The country that gave the world football has since delivered a painful pattern of loss. Why can’t England’s men win at their own game? With the worst track record for penalties in the world, Gareth Southgate knows he needs to open his mind and face up to the years of hurt, to take team and country back to the promised land.
A week in the life of the exploited, child newspaper sellers in turn-of-the-century New York. When their publisher, Joseph Pulitzer, tries to squeeze a little more profit out of their labours, they organize a strike, only to be confronted with the Pulitzer's hard-ball tactics.
A witch hunt is beginning in Arthur Miller's captivating parable of power with Erin Doherty (The Crown) and Brendan Cowell (Yerma). Raised to be seen but not heard, a group of young women in Salem suddenly find their words have an almighty power. As a climate of fear, vendetta and accusation spreads through the community, no one is safe from trial. Lindsey Turner (Hamlet) directs this contemporary new staging, design by Tony award winner Es Devlin. Captured live from the Olivier stage of the national theater.
Written by Colm Toibin, Pale Sister is a powerful retelling of the classic tale of Antigone. Lisa Dwan stars in a tour-de-force performance directed by Sir Trevor Nunn.
LUCAS: The Musical Live
An aged king decides to divide his kingdom between his three daughters, according to which of them is most eloquent in praising him. His favourite, Cordelia, says nothing. Simon Russell Beale, whose recent appearances at the National include Timon of Athens and Collaborators, takes the title role in Shakespeare’s tragedy.
The Last of Mrs. Lincoln depicts the final seventeen years of Mary Todd Lincoln's life, following her husband's assassination.
After the death of his dad, Michael is powerless and angry. In a state of heartbreak, he confronts the difficult truths about his father's legacy and the country that shaped him. At the funeral, unannounced and unprepared, Michael decides it is time to speak.
When her mother Helen runs off with a car salesman, feisty teenager Jo takes up with Jimmie, a sailor who promises to marry her, before he heads for the seas. Art student Geof moves in and assumes the role of a surrogate parent until, misguidedly, he sends for Helen and their unconventional setup unravels.
St George's Park Tea Room, Port Elizabeth, 1950. On a long rainy afternoon, employees Sam and Willie practise their steps for the finals of the ballroom dancing championship. Hally arrives from school to hide out in his parents' tea room. These two men have been unlikely best friends to Hally his whole life. But it is apartheid era South Africa: he's Master Harold, and they are the boys. Tony Award-winning playwright Athol Fugard's semi-autobiographical and blistering masterwork explores the nature of friendship, and the ways people are capable of hurting even those they love.
Gino is a drifter, down-at-heel and magnetically handsome. At a road side restaurant he encounters husband and wife, Joseph and Hanna. Irresistibly attracted to each other, Gino and Hanna begin a fiery affair and plot to murder her husband. But, in this chilling tale of passion and destruction, the crime only serves to tear them apart.
The National Theatre's live theatrical production of Tony Kushner's two-part play 'Angels In America' about New Yorkers grappling with the AIDS crisis during the mid-1980s.
A woman is driven to the unthinkable by her desperate desire to have a child in Simon Stone’s radical production of Lorca’s achingly powerful masterpiece.
Andrew Scott brings multiple characters to life in Chekhov's Uncle Vanya, filmed live in West End, London. Hopes, dreams, and regrets are thrust into sharp focus in this one-man adaptation which explores the complexities of human emotions.
In this worldwide bestseller, we watch four men over a period of more than thirty years: lawyer Jude, actor Willem, visual artist JB and architect Malcolm. The story is the history of their friendship, as they remain closely connected with each other during the rest of their lives. They develop their careers in the city where ambition and success are the indicators of a successful life: New York. Ivo van Hove adapts Hanya Yanagihara’s novel to theater and creates a penetrating performance.
A ship is wrecked on the rocks. Viola is washed ashore but her twin brother Sebastian is lost. Determined to survive on her own, she steps out to explore a new land. So begins a whirlwind of mistaken identity and unrequited love. The nearby households of Olivia and Orsino are overrun with passion. Even Olivia's upright housekeeper Malvolia is swept up in the madness. Where music is the food of love, and nobody is quite what they seem, anything proves possible.
Emilia Clarke makes her West End debut as Nina in Anya Reiss’ unique 21st century modernisation of Anton Chekhov’s The Seagull, with direction by Jamie Lloyd.
Hedda and Tesman have just returned from their honeymoon and the relationship is already in trouble. Trapped but determined, Hedda tries to control those around her, only to see her own world unravel.
Against the backdrop of Hamlet, two hapless minor characters, Rosencrantz and Guildenstern, take centre stage. As the young double act stumble their way in and out of the action of Shakespeare’s iconic drama, they become increasingly out of their depth as their version of the story unfolds.
An occupied desert nation. A radical from the wilderness on hunger strike. A girl whose mysterious dance will change the course of the world. This charged retelling turns the infamous biblical tale on its head, placing the girl we call Salomé at the centre of a revolution. Internationally acclaimed director Yaël Farber (Les Blancs, Hamlet) draws on multiple accounts to create her urgent, hypnotic production.