Pointing to the Sun and Laughing (On a Stack of Poems)

He stood, in pain, near the rope, in tears, while his creator hung.

Coffee Break

Omnibus film with 13 short films by students of the HfG Ulm

At an elite, old-fashioned boarding school in New England, a passionate English teacher inspires his students to rebel against convention and seize the potential of every day, courting the disdain of the stern headmaster.

A lonely man tries to enjoy a regular evening

Nícolas, a quiet young boy, receives an invitation to join a secret rebel group against the school's authoritarian rules. At first, he hesitates, but as he learns valuable lessons with his new friends about following his dreams and being who he truly is, the boy begins to change his view of the school system.

Smoke

An experimental short from Oskar Fischinger

Through an imagined dialogue with Jean Paul Riopelle, this experimental film updates the painter's legacy by seeking to build bridges with today's generation. Part homage, part self-portrait, this short film is above all an intimate reflection on the courage to be oneself.

Experimental Super 8 short by Kenji Onishi.

Experimental Clicks

For the multimedia exhibition Tangenten I (Tangents I), Dammbeck and co-organizer, sculptor and painter Frieder Heinze had planned to collaborate on a film that would combine non-camera animation with 35mm footage of a train ride between the two Dresden districts of Radebeul and Pieschen. When the exhibition was banned in 1978, Heinze turned to other projects, but Dammbeck continued working on the film by himself. Metamorphoses I—the first experimental film ever to be shown publicly in East Germany—marks the filmic beginning of Dammbeck’s long-term art project the Herakles-Konzept (Hercules Concept).

A strange being loses its way in the chaos of the transportation system without finding an exit. The pathways are overwhelmed by accelerated flows that come and go like human waterfalls. The passersby, faceless, move automatically, creating a maze in which the routes seem endless. Sleepy and exhausted people merge with the surroundings, and as the bus continues on its way, the being finally manages to discover itself.

I am sitting in a room is a sound art piece by American composer and sound artist Alvin Lucier composed in 1969. The first performance of the work was in 1970 at the Guggenheim Museum in New York. In collaboration with his partner Mary Lucier. The piece features Lucier recording himself narrating a text, and then playing the tape recording back into the room while re-recording it. The new recording is then played back and re-recorded, and this process is repeated. Due to the room's particular size and geometry, certain resonant frequencies are emphasized while others are attenuated. Eventually the words become unintelligible, replaced by the characteristic resonance of the room.

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Organising Principles of Experience is an experimental short in which an AI model, tuned to the writings and sensibilities of Maya Deren, collaborates with the filmmaker to imagine new films. It explores memory, possession, and the digital afterlife, questioning what remains when the past becomes data and how an artist might lay claim to her absent hero.

The first embodiment of (a) concept of structural activity in cinema comes in Kren's Bäume im Herbst, where the camera as a subjective observer is constrained within a systematic or structural procedure, incidentally the precursors of the most structuralist aspect of Michael Snow's later work. In this film, perception of material relationships in the world is seen to be no more than a product of the structural activity in the work. Art forms experience.

A journey to an unknown star, a children's theatre play, an untalented writer and the fear of becoming the worst version of oneself. A mixture of live-action footage and animated scenes. A stream of (un)conscious stereotypes.

Joey works as a waiter for a hedonistic community of summer holiday makers in a small Mediterranean paradise. It is unclear if their exaggerated behaviors are due to the fact that the summer is coming to an end or if its just the last of their summers.

This short film offers a picturesque tour through the maple-wooded hills alongside Québec's Lièvre River in autumn to the accompaniment of acclaimed poet Archibald Lampman’s poem Morning on the Lièvre. Trees are ablaze with colour, and their splendor is reflected in the mirrored surfaces of the water, offering a glimpse of the landscape Lampman knew so well through the poet’s eyes and words. Lampman’s poem is read by broadcaster and poet George Whalley, with accompanying score by composer Eldon Rathburn.