Sarah Smile

Two disparate strangers, a Gen Xer and a Millennial, form an unlikely bond on a rooftop after both experiencing traumatic situations.

Animated actors and vases tell stories from Greek mythology. Part of a 100-film international project on the theme of world culture. (Robert Donn)

Return to Crystal Lake: Making 'Friday the 13th'

Documentary on the recording of the Album Una vez iniciado el fuego by Sakatumba

A lamb's parents are shocked because their little lamb doesn't sound like the other sheep; it says "moo" instead of "baa".

After the universal abolition of the death penalty, an executioner is assailed by murderous impulses. He then discovers that against all expectations, he has taken a liking to his profession.

Gil Cardinal searches for his natural family and an understanding of the circumstances that led to his becoming a foster child. An important figure in the history of Canadian Indigenous filmmaking, Gil Cardinal was born to a Métis mother but raised by a non-Indigenous foster family, and with this auto-biographical documentary he charts his efforts to find his biological mother and to understand why he was removed from her. Considered a milestone in documentary cinema, it addressed the country’s internal colonialism in a profoundly personal manner, winning a Special Jury Prize at Banff and multiple international awards.

A young boy who likes to play the flute dreams that he has lost his water buffalo.

Ever since she was a little girl, growing up in the fourth world country of Crapistan, Natasha has devoured all things American. Finally, through the wonders of the Internet, she finds her way to a Bel Air mansion and into the loving arms of a socially inept Internet mogul. With her own "How to Be an American" scrapbook as a guide, every week, Natasha, the upbeat optimist, takes on a new, impossible challenge with wide-eyed enthusiasm.

Erkan changes his gender and become a transexual. The doorman of his apartment has a crush on Erkan's woman view. The doorman witnesses the argument between Erkan and two men. He finds out that that Erkan is originally a man under the attractive woman view. The doorman is frustrated.

A photographer girl enters a street to take street photographs as usual and takes a few photos that she thinks are normal. When she washes the photos and hangs them, she sees that she is actually in one of the photos and goes in search of that person.

A white-collar South Korean man discovers a severed human finger and keeps it.

Tehran Is the Capital of Iran (1966-79) documents life in a deprived district in the south of Tehran. The images of destitution in Tehran's poor areas is accompanied by a variety of spoken accounts: the official viewpoint on the district's living conditions, what the inhabitants have to say, and occasional extracts read out of school manuals. The key element in Shirdel's film is the counterpoint effect he creates with image and sound. His impressively powerful portrayal of social unease helps reinforce the impact of his astonishing documentary images and social themes.

When Troy Wallace’s girlfriend undergoes an unexpected transformation, he is determined to fulfill her dream, proving that love knows no bounds – even in the most wriggly situations.

A storage facility employee discovers someone is living in one of the units.

Princess doesn’t say much. She loves her dad, but charity does not always start at home.

Claudia Recher is a young woman who has lived a horrible situation. Her sense of reality becomes an illusion as she struggles to assemble the loose fragments of wrecked life. The last witness of innocence and her internal conflicts.

A 30 minute infomercial that originally aired on Comedy Central in 1993. The idea was that by purchasing Troma Inc. movie products you could better yourself as a person.

During a military uprising known as “El Porteñazo”, a priest is photographed while trying to help a soldier wounded in combat. The photo travels the world and is awarded the most important prizes in photojournalism, such as the Pulitzer Prize and the World Press. Throughout this documentary, photographers, editors and witnesses reveal various aspects surrounding that image: who is the priest, who was its author, the events that surrounded the photographic event, what was its political role and what said image represents in the history of Venezuelan journalism. Additionally, it allows the presentation of other photographs, some unpublished, that Rondón managed to capture in those difficult moments.

Following the death of her estranged grandmother, a young girl witnesses the long-repressed hatred and pain within her family. Once they all gather for the funeral, emotionally triggered by the recent loss, she decides to take matters into her own hands.