Antonio Caldara – Magdaléna u nohou Kristových

Location - London's Hyde Park Date - 4th July 1999 Madness: "Our House"; S Club 7: "Bring it all Back"; Boyzone: "No Matter What"; Geri Halliwell: "Look at Me"; Texas: "Blacked Eyed Boy"; Steps: One for Sorrow". It all goes on and on and on with simply the best on this 120 minute concert recording of the Party In The Park

Live concert from the hip-hop group, The Black Eyed Peas, filmed at Sydney's Superdome and Las Vegas' The Hard Rock.

In 2002, a 60-year old McCartney refocused the attention on his musicianship, staging a massive live concert in Cleveland, Ohio. The superstar, who went on to form the popular rock group Wings and had several hit records as a solo artist, performs a track list that covers all three phases of his long and prolific career, including the hits "Eleanor Rigby," "Live And Let Die," "Blackbird," "The Long And Winding Road," and "Mother Nature's Son." In addition to the 30 tunes that McCartney enthusiastically performs, seemingly immune to the ravages of time and aging, BACK IN THE U.S.A LIVE also includes candid behind-the-scenes footage of the rocker backstage and on the road.

Recorded on Saturday April 19, 2003 when Silverchair brought the Across The Night tour to their hometown of Newcastle, New South Wales, Australia. The concert was staged in the ornate and venerable Newcastle Civic Theatre - within walking distance of the band's birthplace. Surrounded by friends and family the group finally got to perform songs from their landmark albums.

Frontman/guitarist Tom Petty, guitarist Mike Campbell, bassist Ron Blair, keyboardist Benmont Tench and drummer Stan Lynch opened their taping at WDR Studio-L in Cologne with the rarity “Surrender.” A cover of Chuck Berry’s “Jaguar and Thunderbird” was performed next, followed by “American Girl.” Other well-known originals filling out the setlist include “Listen To Her Heart” and “Breakdown.” The taping concluded with back-to-back covers of Bobby Troup’s “Route 66” and The Isley Brothers’ “Shout.”

Pianist, entertainer and Grammy winner Chilly Gonzales performs traditional Christmas songs and new pop standards in this "Christmas Special." But there's no Christmas without family, so Gonzales has invited his musical gang to celebrate a special holiday with them. Because only together can they help Santa out of his impending depression. "A Very Chilly Christmas" takes the beloved old Christmas shows on TV as its model and subjects them to a contemporary makeover. For Santa, like all of us, has had an exhausting and challenging year. Overwhelmed by the world of goods and the consumer frenzy, he has to undergo therapy. So it's a good thing that Chilly Gonzales and his friends like Jarvis Cocker and Feist are on hand to help out musically. Because only together can they help Santa out of his impending depression and convince him to keep going - thus ending the year on a conciliatory note for him and all of us....

The 29th Annual Rock and Roll Hall of Fame Induction Ceremony took place on Thursday, April 10, 2014 at Barclays Center in Brooklyn, New York. The 2014 Ceremony was open to the public, as it had been for the Induction Ceremonies in Cleveland (2009, 2012) and Los Angeles (2013). This was the first time that the event was held in New York. With performances by Peter Gabriel, Hall and Oates, KISS, Nirvana, Linda Ronstadt, and Cat Stevens.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: Lecture 5 picks up at the early twentieth century with an oncoming crisis in Western Music. As these lectures have traced the gradual increase and oversaturation of ambiguity, Bernstein now designates a point in history that took ambiguity too far.

This series comprised six lectures on music, which cumulatively took the title of a work by Charles Ives, The Unanswered Question. Bernstein drew analogies to other disciplines, such as poetry, aesthetics, and especially linguistics, hoping to make these lectures accessible to an audience with limited or no musical experience, while maintaining an intelligent level of discourse: This lecture takes its name from a line in John Keats' poem, "On the Grasshopper and Cricket". Bernstein does not discuss Keats' poem directly in this chapter, but he provides his own definition of the poetry of earth, which is tonality. Tonality is the poetry of earth because of the phonological universals discussed in lecture 1. This lecture discusses predominantly Stravinsky, whom Bernstein considers the poet of earth.

Mozart - Berliner Philharmoniker - Radek Baborák - Daniel Barenboim

Mozart’s Requiem – his final and unfinished masterpiece – is an extraordinary work. Discover the piece at the Salzburg Festival in the hands of conductor Teodor Currentzis, the ensemble musicAeterna, Anna Prohaska (soprano), Katharina Magiera (contralto), Mauro Peter (tenor), and Tareq Nazmi (bass). Few musical works are as steeped in legend as Mozart’s Requiem in D minor, K. 626. Commissioned anonymously by the eccentric count Franz von Walsegg, the funereal oeuvre would become Mozart’s last: when he died on December 5, 1791, only the Requiem aeternam and Kyrie movements were fully composed and orchestrated. Completed by other composers (Mozart’s student Franz Xaver Süssmayer in particular) using Mozart’s sketches and notes, the resulting work weaves the emotions we associate with death into a timeless musical exploration of every human being’s destiny, and constitutes a powerful final testament to its creator’s genius.

Like many of John Adams’ operas, Doctor Atomic is based on recent world historical events—here, the effusive Robert Oppenheimer, “father of the atomic bomb,” anxiously awaits the bomb’s first test in Los Alamos, New Mexico. Adams adapted the work into a symphony, comprising its three main acts. In the second half of the program, Adams conducts his 2015 violin concerto, Scheherazade.2, which restages the tale of the One Thousand and One Nights heroine as a strong woman navigating a patriarchial society, incarnated by the solo violin part. The work was composed specifically for Canadian-American virtuoso Leila Josefowicz and co-commissioned by the Royal Concertgebouw Orchestra, who perform it to perfection. The evening then closes out with Tromba Lontana, an orchestral fanfare written to mark the 150th anniversary of Texas’s independence from Mexico in 1836.

Filmed on the Hot Space Tour, complete Queen concert from Milton Keynes Bowl, 5th June 1982 in England where the band played a number of hits including "We Will Rock You", "Somebody to Love", "Under Pressure", "Bohemian Rhapsody" and "We Are the Champions".

Filmed at the Scala, London in 2011, Claudia Brucken, using the nucleus of her current Onetwo band, performed an exciting 98 minute live set playing 19 song selections from her 27-year career aided by a host of special guests, including Andy Bell (Erasure), Glenn Gregory & Martyn Ware (Heaven 17), Susanne Freytag and Ralf Dorper (Propaganda) and Andrew Poppy.

Louis Tomlinson perform live in London, December 2020.

The DVD and CD were recorded over two nights at the Paradiso in Amsterdam. Two studio recordings, "Forever" and "Purifier" are included on the album. Singer Ed Kowalczyk said of them, "Both songs kind of have this urgency about them, where we almost missed our deadlines. You can feel the urgency and the energy of the session in the songs" Despite the fact that the band was on the verge of breaking up, guitarist Chad Taylor was pleased with the DVD. "When I saw the magic that was on camera, I was overcome by emotion. We had documented the energy and efforts of a 20-year career together." However, the long-standing tensions between lead singer Ed Kowalczyk and the other three band members were boiling over. "When the album artwork showed up with Chad, Patrick and I in black and white and Ed in color it shot pain through my veins."

The evocative music of Claude Debussy has been described as the foundation of modern music. But how did the composer come to develop his unique style? On this video, maestro Francois-Xavier Roth and the London Symphony Orchestra present the UK premiere of a previously lost work by the young Debussy, alongside some of his earliest inspirations. Debussy's newly discovered Premiére Suite gives a rare insight into the mind of a young composer on the cusp of innovation. It's a work filled with Romantic and Eastern influences and glimpses of the unexpected harmonies that came to define Debussy's work. Paired alongside the composer's role models - from Wagner's powerful intertwining motifs, the abundant Spanish influences in Lalo's rarely-heard Cello Concerto performed here by Edgar Moreau, and Massenet's majestic Le Cid - Francois-Xavier Roth gives a fresh perspective on the much-loved composer.

Beyond Live 1991 生命接觸演唱會

Lionel Richie Festival de Viña del Mar

Lady Gaga: Live at Glastonbury Festival