Академия детских наук. Музыка. Как устроена песня. Фильм 3

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Arrigo Boito's Il Mefestefele was first performed in 1868 and his most known work. In Ken Russell's modern interpretation presented by the Genoese Opera, it has Faust as an ageing hippy. He smokes marijuana and is tormented by his lost youth. Mephisto makes a bet with God that he can turn anyone to pagan life, even someone as innocent as Faust. From then on it is a battle of good against evil in a flamboyant, surreal display of primary colours, PVC costumes, nurses with swastikas, rocket trips, love and even characters dressed as Donald Duck and Mickey Mouse. Ken Russell said because the devil is always with us is his reason for the contemporary setting.

Twenty-two year old Neuroscience student Wendy is in the midst of a transition from pre-med to performance when she is thrown into quarantine with her 17 year-old sister, April. Suddenly sharing a full-sized bed, the sisters struggle to make peace with their newfound living quarters. But, while editing April’s college essays, Wendy discovers her purpose–to help April find hers. Over fourteen days, the girls grow from acquaintances to artistic allies as they realize their unstoppable potential to pursue their passion. Based on a true story, this film was shot in Houston with an entirely Texan cast & crew. Creator Abby Tozer donated $2500 to the Cynthia Woods Mitchell young performing artists' scholarship.

A ten-year-old girl meets famed opera singer Enrico Caruso on a train between Boston and New York. She admonishes him for his extravagant lifestyle, but she is softened up somewhat when Caruso begins to sing arias from her favorite operas.

Májové jitro

In 1879 Paris, a young orphan dreams of becoming a ballerina and flees her rural Brittany for Paris, where she passes for someone else and accedes to the position of pupil at the Grand Opera house.

Seeking to exorcise the failure of his current love affair, the poet Hoffmann tells the tales of his three past loves - the doll-like Olympia, the high-class courtesan Giulietta, and the ambitious but delicate Antonia - and recalls how each was thwarted by the evil influence of his rival. In this production by the distinguished film director, John Schlesinger, with spectacular designs by Maria Bjornson and William Dudley, Offenbach's nightmare world is brought to life. The all-star cast is headed by Placido Domingo as Hoffmann: his three loves are Ileana Cotrubas, Anges Baltsa and Luciana Serra and the manifestations of his rival are sung by Geraint Evans, Robert Lloyd, Siegmund Nimsgern and Nicola Ghiuselev. The score, which includes such favourites as the "Barcarolle" and the "Doll's Song", is conducted by Georges Pretre.

Three children visit their friend Bethie's clubhouse where they are encouraged to be as silly as possible as long as they learn and do well in school. Everything is silly at Bethie's clubhouse, the door tells knock-knock jokes, the books jockey to be read first, and the TV reminds Bethie when her favorite show "Ivana the Iguanna's Beauty Tips" is on. Add to that an assortment of silly visitors like Kitty Kat Man, Captain Schnorer the Worldwide Explorer and various talking animals who all break into wonderful musical numbers while educating the kids.

Rusalka

A surreal movie by peter Weigl starring Michael Biehn and Lubomir Kafka.

Archeologist and avid puzzle solver Professor Layton and his assistant Luke are caught up in an adventure when a masked figure steals an entire opera house and forces those in attendance to play a high-stakes game. The winner will receive eternal life, but it could mean death for the losers.

All My Love

At the Katnip Kollege, we see a roomful of cats taking a course in Swingology. Everyone swings except Johnny, who can't cut it and has to sit in the dunce chair. Miss Kitty Bright tells him to look her up when he learns how to swing. Finally, listening to the pendulum clock at night, Johnny gets the beat. He rushes out to where everyone is playing and sings "Easy As Rollin' Off a Log" to Kitty Bright. She joins in; he grabs a trumpet for an instrumental break, with the complete band. They both fall off a log; she covers him with kisses.

Daffy taunts a hunter in Tex Avery's classic, meta short.

The Budapest Opera House's diva commits suicide after the owner ruins her career for having rejected his advances but her conductor-husband, believed killed in a fire, plans his revenge on all those he deems responsible for her suicide.

Dvořák: Čert a Káča

Short opera. A boy falls in love with a girl after an Appalachian prayer meeting, but her father wants her to go to the dance with a local shyster who the father thinks will bail him out of his money troubles instead.

"Rosa", with a libretto by Peter Greenaway and score by Louis Andriessen, is the first in a projected series of 10 operas, each dealing with the death of a famous composer - some real, others fictional. "Rosa" falls into the latter category; it tells the story of Juan Manuel de Rosa, a Brazilian who went to study music in America but spent most of his time in the cinema instead, becoming particularly entranced by Westerns. Now 32 years old and residing in an abandoned Uruguayan slaughterhouse, Rosa has become one of Hollywood's foremost composers, specialising in Westerns. He also has a beautiful 19-year-old fiancee, Esmeralda, but he pays her little heed, instead lavishing his attentions on a black mare named Bola. One day, a group of men attired as cowboys arrive at the abattoir and kill both Rosa and Bola; an investigation is conducted, with particular suspicion!

Wolfgang Amadeus Mozart's Magic Flute is undoubtedly one of the most multi-layered, profound, complicated, and therefore also most difficult to stage works in the entire opera repertoire. In terms of genre, it can only be understood if it is seen as a mixture of four things: a philosophically profound drama of ideas with countless encryptions, a naïve fairy tale, a bawdy comedy, and a crude Punch and Judy show. It is based on the intersection of the traditions of Baroque magic opera, Italian buffa, and Viennese Singspiel, where all manner of wonders are conceivable and permissible. Peter Ustinov's production appeals to all those who love a primarily fairy-tale-like interpretation; the atmosphere is traditional and conventional. An outstanding ensemble of singers has been assembled.