miwa was born Akihiro Maruyama. As a young singer, Miwa popularized androgyny as a fashion statement, fusing the masculine and the feminine into a signal of a new generation of aesthetics. This evolved into performing as a woman and living off-stage as a man. With glitter, wit, evening gowns, and enchanting storytelling, Miwa looks back over a 50-year career and a fascinating life in music, film, and television.

This film explores various aspects of litterateur and painter Ram Kumar's personality by structuring the film around his stories and paintings, traveling between fragments of his past, present, fiction and imagery. It strives of etch out the synthesis of word and image in Ram Kumar's creations, presenting it as a portrait of the artist himself. The text used in the film is from various short stories by Ram Kumar.

En el limbo de los olvidados siempre es verano

A teenager, disinterested in her Louisiana Creole heritage, finds herself having to entertain a visitor who only speaks what sounds like French. She’ll discover how magical it can be to connect with one's heritage.

The film focuses on gay men who align themselves with hard-core right wing views, skinheads and Nazis. Rosa von Praunheim stated of the subjects featured in the documentary, “Some may be shocked that I do not take a stand in my film and do not portray gay neo-Nazis as monsters, but as people living their lives in dramatic contradiction.”