Love Times Three

Lilia is a girl with magnetic, hypnotic and rare beauty that gives her a power of seduction which she uses and abuses with impunity, until the day she falls madly in love with her alter-ego.

Giacomo has an idol: James Bond. When he dreams, he dreams of himself, his fabulous adventures, especially in Tunisia, and a beautiful wife, Belle. In reality he is unemployed, overwhelmed by an obsessive mother who continually called to see if he wore his woolen tank top and is treated by a doctor who thinks he is Einstein. Finally Giacomo is followed by bizarre characters, kidnapped and taken to Tunisia to live a wonderful adventure of her dreams, from the dangers of any kind ... and he met Beatrice

Aldo and Marco are twins. Marco, a parish priest, has always been his mother's pride and joy, whereas Aldo has a history of repeated prison stints. A womanizer and high-rolling gambler constantly in need of cash, he frequently finds himself embroiled in wild, shady schemes—most of which go awry. Wanted by the police, he flees to Tunisia, posing as his brother Marco and disguised as a priest. There, he reconnects with his childhood friend Prosper, dragging him into a life of reckless escapades, chasing after a million-dollar fortune and pretty women alike.

To understand firsthand what the United States of America can learn from other nations, Michael Moore playfully “invades” some to see what they have to offer.

Ommi Traki is an elderly woman who is active and involved in everything, organizing everything in her family and neighborhood. Surrounding her are her husband Salah, who contentedly observes the results of his wife's interventions with a mocking air; her spoiled son Ali, a young man she still considers a child; the maid Zouzou; and others. The film is inspired by the famous Tunisian television series of the same name from the 1970s.

Paul, a former womanizer, marries the head of the medical department's "unattractive" daughter Christine because he thinks attractive women can't be trusted and make poor wives. A car accident leaves him bedridden and he begins to miss his playboy days, when Christine's bombshell sister Martine arrives and Paul decides he must have her. He begins drugging Christine at night so he can sneak out to kill of Martine's many suitors one by one.

Ten years ago exactly, more or less, give or take a day or two, six young men sat down, or maybe stood, or perhaps some of them just lounged, and wrote the first episode of a new series called Owl Stretching Time. They were called Graham Chapman , John Cleese, Terry Gilliam , Eric Idle,Terry Jones and Michael Palin and later both they and the series became known as Monty Python 's Flying Circus . Today they are the best known British comedy group in the world, famous from Cathay to Kathmandu, from Sydney to Sidcup (except in Japan where the programme is called The Gay Boys' Dragon Show ... say no more). To commemorate their tenth anniversary a BBC team tracked them down in the deserts of Tunisia where they were filming their Life of Brian and almost persuaded them to examine the genesis, the genius and the gender of Monty Python.

The film tells the stories of several people living in the same city, Tunis: Shams, who is experiencing heartbreak; Sabrine, torn between pressure from her family and her vision of her Prince Charming; Inès, who is enjoying her single life and open relationships after her divorce; Hassan, who decides to abandon his professional success and return to Tunisia after the death of his wife; Sami, the taxi driver who suddenly finds himself unemployed; and Mo, the owner of a pub who lives in a world of total corruption.

Summer of 1967. La Goulette, a touristic beach of Tunisia, is the site where three seventeen-year-old girls live: Gigi, Sicilian and Catholic; Meriem, Tunisian and Muslim; Tina, French and Jewish. They would like to have their first sexual experience during that summer, challenging their families. Their fathers, Youssef, Jojo and Giuseppe, are old friends and their friendship will be in crisis because of the girls, while Hadj, an old rich Arab, would like to marry Meriem.

A heartbroken Tunisian film director finds the perfect male lead for her new romance movie, but during rehearsals the young actor begins to suspect that his role may not be a fictitious one.

The story of the dysfunctional Tounsia family where Zakia, the matriarch of the family loves her son Selim to the point of enslaving the rest of the family. And the rest of the family just want one thing, and that is for Selim to get married and be out of their lives forever.

The daughter of a local authority is in love with a poor minaret crier and resists a rich man from Tunisia.

After years of absence, a man comes back to a hometown that no longer feels like his, pushing him to question identity, memory, and the meaning of home.

The Real Story of Fake Democracy. Filmed over three years in five countries, FREEDOM FOR THE WOLF is an epic investigation into the new regime of illiberal democracy. From the young students of Hong Kong, to a rapper in post-Arab Spring Tunisia and the viral comedians of Bollywood, we discover how people from every corner of the globe are fighting the same struggle. They are fighting against elected leaders who trample on human rights, minorities, and their political opponents.

Zaghouan

January 2011 : the revolution bursts in Tunisia, my father’s country. The Tunisian people scream in a rage and I, here in Paris, can feel their revolt vibrating in my heart.

An intimate portrayal of Tunisia’s architectural landscape and its atmospheres, memories and traditions. The film appropriates ethnographic documentaries on architecture and rural life in Tunisia, sourced from France’s national audiovisual archive (INA). Scenes from 1940s newsreels produced by Les Actualités Françaises are combined with new footage from the same sites, including Matmata, Douiret and Tameghza.

A herd backs into a dusty courtyard. The sheep, on the ground with their four legs bound, are quickly and skillfully shorn. The animals, now without their fleece, leave one by one, leaping over a narrow channel to allow the shepherds to count them. Everything is crystal clear, efficient, encouraging in a sense – and this goes for both the shearing and the film. Except for the final panning shot of the men grinning at the camera and brandishing shears ready to be put to use. –Andrea Meneghelli

Since creatures of the sea are one of our vital sources of nutrition, fishing has always been a testing ground for the ingenuity of our species, which is notoriously ill-suited to the water. Before fishing was transformed into an industrialised process, regional variations in practice were a cultural fact. A film such as this, which demonstrates three distinctly different practices, is a precious thing. –Andrea Meneghelli

German prisoners in Tunisia turn around and walk in step through a military camp, with their tents visible in the background. They roll barrels on the ground, spread concrete using shovels, and unload wagons full of earth and stones. The prisoners walk in a row in front of a large door supervised by French soldiers, who nearly approach the camera.