Ingmar Bergman in Iceland

Ingmar Bergman speaks with Gunnar Bergdahl.

The year 1957 was one of the most prolific for the Swedish filmmaker Ingmar Bergman: he shot two films, released two of his most celebrated films and produced four plays and a TV movie while juggling with a complicated private life.

Filmmaker Kogonada reflects on women and mirrors in the films of Ingmar Bergman.

In the sixties, Swedish filmmaker Ingmar Bergman (1918-2007) built a house on the remote island of Fårö, located in the Baltic Sea, and left Stockholm to live there. When he died, the house was preserved. A group of very special film buffs, came from all over the world, travel to Fårö in search of the genius and his legacy. (An abridged version of Bergman's Video, 2012.)

Four of Sweden's most innovative choreographers travel to Ingmar Bergman's home on Fårö to explore and get inspired. The result is a unique contemporary dance film.The renowned Swedish choreographers Alexander Ekman, Pär Isberg, Pontus Lidberg and Joakim Stephenson, with principal dancers Jenny Nilson, Nathalie Nordquist, Oscar Salomonsson and Nadja Sellrup from the Royal Swedish Ballet, interpret Ingmar Bergman through four unique dance performances reflecting on human relations and intense feelings. The dances are linked together with images of the epic natural beauty of Fårö and Bergman's poetic home Hammars, including the voice of the master himself - Ingmar Bergman - revealing his thoughts about movements and music.

Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.

Bergman interviews the locals of Fårö in this fascinating documentary. An expression of personal and political solidarity with the fellow inhabitants of his adopted home, the island of Fårö in the Baltic Sea, this documentary investigates the sometimes deleterious effects of the modern world on traditional farming and fishing communities. The young, especially, voice doubts about remaining in such a remote, quiet place.

The working class girl from Landala, Gothenburg, through the fine art of theatre and all the way to Hollywood.

Language is like memory. If it is not used, it slowly fades. Stockholm is not like Zagreb, but it is like any capital city. I was there when it happened, without having time to say 'thank you' for everything. The book is excellent, each chapter is like Andersson's tableau – a separate whole in which over time you notice the thoughtful layers of tragicomic human life.

The film shows four women moving in a crowded, closed room to the music of Monteverdi. They represent women living by passing on a role that is passed down to them for generations. Two of the dancers are damned souls that come to life, the third is death and the fourth a child born free, but forced into the other female roles.

A period drama set between Scotland and Italy.

A highfalutin art movie crumbles into a meta-fictional disaster that betrays its director’s incompetence in real time, and it’s all on film.

As Alex struggles with disturbing hallucinations, his wife Vera tries to help, until they both experience their own profound revelations.

An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

De Düva is a 1968 Oscar-nominated American short film that parodies the films of Swedish director Ingmar Bergman, including Wild Strawberries and The Seventh Seal. The film borrows heavily from the plot lines of some of Bergman's most famous films. The dialogue, seemingly in Swedish, is actually a Swedish-accented fictional language based on English, German, Latin, and Swedish, with most nouns ending in "ska." The film was nominated for an Oscar for Best Live Action Short Film.

No Days Off for Death” is a film that depicts an altered rendition of our own world to explore themes of grief and over corporatisation, the narrative takes place from two perspectives that ultimately come together; one of a nameless Grim Reaper (only referred to as “Death”) who only wants to take a long overdue holiday from their endless mundane work in the corporate underworld and a grieving man (Max) contemplating committing suicide after a breakup leaves him at the end of his rope. When Death is sent on a job to see that Max goes through with his plan, they decided to try and convince Max to keep on living, an altruistic act Max reluctantly engages with even if death just wants their holiday.

The Invisible Illness is an in-depth study on life with Endometriosis. Endometriosis is a disease where tissue similar to uterine lining grows in other parts of the body causing many issues such as intense pain, fertility complications and organ dysfunction. It isn’t a unique illness. In fact, endo affects one in nine Australian women - and it’s a disease most people have never heard of.

A documentary on the recording of the song "Towers of London" and a brief behind-the-scenes look at the making of the "Generals and Majors" video. Recorded at Richard Branson's mansion, August 1980.

The film follows a pioneering team of scientists and psychotherapists, led by Professor David Nutt, Dr Robin Carhart-Harris and Dr Rosalind Watts, as they compare the effects of psilocybin (the active ingredient of magic mushrooms) with an antidepressant (an SSRI called escitalopram) on a small group of participants with clinical depression. This is scientific research at its most cutting edge. With over seven million people being prescribed antidepressants each year in England alone, this drug trial is an important milestone in understanding a completely different treatment for depression.

Envoy: Shark Cull is a fascinating, deeply moving documentary narrated by Eric Bana, which sheds light on the real story behind the coastal ‘shark safety’ programs in Queensland and New South Wales. The current methods of baited drum-lines and nets have not only been scientifically proven to be ineffective in protecting swimmers and surfers, leaving them at risk in the sea, but these outdated solutions continue to be allowed to negatively impact entire marine ecosystems—including the Great Barrier Reef. Follows some of the biggest names in ocean conservation, such as Sea Shepherd, Ocean Ramsey and Madison Stewart. We will join these experts as they explore and expose this scarcely understood topic. We will also learn the importance of sharks in our oceans while uncovering the longest marine cull in history.