A young working class Baltimore man spends 10 years on a single portrait, believing it is his means to fame and fortune. But he also believes that only one man can lead him there---the famous artist David Hockney. What happens when you finally meet the god of your own making?
"The prevailing stigmatization of the 'villero' universe is fed back by the images. In order to dismantle this stigmatization, other images must be presented or we need to reveal what the existing ones seek to cover up. The slum is usually represented from a limited and deceitful visual panorama. This representation has an intention. Cinema and television are two image-producing devices that strengthen the stereotypes that we have about the people who inhabit these spaces. And what happens in the field of painting? Do clichés reign there too? This visual essay seeks to confront various works by national painters and sculptors, belonging to the Palais collection, with the kinetic images of current cinema and television, to reflect on both the differences and the similarities in the meanings and discourses that both regimes of images can produce." César González
We go behind the scenes and into the minds of artists as they capture, commemorate, and, at times, condemn our presidents.
Charles Rennie Mackintosh, architect, designer and artist is celebrated around the world as one of the most significant talents to have emerged in the period from the mid 1890s to the late 1920s. He was one of the greatest, most original talents of this time and has been judged a precursor of firstly the modernist style and subsequently of the Art Deco movement. His legacy lives on all around us in his instantly recognisable style. A MODERN MAN takes a critical look at Mackintosh’s life and artistic career and the importance of the friends and patrons who provided him with regular work when it mattered most.
The film examines Mackintosh's iconic buildings, notably the Glasgow School of Art. Interwoven with his architecture, design and watercolours is the personal story of Mackintosh. Little known at home, his work found favour on the continent. In later years he struggled for work, and came to endure real poverty, but continued to create remarkable pieces of art.
Counter Shot: Departure of the Filmmakers
The work of painter Joan Miró is more alive than ever 35 years after his death. Grandson Joan Punyet travels the world and paints the picture of his grandfather-seeker, for whom freedom in creation was a necessity. Miró was very attached to his homeland and this is regularly reflected in his often experimental concepts. Fellow artists talk about their collaboration with Miró and rare images show us the artist at work, right up to his last days.
The jet set life of artist Nikki S. Lee.
Klaus Kinski has perhaps the most ferocious reputation of all screen actors: his volatility was documented to electrifying effect in Werner Herzog’s 1999 portrait My Best Fiend. This documentary provides further fascinating insight into the talent and the tantrums of the great man. Beset by hecklers, Kinski tries to deliver an epic monologue about the life of Christ (with whom he perhaps identifies a little too closely). The performance becomes a stand-off, as Kinski fights for control of the crowd and alters the words to bait his tormentors. Indispensable for Kinski fans, and a riveting introduction for newcomers, this is a unique document, which Variety called ‘a time capsule of societal ideals and personal demons.’
In March and April of 1966, Markopoulos created this filmic portrait of writers and artists from his New York circle, including Parker Tyler, W. H. Auden, Jasper Johns, Susan Sontag, Storm De Hirsch, Jonas Mekas, Allen Ginsberg, and George and Mike Kuchar, most observed in their homes or studios. Filmed in vibrant color, Galaxie pulses with life. It is a masterpiece of in-camera composition and editing, and stands as a vibrant response to Andy Warhol's contemporary Screen Tests. Preserved by the Academy Film Archive in 2001.
Tardi en noir et blanc is a documentary portrait of French comic auteur Jacques Tardi, one of the world's most significant graphic novelists. Director Pierre-André Sauvageot followed Jacques Tardi for two years to create this intimate insight into Tardi's creative process: from his research into political and historical topics to the actual drawing of his graphic novel panels.
Michael Palin heads for rural Pennsylvania and Maine to explore the extraordinary life and work of one of America's most popular and controversial painters, Andrew Wyeth. Fascinated by his iconic painting Christina's World, Palin goes in search of the real life stories that inspired this and Wyeth's other depictions of the American landscape and its hard grafting inhabitants. Tracking down the farmers, friends and family featured in Wyeth's magically real work, Palin builds a picture of an eccentric, enigmatic and driven painter. He also gets a rare interview with Helga, the woman who put Wyeth back in the headlines when the press discovered he had been painting her nude, compulsively but secretly for 15 years.
Upcoming documentary about artist Jean-Michel Basquiat. The estate of the legendary artist is on board the project and has granted full access to archival material and original works of art, allowing it to be a mash-up of never-before-seen home movies, notebooks, photographs, animation, and interviews.
Satirical artist and art director, Suzanne Heintz, adopted her fake family more than 15 years ago to challenge persisting stereotypes about women's lives.
Directors Jonathan Alter, John Block and Steve McCarthy bring New York columnists Jimmy Breslin and Pete Hamill’s courageous writing to life, celebrating the acclaimed journalists and the city they loved.
A profile of Istanbul and its unique people, seen through the eyes of the most mysterious and beloved animal humans have ever known, the Cat.
Artist Chris Berens finds his inspiration in his own magical inner world. The animals and creatures that play a major role in his imagination also populate the landscapes he creates with his special painting technique. It results in scenes that are both enchanting and ominous.
Venturing from Venice Beach to Watts, Varda looks at the murals of LA as backdrop to and mirror of the city’s many cultures. She casts a curious eye on graffiti and photorealism, roller disco & gang violence, evangelical Christians, Hare Krishnas, artists, angels and ordinary Angelenos.
Back To Africa
Maurizio is a young university student living in Zürich, with a passion for diseases. Unlike many others, he can see an inherent beauty in them. Afterall, what difference can exist between a flower and an infection, if they are both a gift of nature?