Homesick

Finding community via his gay rugby league, Jamaican-born Desmond navigates life, love, and identity as an immigrant living in Munich, Germany.

The shocking finale of the titular trilogy, which features graphic footage of the macabre and grotesque as directed by Brazilian filmmaker Lázaro Hahn.

A 10-minute portrait of modernist poet and de Andrade’s godfather, Manuel Bandeira, is clear in its affection for it subject, though like many New-Waveish films of the time, depicts the modern urban landscape as an ominous and alienating force.

Documentary about influential Brazilian sociologist Gilberto Freyre, made in his country house in Apipucos, Pernambuco (Northeast Brazil).

It is a daring idea: to grow food from old mattresses in a desolate camp at the edge of a war zone. When a refugee scientist meets two quirky professors, they must confront their own catastrophes - and make a garden grow. Short film now streaming on Waterbear.com.

Documentary short film intended to drum up support for the Fifth War Loan Campaign. It shows a happy family in the future of 1960 enjoying the prosperity and advantages made possible by the successful prosecution of the war, and how the sacrifices of 1944 have made the world a better place. Edited down from The Shining Future (1944).

JB Smoove and Martin Starr host a celebration of 20 years of "Spider-Man" movies, from the Sam Raimi trilogy to Marc Webb's movies and the trio from Jon Watts.

In a house under construction for 30 years, the reading of its descriptive memory and the collection of documents about its construction process awaken fragments of uncertain memories. From an image and sound research, an unfinished film emerges about an unfinished house.

Filmmaker Marc Fafard examines the historical and cultural significance of the seafaring Vikings.

Oshun

An up-close look at the true nature of the sex trade. The film unveils a growing problem in major U.S. cities where girls as young as 12 years old are bought and sold as many as 15 times a night to service the desires of men. Experience the shocking truth and follow several heroes as they fight to end this modern-day slavery and stop the next generation of buyers.

Footage shot not long after the 1906 earthquake in San Francisco is edited together so that more than one scene and more than one vantage are included. We see fire raging. We see burned-out buildings, piles of rubble, and buildings with only one wall standing. People stand and watch; others walk purposely through the debris. A carriage passes; the camera pans the desolation. A horse-drawn cart is laden with a family's remaining possessions. A sign hangs outside one building: "A little disfigured but still in business. Men Wanted."

The film opens on a dressing room set with a mirror, dressing table, and chair center stage and a folded dressing screen on the left. A smiling, dark-haired woman enters through the door on stage right, unbuttoning a full-length polka-dot costume. As she undresses, she frequently looks directly at the camera and smiles. She removes her sash or cummerbund, the top with its trailing sleeves, and her skirt, leaving her clothed only in a sleeveless chemise. Smiling directly at the camera, she mischievously slips a strap of the garment off one shoulder, then ducks behind the screen.

A triumph of film art, creating on the screen a vast, awe-inspiring picture of the universe as it would appear to a voyager through space, this film was among the sources of inspiration used by Stanley Kubrick for his 2001: A Space Odyssey. Realistic animation takes you into far regions of space, beyond the reach of the strongest telescope, past Moon, Sun, and Milky Way, into galaxies yet unfathomed.

Water Birds is a 1952 short documentary film directed by Ben Sharpsteen. The film delves into the still waters of lagoons and marshes to the wild blue wilderness of the vast oceans, to experience the beauty and variety of their majestic birds, each perfectly designed for its habitat. It won the Oscar for Best Short Subject, Two-Reel.

A stationary camera looks west across Niagara Falls from the United States' side (the Niagara River rushes toward the falls from right to left). Virtually overlooking the falls and surrounded by the swift current not far from the camera is a small island where six or eight tourists watch the water, talk, and move about.

The surf pounds against a breakwater on which are visible several people standing. The wall looks to be about 20 feet above sea level and extend at least 100 feet into the water. A large wave rolls picturesquely along the wall toward the shore. Smaller waves follow. Then the scene changes to river water flowing. We see both shores: in the foreground a log and tree branch are visible; on the far shore, there appears to be a low wall with trees beyond it. The camera is stationary in both shots.

Prudence Penny and Gwen Lee give more cooking tips in Technicolor

June 1971 - in a fluid landscape completely below sea level, a young biology student dies during the last year of his studies, leaving behind an unfinished scientific collection. More than fifty years later, a group of ecologists and volunteers are trying to understand and document the same environment as it is today.

Shows a tramp enter and try to ride a wheel, from which he makes some very ludicrous falls and gives up in despair, after which an artist enters and jumps rope on a wheel. A very laughable subject.