Ingmar Bergman in Iceland

Ingmar Bergman speaks with Gunnar Bergdahl.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergmans video, 2012.)

Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.

Bergman interviews the locals of Fårö in this fascinating documentary. An expression of personal and political solidarity with the fellow inhabitants of his adopted home, the island of Fårö in the Baltic Sea, this documentary investigates the sometimes deleterious effects of the modern world on traditional farming and fishing communities. The young, especially, voice doubts about remaining in such a remote, quiet place.

The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.

A focuses on 1957, one of the most prolific years for the Swedish director. During the year he shot two films, opened two of his most celebrated films (The Seventh Seal and Wild Strawberries), and produced four plays and a TV movie while juggling with a complicated private life.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, left Stockholm and went to live there. When he died, the house was preserved. A group of very special cinephiles, came from all over the world, travel to Fårö in search of the genius and his legacy. (Released in 2013, edited and abridged, as Trespassing Bergman.)

The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.

We delve into an encounter between Erradi ( an old man nearing the end of his life) and Aymane (a young boy eager to learn about life), in the presence of a woman (Rahma) taking the form of DEATH. Which ends with a series of poignant flashbacks that portray the old man's journey through life, filled with joy and sorrows and lessons learned. The short film explores the cyclical nature of life capturing the essence of reincarnation and the idea that our stories continue on living despite death

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.

Two men find themselves in a hotel room trapped with only their thoughts and unresolved disputes.

Biùtiful cauntri

Documentary about red-bereted Jimmy Mirikitani, a feisty painter working and living on the street, near the World Trade Center, when 9/11 devastates the neighborhood. A nearby film editor, Linda Hattendorf, persuades elderly Jimmy to move in with her, while seeking a permanent home for him. The young woman delves into the California-born, Japan-raised artist's unique life which developed his resilient personality, and fuel his 2 main subjects, cats and internment camps. The editor films Jimmy's remarkable journey.

Part drama, part documentary, The Road to Guantánamo focuses on the Tipton Three, a trio of British Muslims who were held in Guantanamo Bay for two years until they were released without charge.

Martin Scorsese and the Rolling Stones unite in "Shine A Light," a look at The Rolling Stones." Scorsese filmed the Stones over a two-day period at the intimate Beacon Theater in New York City in fall 2006. Cinematographers capture the raw energy of the legendary band.

Henry Baltimore was the first African American drum major of the Michigan State Spartan Marching Band. In 1973, Henry was robbed at gunpoint in his apartment. The two African American men who robbed him tied him to his bed and pistol-whipped him. One of the men was identified as Roy Davis from Flint, Michigan. Henry reported the crime to the police, but when the arraignment hearing came around, Henry did not show up. His car was at his apartment, but Henry himself was nowhere to be found.