How We Get Free

A cinematic haiku by Chris Marker.

Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.

What does it mean to be goth—to be an outsider, to live both on the margins and in the midst of society? Filmmakers Jordan Hemingway and Alban Adam prize open the coffin on a world of darkness and light, exploring its multiplicities and intersections with subcultures and the ever-present experience of queerness.

Experimental film directed by Dmitry Frolov, shot in the midst of perestroika in the USSR. February 1991. Starring the drummer for the MEANTRAITORS Vladislav Lyashchuk - a very peculiar musician played without bass drums and Toms.

Set to a classic Duke Ellington recording "Daybreak Express", this is a five-minute short of the soon-to-be-demolished Third Avenue elevated subway station in New York City.

Deep in the forest of Overland Park, Kansas little gnomes made a home. But how did they get there? Experience the feel-good story of paying it forward, one tiny magical house at a time.

The making of the hoax film Miracles of Evolution.

Narrates in a poetic way the mystical connection that exists between the inhabitants of the pueblan Mixteca and water.

A tour of the canyons of the Teolocholco community through the memories of the elderly.

Don Andrés has dedicated most of his life to the creation of paintings with seeds, a craft considered intangible cultural heritage of Tlaxcala.

Samantha Flores, an 87 year old trans woman dreams with creating a nursing home for elder LGBTTI+ community.

Chauffer le dehors

Je suis là

At 96 years old, Magician Mr. Delhi lives for the love of magic and his wife. For him, magic means the only link with reality and he will fight against time and the difficulties of old age to continue surprising curious eyes hungry for illusion.

A sort of documentary on the people known to have fallen out of windows in a certain time frame in a certain geographical location. One of Greenaway's early short films.

In the Douro, five winemakers get together with the aim of exporting Portuguese wine to the world.

The role of African Americans in the recovery years of the Great Depression is the subject of this informational short, which offers an idealized depiction of life in a segregated society. The highlight, by far, is rare footage of Orson Welles’s “Voodoo Macbeth,” produced in 1935 for the New York Negro Unit of the WPA’s Federal Theatre Project.

Likely in June 1897, a group of people are standing along the platform of a railway station in La Ciotat, waiting for a train. One is seen coming, at some distance, and eventually stops at the platform. Doors of the railway-cars open and attendants help passengers off and on. Popular legend has it that, when this film was shown, the first-night audience fled the café in terror, fearing being run over by the "approaching" train. This legend has since been identified as promotional embellishment, though there is evidence to suggest that people were astounded at the capabilities of the Lumières' cinématographe.

The Chaperone tells the true, previously untold story of a lone school teacher who fought off an entire motorcycle gang while chaperoning a middle school dance in a church basement in 1970s Montreal, Canada. Told from the first person unscripted perspective of the school teacher and DJ who were there that night, The Chaperone recreates the whole scene using hand drawn animation, miniature sets, puppets, live action Kung Fu and explosions all done in stereoscopic 3D. With over 10,000 hand drawings (many of which were colored in crayon by hand), an original blaxploitation score and featuring a cast of over 200 people, The Chaperone is an unconventional approach to documentary shorts.

"Labyrinth" is a groundbreaking multi-screen 45-minute presentation produced for Chamber III of the Labyrinth at Expo 67 in Montreal, using 35 mm and 70 mm film projected simultaneously on multiple screens. A film without commentary in which multiple images, sometimes complementary, sometimes contrasting, draw the viewer through the different stages of a labyrinth. The tone of the film moves from great joy to wrenching sorrow; from stark simplicity to ceremonial pomp. It is life as it is lived by the people of the world, each one, as the film suggests, in a personal labyrinth. Re-released in 1979 as "In the Labyrinth" by the National Film Board of Canada in a 21-minute single projection format.