El cine mexicano de fiesta

“Other People’s Footage: Copyright & Fair Use” uses on-camera interviews with 19 noted documentarians including Haskell Wexler, Tia Lessin, Carl Deal, and Scott Hamilton Kennedy along with several legal experts to examine the three questions crucial to determining fair use exemptions for documentary filmmakers. The documentary presents illustrative examples from nonfiction films that use pre-existing footage, music and sound from other individuals' creations—without permission or paying fees.

Confronted by retirement, a fourth generation fisherman grapples with the selling of the boat he built with his father.

A fragmented collection of independent closed cinemas, in London during lockdown, captured on Super 8mm film.

A 64 year old cardboard collecting grandmother and a Brazilian bodybuilder reveal the identity of Macau through the pointillist minutiae of their life experience, emotional strength, and driving passions.

This film takes us on an emotional journey from sacred ground above Byron Bay to Antarctica, Indonesia to Pakistan, and is sure to light a fire under the strongest climate change denier. THE POWER OF ACTIVISM focuses on six highly spirited female activists as they are put under the microscope to ascertain the financial impact of their environmental solutions… and the results are astonishing. From shark conservation to indigenous practices, intensive farming to plastic pollution; all their ‘causes' fall under the umbrella of "climate change", but they should also fall under the umbrella of "saving tax payers hundreds of millions of dollars!”

The film tells the life story of Roman Romancini, one of the most important Brazilian mountaineers, in his endeavor to reach his greatest dream: climbing Mount Everest, the highest mountain on the planet. Directed by Rafael Duarte (Bambalaio Filmes) and produced by Leonardo Edde (URCA Filmes), the documentary shows how Roman reached, during his preparation years, 4 of the “7 summits” during winter, considered by many an almost impossible mission. Survivor of the avalanche that hit the Khumbu Falls in 2014, a few feet from Everest Base Camp, Roman returned to the Himalayas four years later with Rafael Duarte and Padawa Shepa, who together documented the most challenging expedition of his life.

What happens to a relationship if a partner suddenly becomes severely disabled after an accident? For Gosia it is clear that she will stand by her boyfriend Tomek no matter what in order to let him live as normal and fulfilled a live as possible. But time and again she becomes painfully aware of her own limits, as well as of those of a society that talks a lot about inclusion but often does not seem to be ready for it. GOSIA@TOMEK is based on more than 3000 emails that Gosia has been writing to Tomek daily since his accident.

A visual essay revealing social inequality as the silent sickness of COVID-19 lockdown America. To highlight the disconnect between the fantasy of Los Angeles and the lived reality for many of its citizens, a computerized voice gives a dispassionate monologue over imagery that explores the truth of a city after the tourists, luxury stores and entertainment are removed from the streets. Through silent vignettes, the film leaves us with images of homelessness, and comments on the shallowness of capitalism and the hypocrisy of multiculturalism.

Caos do Sodré

ONLY NOISE is a documentary that tries to rescue from oblivion a tale with Les Renards as protagonists, one of the many bands from the 60s that was a key witness and pioneer in the first big explosion of Uruguayan Rock. It might look like a tale from an ordinary band, but in 1968 this band managed to break a world record.

Documentary explores the life stages of different people.

This documentary offers an honest look at our fraught, complex relationship to video games from the perspectives of gamers and their concerned parents.

Underground poker player Bobby Diamonds enters the spotlight in this hallucinatory, hilarious, and heartfelt documentary. Directed, Produced, and Edited by Robert Aaron Mitchell Executive Producer Sarah Dillard Mitchell Winner of Best Short Documentary Tokyo International Short Film Festival (2022) Winner of Best Short Documentary Venice Fullshot Film Festival (2022) Official Selection Munich New Wave Short Film Festival (2022) Official Selection Toronto Smartphone Film Festival (2023)

A series of indie filmmakers are documented over the course of a few months throughout the production of their passion projects, as they change professionally and personally; moving closer to the lives they wish to live.

Roadliners is a film about inspiration and craft, and the uncelebrated typographers of the road. With filmmakers Pretend Lovers we documented a day in the life of Glasgow roadliner Thomas ‘Tam’ Lilley. While looking for inspiration for O Street’s new brand we stumbled on a typographer whose work was uniquely relevant to our company—one whose work embodied the values we hold dear: honesty, beauty, humility, and intelligence.

Filmmakers stay at a haunted lodge and find themselves in over their heads when they encounter something otherworldly.

Award winning short documentary by Ibrahim Snoopy, tracks the journey of the MTC martial arts team, which decides after a civil revolution that occurred in Sudan (2018-2019). Facing of lack of the state support and weak financial means, ambitious athletes found themselves forced to travel by land from Sudan to Kenya through Ethiopia to participate in an international championship "LionHeart 2019 Nairobi Open" in Nairobi, Kenya. A journey filled with determination, resilience, hope, and full of difficulties and challenges in order to raise the name of Sudan high in international sports forums and to solidify the art of Jiu-Jitsu in Africa.

Reflects a depressing and hopeless reality by following some of the members of "la dieciocho", the so-called 18th Street gang in a poor San Salvador neighborhood.

This film shot by Michael Pilz between 1964 and 2005 is a meditative documentary in which personal images can be read as the director's way to liberation in the spirit of Eastern philosophy. It is conceived as an inner pastiche which permits the message to be immediate and authentic by mosaic-like blending of motifs and time planes where it seems that the film is the only fixed point in the world because, unlike its elusive nature, it has a clear order.

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