Whispering Sidewalks

Meet Spot, a clever little dog with big dreams of becoming a real boy. When Spot finds out that a crazy scientist can make his wish come true, he takes a cross-country trek with Leonard, his best friend and master, and their mom. However, Dr. Krank's experiments are a little less than perfect, and it will take Leonard and his pet pals to right this genetic wrong.

Conceited singer Garry Mitchell refuses to renew his radio contract, so agent Doug Blake decides to find a new personality to replace him. In New York, he finds Martha Gibson, a single mother with a great voice. He arranges for her to move to Hollywood, but then has a problem trying to sell her to the show's sponsor. Doug tries every trick he can think of to make Martha a star, and as the two work more closely, he falls in love with her. Complicating matters further, Martha meets and becomes attracted to Garry.

On October 17, 1961, the popular and pioneering pianist-composer Dave Brubeck performed on Ralph Gleason's Jazz Casual, the television show that showcased some of the finest jazz artists in a half-hour of no-frills performance and conversation. Backed by the Lester Young-influenced alto saxophonist Paul Desmond, bassist Eugene Wright and drummer Joe Morello, Brubeck and his combo perform some of their odd-metered hits. Desmond's dancing ditty, "Take Five" is rendered in a faster tempo than the studio version. Brubeck's ragtime-flavoured "(It's a) Raggy Waltz," highlights his percussive piano lines, while "Castillian Blues" and the Turkish strains of "Blue Rondo a la Turk" reveal his multicultural, compositional genius. Gleason, the show's creator and host, was a well-respected, San Francisco-based jazz critic and author. He remarks during the show that Dave Brubeck was "a provocative, experimental, and interesting musician." That statement is still true today.

Danny O'Neill and Hank Taylor are rival trumpeters with the Perennials, a college band, and both men are still attending college by failing their exams seven years in a row. In the midst of a performance, Danny spies Ellen Miller who ends up being made band manager. Both men compete for her affections while trying to get the other one fired.

Heart Failure follows Frank and his relationship with Lizzie. From the one-night stand where they meet to the day she tells him she loves him; from the week she ignores his texts to the moment she says they need to talk. We’ve all been there. Breakups are the worst.

The Hot Club of Montevideo is a Uruguayan cultural institution founded in 1950 by the pianist Paco Mañosa, along with his brother and some friends who played together. It was the first club dedicated exclusively to jazz in Latin America.

Two young dancers seek the truth after the mysterious disappearance of their mother.

A retelling of the classic Dickens tale of Ebenezer Scrooge, miser extraordinaire. He is held accountable for his dastardly ways during night-time visitations by the Ghosts of Christmas Past, Present and Future.

The Polish national chess squad, the 'Golden Team', won the world chess championship in Hamburg in 1930, and was renamed by the German press as the 'Bombenmannschaft' ('Bomber Crew'). The film focuses on team leader, Akiba Rubinstein, alongside his fellow players Dawid Przepiórka, Ksawery Tartakower, Mieczyslaw Najdorf, Paulin Frydman and Kazimierz Makarczyk. They battle to win the trophy as well as dealing with the mental illness of Rubinstein and the outbreak of World War II. The film tracks the fate of the Polish players, some of whom are Jewish, as the Nazis occupy Poland.

Bounced from her job, Erin Grant needs money if she's to have any chance of winning back custody of her child. But, eventually, she must confront the naked truth: to take on the system, she'll have to take it all off. Erin strips to conquer, but she faces unintended circumstances when a hound dog of a Congressman zeroes in on her and sharpens the shady tools at his fingertips, including blackmail and murder.

A snobbish phonetics professor agrees to a wager that he can take a flower girl and make her presentable in high society.

A Hollywood agent persuades Kermit the Frog to leave the swamp to pursue a career in Hollywood. On his way there, he meets a bear, a pig, a whatever – his future muppet crew – while being chased by the desperate owner of a frog-leg restaurant!

Four talented alien musicians are kidnapped by a record producer who disguises them as humans. Shep, a space pilot in love with bass player Stella, follows them to Earth. Reprogrammed to forget their real identities and renamed The Crescendolls, the group quickly becomes a huge success playing soulless corporate pop. At a concert, Shep manages to free all the musicians except Stella, and the band sets out to rediscover who they really are — and to rescue Stella.

The show starts when Colloredo is named successor to the Prince-Archbishop of Salzburg. The new king is an austere authoritarian man which is insensitive to the music of Mozart and allergic to the enthusiasm and the impertinence of the character. For Mozart, Salzburg's life quickly becomes untenable. He was 20 when he decided to leave his hometown with his mother in search of a better future in a European capital. The journey of the composer will be made of failures and cruel disappointments. But at the end, Mozart will experience glory, love, rivalry before its ultimate fall and misery. He left his best work, the Requiem, unfinished.

A tribute to Charles Mingus.

It’s a fifth appearance at Montreux for this singer in from the cold who has her musical family to keep her warm. A key figure of contemporary jazz, Diana Krall bewitches with her rounded contralto timbre and her piano rambles, for which she’s been awarded several Grammies. In her most recent album, Glad Rag Doll (2012), Diana mischievously extracts the charm from ’20s standards and polishes them up as though they had just been invented yesterday. Marvellous vaudeville, skillfully produced by guitarist T-Bone Burnett and accompanied by Marc Ribot, among others. (FFJM © 2013)

Tamara Rojo, dancer and artistic director of English National Ballet, explores Giselle - the first great Romantic ballet, and a defining role for any ballerina. Through two radically contrasting 2016 productions - a traditional 19th-century recreation, and a gritty reimagining of the work by celebrated Anglo-Bangladeshi choreographer Akram Khan - Rojo examines the cultural and social background to the ballet’s genesis in 1840s Paris, and the spiritual themes that have fuelled its success over the last 175 years. Giselle is the story of a young peasant girl who personifies all that is good in life, and ultimately forgives the aristocrat who has seduced and betrayed her. With Giselle, the look and emotional heart of ballet was transformed forever, from mime-based storytelling to a fusion of emotion, music and movement, formulating a tradition that has inspired audiences, dancers and choreographers ever since.

A former Prohibition-era Jewish gangster returns to the Lower East Side of Manhattan over thirty years later, where he once again must confront the ghosts and regrets of his old life.

Overwhelmed by her suffocating schedule, touring European princess Ann takes off for a night while in Rome. When a sedative she took from her doctor kicks in, however, she falls asleep on a park bench and is found by an American reporter, Joe Bradley, who takes her back to his apartment for safety. At work the next morning, Joe finds out Ann's regal identity and bets his editor he can get exclusive interview with her, but romance soon gets in the way.

In the years before World War II, a penniless Japanese child is torn from her family to work as a maid in a geisha house.