This short follows a day of work for an Everglades wildlife trapper catching animals for zoos around America. In this film, his assignment is to go out into the swamp with his Indian assistant and find a bobcat, two black bear cubs and six rattlesnakes.
The Long Ryders, with bands such as The Bangles and The Three O' Clock, were key players in the Paisley Underground, a musical movement from the mid-1980s, combining the chiming folk rock of the 1960s with a psychedelic bent and a bit of punk attitude. The Long Ryders developed a cult following, becoming college radio favorite. This presentation finds frontman Sid Griffin and his band performing at the Roxy in Los Angeles in February of 1986.
Mitrice Richardson, a lovely 24 year old African-American woman, was released late at night from the Malibu, California Sheriffs jail after having been detained for not paying her bill at an upscale restaurant. She was described as 'acting crazy' and, in fact, was having a mental crisis. She was released into the mountainous region with no cell, no purse, no ID, no car, no way home and vanished. Eleven months later her remains were found in a desolate Malibu canyon. 'Lost Compassion,' shot from ten days after Mitrice went missing, tells the complex, emotional inside story of the search for Mitrice and struggles with the Los Angeles Sheriff's Department, whose deputies lied about her arrest and likely were involved with her disappearance and murder.
The subject is a group of women bathing in a public swimming pool. The camera was placed on the edge of the pool and the full extent of the film shows the women in the pool. Only the heads and shoulders of most of the women are visible but it is possible to see they are wearing rented bathing attire.
An oddball picture about legendary kooky and colorful Los Angeles fringe eccentric cult figure Bongo Wolf. Through the course of the film, Bongo visits his friends in Hollywood, gives a lecture on vampires and prehistoric man, visits the Count Dracula society, plays his bongo drums...
Mostly dark, rejecting images which are repeated. A stone wall, the chamber of a revolver which is, at first not recognizable, a close-up of a cactus. The duration of the takes emphasises the photographic character of the pictures, simultaneously with a crackling, brutal sound. (Hans Scheugl)
Gula
An in-depth look at the culture of Los Angeles in the ten years leading up to the 1992 uprising that erupted after the verdict of police officers cleared of beating Rodney King.
Warsaw's Central Railway Station. 'Someone has fallen asleep, someone's waiting for somebody else. Maybe they'll come, maybe they won't. The film is about people looking for something.
A documentary film that highlights two street derived dance styles, Clowning and Krumping, that came out of the low income neighborhoods of L.A.. Director David LaChapelle interviews each dance crew about how their unique dances evolved. A new and positive activity away from the drugs, guns, and gangs that ruled their neighborhood. A raw film about a growing sub-culture movements in America.
In the 1968 movement in Paris, Jean-Luc Godard made a 16mm, 3-minute long film, Film-tract No.1968, Le Rouge, in collaboration with French artist Gérard Fromanger. Starting with the shot identifying its title written in red paint on the Le Monde for 31 July 1968, the film shows the process of making Fromanger’s poster image, which is thick red paint flows over a tri-color French flag. —Hye Young Min
Clouds 1969 by the British filmmaker Peter Gidal is a film comprised of ten minutes of looped footage of the sky, shot with a handheld camera using a zoom to achieve close-up images. Aside from the amorphous shapes of the clouds, the only forms to appear in the film are an aeroplane flying overhead and the side of a building, and these only as fleeting glimpses. The formless image of the sky and the repetition of the footage on a loop prevent any clear narrative development within the film. The minimal soundtrack consists of a sustained oscillating sine wave, consistently audible throughout the film without progression or climax. The work is shown as a projection and was not produced in an edition. The subject of the film can be said to be the material qualities of film itself: the grain, the light, the shadow and inconsistencies in the print.
A documentary film about the Afro-American Woodstock concert held in Los Angeles seven years after the Watts riots. Director Mel Stuart mixes footage from the concert with footage of the living conditions in the current-day Watts neighborhood.
Surfing at Waikiki Beach, Hawaii, on the island of Oahu. Most surfers are human, one is a dog. The educational documentary is part of the Bruce Scenic Novelties series.
This short travelogue depicts snippets of locations in Hollywood, California, most of them as seen from the streets. Considerable time is taken showing the kinds of architecture of private homes. There are images of various important buildings, and a depiction of the Hollywood Bowl. Finally, there is a sequence revolving around the premiere of the film “Dirigible” (1931) at the famed Chinese Theatre.
In 2012 Dalya and her mother Rudayna fled Aleppo for Los Angeles as war took over. Months before, Rudayna learns a secret that destroys her marriage, leaving her single at midlife. Arriving in LA, Dalya enrolls as the only Muslim at Holy Family Catholic High School. Can mother and daughter remake themselves while holding on to their Islamic traditions?
Join the Mars rovers Spirit and Opportunity for an awe-inspiring journey to the surface of the mysterious red planet.
An educational short film about correct speaking methods.
Carefully picked scenes of nature and civilization are viewed at high speed using time-lapse cinematography in an effort to demonstrate the history of various regions.
Filmed in IMAX, a young girl questions her grandfather about the alleged curse of King Tutankhamen. His response takes us up to the source of the nourishing river Nile, to the Great Pyramids of Giza, to the Valley of the Kings.