The Marvellous Wreath

People magically appear and disappear from an oversized musical cigar dispenser.

Monsterlike cranes reign over an inhospitable harbour as prehistorical reptiles. The only human being they accept is a lonesome fisherman. He is to witness a strange encounter between a ship's mate and a mermaid. Imagination or reality?

This mostly lost film is often confused with director Paul Wegener third and readily available interpretation of the legend; Der Golem, wie er in die Welt kam (1920). In this version of the golem legend, the golem, a clay statue brought to life by Rabbi Loew in 16th century Prague to save the Jews from the ongoing brutal persecution by the city's rulers, is found in the rubble of an old synagogue in the 20th century. Brought to life by an antique dealer, the golem is used as a menial servant. Eventually falling in love with the dealer's wife, it goes on a murderous rampage when its love for her goes unanswered.

God and Satan war over earth; to settle things, they wager on the soul of Faust, a learned and prayerful alchemist.

A gin bottle is personified with a spirit. As the gin bottle changes hands the spirit of the bottle tempts the various possessors to take a drink. A pro-prohibition movie, the story exemplifies the tragedies of drinking.

A man is trapped in a sinister flat where nothing seems to obey the laws of nature.

A policeman has an amazing arm--one that stretches up to at least 10-12 feet. At times, he uses it to be very helpful to the local citizens, and at others he uses it to enforce the law.

A struggling drug addict is plunged into a tortured netherworld, where he must defend his spirit from a ravenous horde of soul-addicted junkies.

This two-strip Technicolor record of the 1936 freshman pageant, acted out entirely by women, begins with Dorothy escorting the Wizard to the throne, assisted by Ojo, whereupon he looks in the Magic Picture on the University of Michigan, and the typed students complaining about school. The Wizard decides to bring them all to Oz, transforming them into Oz celebrities: Tippetarius, the Scarecrow, Nick Chopper, Tik-Tok, Old Mombi, Jinjur, Scraps, The Shaggy Man, Betsy Bobbin, and Jack Pumpkinhead. After a party and registration, it's on to class with Professor Wogglebug. When Tip and Jack carry him out of the classroom, he subjects them to a blue book exam, after which they wish to return to the U of M. The equivalent characters are not played by the same people, so there transformation, their "true self" appears behind them in the early scenes.

Red-tinted 9,5 mm Baby-Pathé version (1923) of a devilish contortionist short starring Fred Sato (1910/1911).

A cut-out animation depicting the Twelve Labours of Hercules.

The various parts of Faust are played by puppets.

The opening scene is in a tailor's shop, showing the four assistants more or less in love with their employer's daughter. After some time, the tailor says he will give his daughter to the one who shows himself to be the cleverest. Some very amusing incidents follow. The various feats accomplished during the contest are clever examples of trick photography. (Moving Picture World)

In this picture there is a limited amount of action in the pose. As the curtains are drawn aside the shell appears shut. It gradually opens, disclosing the model curled up in a recumbent position. She slowly arises as if awakening, and gracefully assumes the final position of the pose.

A barber's customer is not accustomed to the blade. Luckily, the coiffeur has a modern solution.

A magician and some assistants put up a series of posters of music hall acts in a frame. Then the magician brings each poster to life.

A drunk staggers into his apartment and falls asleep. He dreams he climbs to the top of a building and flies to the moon, then falls back to earth. When he wakes, still drunk, he is in his apartment.

A scientist concocts a potion that can turn people invisible for short periods of time. Two crooks steal the potion and go on a crime spree.

Gaston Velle's 'Les Fleurs Animées' was screened by the Australian-based Corrick Family Entertainers as part of their variety act. In their advertising the Corricks described the detailed, hand-coloured production as 'The finest "Color" Film of the Twentieth Century'. Simple camera tricks create a magic fairy story in this tale of angry flowers exacting revenge on a man who has wantonly destroyed their garden.

A beautiful seductive fairy makes gentle winged creatures appear.