When NYC’s Broadway theater season opens, Katie Sarasola is looking for her big break and producer Kenny Schumacher needs to have a surefire hit. Secretly hoping to cash in on the success of Hamilton, Kenny decides to mount an all Hip Hop version of Abraham Lincoln’s life. An egotistical Hollywood director, clueless trap rapper, washed up choreographer, and an unknown lead actress are hired to bring Kenny's vision to life. "Lincoln The Musical" is a parody of the entertainment industry as seen through the lens of a Broadway show. Peek behind the curtain as Katie deals with egos and her own raw emotions as she prepares for the biggest night of her life. After Opening night, will Lincoln be known as the biggest show of all time or Broadway’s biggest bomb?
"Despite the multitude of characters and situations, the plot is simple: the eternal flow of life. It is based on Les contes fantastiques d’Hoffmann, a play by Jules Barbier and Michel Carré, who were inspired by some of the stories of the German E.T.A. Hoffmann. On a drunken night in the city, Hoffmann tells how he courted and lost three girls, his impossible loves: Olympia, a mechanical doll that only he believes to be truly human; Giulietta, the courtesan who steals his reflection in a mirror; and Antonia, a young woman who sings until she literally dies." Venue & Opera Company: Teatro Regio di Parma Recorded: 1988 Singers: Alredo Kraus, Ruth Welting, Jonathan Omilian, Barbara Hendricks, Elena Zilio, Nicola Gjiuselev, Bruno Buulgarelli, Francis Egerton, Aldo Bottion Orchestra: Orchestra Sinfonica dell'Emilia-Romagna "Arturo Toscanini" Chorus: Coro del Teatro Regio di Parma Chorus Master: Adolfo Tanhzi Stage Director: Beppe de Tomasi
Opera in three acts, a prologue and an epilogue, by Jacques Offenbach (1819-1880), with a libretto in French by Jules Barbier (1825-1901), based on a work that Barbier himself and Michel Carré (1821-1872) had written based on stories by E.T.A. Hoffmann (1776-1822). Approximate duration: 2 h 45 min Recommended for those over 15 years old. The young poet Hoffmann, accompanied by Nicklausse, his alter ego and confidant, is in a tavern next to the theatre where Mozart's Don Giovanni is being performed. During the opera's intermission, some diners arrive at the bar who, upon seeing the poet, encourage him to sing and tell them the story of his famous love affairs. Hoffmann finally gives in and shares with them the stories of Olympia, Antonia and Giulietta. They, absorbed in the poet's stories, remain in the tavern, forgetting about the opera performance.
Lucien de Rubempré, a young, lower-class poet, leaves his family's printing house for Paris. Soon, he learns the dark side of the arts business as he tries to stay true to his dreams.
Lovesong
Pandora Reynolds is a woman who has never fallen in love – but one who men kill and die for. When she meets dashing and mysterious ship's captain Hendrik van der Zee, he pushes her to commit the ultimate act of love.
Sophia struggles with overthinking her life as a poor, nihilistic drifter. Exiled to a life of solitude, she has the chance to change it all upon meeting Liza one night... Did she let her in or was she destined to burn it all? The aftermath of their breakup is explored through three different angles.
San Francisco's prize-winning American Conservatory Theater's rowdy commedia dell'arte production incorporates slapstick, pratfall and earthy humor into William Shakespeare's comedy about the two unmarried daughters of a wealthy Italian merchant. While daughter Bianca is genteel and popular, daughter Kate is foul-tempered and strong-willed. No one dares to marry Kate, until Petruchio arrives in Padua and tries his hand at courtship.
The stripper Tony and the naive enthusiast Anthony, two entertainers, destined for the big time, who are mismatched in a casting office from two very different online contests.
On the same day that Stalin was buried, Sergei Prokofiev's funeral took place completely unnoticed. And if the farewell to the composer quietly went against the backdrop of the farewell to the dictator that swept the whole country, then in the play everything is the opposite - Prokofiev's music is in the center, and it is interrupted by the stories of those people who would probably ignore Stalin's funeral and went to say goodbye to the great composer.
Gounod's Faust at the Bavarian State Opera: Jonathan Tetelman plays Faust, the scholar who makes a pact with Mephistopheles (Kyle Ketelsen) before seducing Marguerite (Olga Kulchynska). The unfortunate woman descends into madness but ultimately achieves redemption. Lotte de Beer directs this production, which marks Nathalie Stutzmann's debut in Munich as conductor.
A new staging of Christopher Hampton's celebrated adaptation of the classic novel, where among the glittering salons of the super-rich, one misstep can mean ruin. Marquise de Merteuil is a master in the art of survival. Alongside the magnetic Vicomte de Valmont, they turn seduction into strategy and weaponise desire. But when their alliance collapses into rivalry, the battle between them threatens to destroy everyone in their path. Filmed live at the National Theatre, Marianne Elliott directs this thrilling game of love, lies, and social warfare.
A sequence of musical scenes that define a tender and romantic story, typical of a fairy tale: that is what the theatrical version of Flinderella, which took place in 2004 at the Teatro Gran Rex, is all about. In this version full of fantasy, Greta tells a story to Tomás, a boy who is in his bed sad and without anything to cheer him up. The story tells the love story of a poor girl who lives on top of a train and a rich prince who lives in a palace. Despite class differences and the evil Delfina, love between Flinderella is possible. She is rich in dreams and poor in gold, he is rich in money but does not know how to smile. Flor Bertotti, Juan Gil Navarro, Benjamin Rojas (here a guide who leads Flinderella through the path of dreams) and all the cast of the novel.
Flinderella lives in a terrace and that's her world... A sad, dark, cold and lonely place that is transformed into a magical space, thanks to the light of our heroine's soul. Alongside her live her guardians of the heart: a magician, a fairy, an angel and a jester: they help her, accompany her and give her strength when she feels lost. Her joy and her ability to feel and dream make Delfina, her sister, hate her, envy her and try to destroy her. Delfina has everything that can be bought with money and lacks everything that comes from the heart. Such is the strength of the soul of our “Princess of the Terrace” that she manages to reverse Delfina's superficial and frivolous world. In this terrace love arises, since Max, a writer who lives nearby, manages to see everything that happens in the house of the evil Delfina and in the dome of the sweet Flinderella. A new tale with a great love story.
The 2024 Senior BA students would like to invite you to a Playdate!! Bring your blankets, stuffed animals, and pillows as we celebrate the path that got us to where we are!
Enda Walsh's play Misterman, written for a solo performer, is a study of one man’s descent into religious mania in small-town Ireland.
Inspired by the life of Varvara Asenkova, a 19th-century actress who earned great acclaim on St. Petersburg stage before her death at the age of 24.
This vivid film of Wagner's romatic opera succeeds in conveying what has famously been called "the wind that blows out at you whenever you open the score", including Daland's boat anchoring against the Sandwike cliffs, the red-sailed phantom ship, and the ghost crew rising from the dead. "Scenes that recall classic horror films... Brilliantly successful" (Nürnberger Nachrichten), "Captures the works' essence" (Süddeutsche Zeitung). With a superb cast; conducted by Wagner authority Wolfgang Sawallisch.
An evening of celebrated stars performing the titles songs from Broadway’s best.
The Little Black Fish tells the tale of a small, inquisitive fish who dares to question the limitations of her world—the stream where generations of fish have lived without exploring beyond. Driven by curiosity and a thirst for truth, she embarks on a brave journey beyond the known waters, encountering various creatures, dangers, and wonders. Her journey becomes a powerful metaphor for resistance, growth, and the importance of independent thought.