An elderly widower visits a whorehouse looking for company, but finds himself drawn into a series of deceptions and collusion by the vultures that haunt him.
Iván lives in a small apartment in a large building. Resigned to observing a world in which he has little part, he believes that the only thing worth waiting for is to wait. An unexpected encounter with Alma will once again give him the opportunity to reconsider everything that he had considered real until then.
Lucy begins to realize she is not like the other teens in school.
Teo is a contry guy that comes to the town dreaming about becaming a great volley ball player. Then he meets Felipe and the other collegues and some of them won't let him alone... Strong as attack , tense as a tie break , unknown as a game ending!
One of Klahr's masterpieces, Altair is an 8 minute collage color -noir culled from late-40s pages of Cosmopolitan, which induces a sense of claustrophobia and dread through its use of Stravinsky's The Firebird.
A school physician whose son is being bullied at school finds that he must conduct a routine medical examination of one of his son's chief tormentors.
A boy finds himself stalked and tormented by a malevolent force who has seemingly bigger plans for him. But is this entity real, or merely in his mind?
Lou and Chantal are gonna blow up. One day. Somehow. But girls don't get out of Coberge, Ontario by playing nice. All they've ever wanted, was to feel what it's like to be free.
Gabriel, a 32-year-old Spanish man lives in Germany with his boyfriend Lars, far away from his conservative family. Time and again he remembers his childhood in daydreams.
On a warm and clear summer day in the 50s, a proud and graceful city boy meets two mischievous, free country kids. It opens up a window on a whole new world; his journey under the sun will bring him closer to nature and the harbingers of love.
In Grenoble's Gypsy community, a young kick-boxing champion learns about manhood from his gay elder brother.
Now aged 17, Antoine Doinel works in a factory which makes records. At a music concert, he meets a girl his own age, Colette, and falls in love with her. Later, Antoine goes to extraordinary lengths to please his new girlfriend and her parents, but Colette still only regards him as a casual friend. First segment of “Love at Twenty” (1962).
On a journey from darkness into light, a man explores his failings as a human being.
Sami dance students Birit and Katja Haarla dance through the villages and lost woods of Sápmi all the way to where the important decisions are made. The polarity of Nature and the Western way of life is filtered through sharp humour.
A couple is stuck in an escape room, and a failing relationship, with no way out.
Jess Bhamra, the daughter of a strict Indian couple in London, is not permitted to play organized soccer, even though she is 18. When Jess is playing for fun one day, her impressive skills are seen by Jules Paxton, who then convinces Jess to play for her semi-pro team. Jess uses elaborate excuses to hide her matches from her family while also dealing with her romantic feelings for her coach, Joe.
Pepijn
Oren (27) comes to his parents’ house to pack his belongings before moving with his girlfriend to their new apartment. During this day, out of seemingly simple interactions, the family dynamics reveals itself, and exposes the protagonist’s place- between child and adult, between intimacy and alienation. The house constitutes the space in which past, present and future mix into a chronicle of separation. Winner of San Sebastian International Film Festival short competition.
Being fired from his job, Pulung follows his friend's advice to invest his compensatory dismissal to start a new business: inflatable boat rentals.
It is the story of an old man - Gulam - and the cherry tree which grew in his garden. As the story opens, the village children consider Gulam their best friend. But as the war wears on, Gulam directs his kindness and affection to his cherry tree, shielding the tree from the children who are starving. In the process, Gulam becomes very aggressive and eventually is seen as the enemy of the children. The movie shows how war can destory even the most tender and gentle feelings, as well as the most basic moral values of being human.