Monument: The Untold Story of Stone Mountain

The construction of the Obelisco in Buenos Aires, Argentina.

A celebratory exploration of the boisterous times of Freaknik, the iconic Atlanta street party that drew hundreds of thousands of people in the 80s and 90s, helping put Atlanta on the map culturally.

“Olive” is a short documentary that follows Olive Hagemeier, an energetic woman, on her daily routine of salvaging, repackaging and redistributing food, and occasional other types of “waste”, across Atlanta, GA. Presented in a quiet observational style, this film is both a character study of a committed and enigmatic volunteer, as well as an ethnographic work that places the audience in the heart of a decentralized, volunteer-run mutual aid network in a “post-COVID” American city.

The director's affection for the Londrina Esporte Clubeb (LEC) and his grandfather is transmitted through this short documentary that shows an important match for the championship. During a trip the director managed to kill the longing of the two...

The Gateway Arch: A Reflection of America chronicles for the first time the complete story of this great American symbol… from Thomas Jefferson, Lewis & Clark, and St. Louis’ role in westward expansion; to the eventual construction of the largest stainless steel structure in history.

On the occasion of the fourty years anniversary of François Mitterand's election, a look back to the relationship between the President and artists, from admiration to manipulation.

Using over 100 years of archival footage, director Sierra Pettengill explores the history of the largest Confederate monument, Georgia’s Stone Mountain.

“First” pan in Pannonian Basin and highly likely in the Balkans was created in 1912 by Ernest Bosnjak. The film documented the unveiling of the monument to Ferencz Rákóczi in Sombor and also features a brief tilt shot of the monument itself.

How the Monuments Came Down is a timely and searing look at the history of white supremacy and Black resistance in Richmond. The feature-length film-brought to life by history-makers, descendants, scholars, and activists-reveals how monuments to Confederate leaders stood for more than a century, and why they fell.

Atlanta musicians behind some of the biggest names in music embark on an uncertain journey into the spotlight with a new genre of music that fuses trap music with jazz.

In the midst of a publishing revolution, The Atlanta Journal-Constitution, one of America's most storied institutions of journalism, is experimenting with new tools to tell stories in preparation for the end of print in the digital era.

Is the solution to Switzerland's future to integrate Germany into the confederation? After all, like Michael Ringier, CEO of the Ringier media group, says, blithely ignoring all minorities, we're very close in culture and language. Oskar Freysinger takes out his guitar and sings his answer. Politicians from French-speaking Switzerland and Ticino think expanding will help the country survive. The former German foreign minister thinks the two countries' traditions are too different. The banker Oswald Grübel is worried about Germany's debts, although he'd be prepared to take over its assets. With serious interviews interspersed with gags (boat people on Lake Constance, the last Habsburger as a peasant), Giaccobbo gathers off-the-cuff reactions which reveal a lot about the different mentalities. The movie laughs at preconceived notions, redefines neutrality and reflects on what designates a nation. Switzerland, which loves to teach the world a lesson, will soon helvetize the planet, oder?

Tour Eiffel : La Grande Épopée

In the 1980s and 1990s, an epidemic of crack cocaine addiction ravaged African American communities across the United States. Crack is extremely addictive, a trap that can lead to homelessness and an early death. Black addicts in Atlanta, Georgia tell us about their addiction, their past, and their struggles with police.

How would you feel if the state sold the mountain above your village to a big multinational, your country's beautiful islands, its beaches or your great monuments? Strangled by debt, governments and public administrations all over Europe act like any indebted family: they try not only to reduce costs, but attempt to replenish their coffers by putting their most valued family possessions on the market. More often than not, this includes part of the countries' historical and natural heritage: castles, islands, mountains, beaches, palaces, ancient arenas and archaeological sites. But who really owns these properties? Aren't they our common heritage, our history that will end up in private or corporate hands and will no longer be accessible to all? Or is the private sector more efficient in managing these properties? And if so, who decides on the best deal? Are there democratic proceedings for the sale of our common good? The people of Europe want accountability.

A young woman tries to make love to a park statue, but despite her passionate efforts, the monument remains cold and heartless. Don’t Believe in Monuments is an early short, where Makavejev subtly ridicules Yugoslav state-sponsored monument and history worship.

The pride of Napoleon's victories, the Arc de Triomphe, whose first stone was laid in 1806 at the top of the Champs-Élysées, is, along with the Eiffel Tower, one of the most visited monuments in the French capital. Wanted by an emperor, inaugurated under the reign of a king (Louis-Philippe) and sanctuarized by the Republic, this patriotic temple polarizes the passions of a whole nation. A historical portrait before "packaging", which teems with anecdotes and unsuspected details.

One man's hat is another man's treasure when it comes to the importance and significance of saving items of historic value.

On April 12th, 1864, at an insignificant little fort, several hundred black Union soldiers fought a hopeless battle against a Confederate general who was destined to become the first Grand Wizard of the KKK. This battle had a domino effect, trickling down the long road of history. Today, it is just a footnote in most history books; however, no other event of the Civil War has had such a profound impact on the twentieth century, especially on American culture.

STOP COP CITY is about the militant occupation of Atlanta's South River Forest. For over a year, a coalition of militant anarchists, community organizers, and eco-activists have been resisting police and contractors to halt the deforestation of hundreds of acres of urban forest.