Once again, the mysterious minah bird hops his syncopated way into Inki's lion-hunting expedition. This time the little black bird has a new reality- defying way to disappear: he hops into a haystack which gradually (and with the same catchy hip-hop) shrinks down to a single straw, which vanishes.
The Gay Parisian is an American short film produced in 1941 by Warner Bros. featuring the Ballet Russe de Monte-Carlo and directed by Jean Negulesco. The film is a screen adaptation, in Technicolor, of the 1938 ballet Gaîté Parisienne, choreographed by Léonide Massine to music by Jacques Offenbach. It was nominated for an Academy Award at the 14th Academy Awards for Best Short Subject (Two-Reel).
The first of a series of six two-reel "Musical Parade" shorts produced in Technicolor for the Paramount 1943-44 production season. The series would continue into 1948, and then were reissued in the early 50's. Songs included "All the Way" and "At the Mardi Gras."
Bugs Bunny and his friends teach children about safety regarding fires and other burn-causing injuries in the home.
A young horse says hi to little donkey Spunky. But the horse's mother pulls him away, saying we don't associate with that kind. Spunky makes a few more overtures, and eventually they set off on a chase, running across a bull from time to time. The horse stops to eat a lot of apples and drink far too much water; this leaves him too bloated to move much at all. The two continue to anger the bull, which gives chase; Spunky saves the colt, and they all live in harmony.
The mouse, tired of being chased by the cat, convinces him there's no reason for it, and that the cat should talk to the dog and convince him too. The talks are not successful...
A clumsy yokel of a male weed courts a delicate female flower ballerina by trying to dance with her.
Gabby teaches a young boy how to fish, even though the boy was doing much better without him.
Gabby goes camping with the Mayor.
Lazy black folks in Lazy Town (Pop. 123½) are napping and attracting flies. They are so lethargic they even fight in slow motion. Then a riverboat arrives with a red hot mama on board. Faster than you can say "Jim Crow", she has everyone moving to a Harlem boogie beat, dancing, scrubbing clothes, and eating watermelon. As the boogie-woogie comes to a close, Mammy hoists her skirt. Her big bottom reads "The End".
Stranded on an island after his ship was wrecked by a hurricane, Porky meets a friendly African Native. They build a house, and Porky begins to explore the island. On his way we see various sight gags.
A family is preparing a wedding for one of their family members, and despite having many material problems and having a father in hospital, they are planning to buy coins. To give their families their return as a wedding gift in order to preserve honor in front of the bride's family ...
Jimmy Durmaz och frisparken
Vuelve a casa
The Bokelberg photographic collection brings to life the Paris of the Belle Époque (1871-1914), an exhibition of workshops and stores with extremely beautiful shop windows before which the owners and their employees proudly pose, hiding behind their eyes the secret history of a great era.
In this short animation film we see a world, where the monkeys are music-lovers. As two young chimpanzees are separated by a musical dispute.
A paralyzed girl finds difficulty living a normal life, so she participates in a ritual to metamorphize into a mermaid to replace her useless lower half.
When naive Ryan took on the role of a caretaker for his exhausted mother over the weekend. He doesn't realise the severity of his situation until he confides in his concerned teacher, Mrs. Watson. Together, they check on Ryan's mother only to be confronted with a harrowing discovery that challenges Ryan's innocence and changes his outlook on life forever.
Alan Ladd was discovered by Sue Carol for his incredible voice in radio. And then she married him. In I Look At You, he is sweet and graceful. And at the very beginning of his career in film. He sings and leads Rita Rio's all-girl band while she dances around him.
A vivid dream exploration of Moira Shearer's heart and mind, just before and after she agreed to star in Powell and Pressburger's beloved cinema classic "The Red Shoes", a decision that would change her life forever. Celebrating the original film but also shining a light on the uncanny parallels between Moira Shearer and her tragic alter ego Victoria Page. Revealing a complex and defiant young woman who ultimately chose life over fame.